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Presence in Play: A Critique of Theories of Presence in the Theatre is the first comprehensive survey and analysis of theatrical presence to be published. Theatre as an art form has often been associated with notions of presence. The ‘live’ immediacy of the actor, the unmediated unfolding of dramatic action and the ‘energy’ generated through an actor-audience relationship are among the ideas frequently used to explain theatrical experience – and all are underpinned by some understanding of ‘presence.’ Precisely what is meant by presence in the theatre is part of what Presence in Play sets out to explain. While this work is rooted in twentieth century theatre and performance since modernism, the author draws on a range of historical and theoretical material. Encompassing ideas from semiotics and phenomenology, Presence in Play puts forward a framework for thinking about presence in theatre, enriched by poststructuralist theory, forcefully arguing in favour of ‘presence’ as a key concept for theatre studies today.
Presence, the Play offers a penetrating perspective on the vital role personal presence plays in the essence of life. This timely, captivating novel speaks to a growing hunger for a way of life that's real and tangible, the opposite of an artificial existence lived in a realm of mediated connectivity. The protagonist of Presence, the Play is a playwright and monk named Script who lives on the Isle of Estillyen. On the opening night of Presence, Script's long-awaited play, he suffers a devastating fall in the theatre balcony and lapses into a prolonged coma. The novel plays out in Script's comatose state. Presence, the Play offers a meticulously crafted storyline evoking the imaginative prose of J. R. R. Tolkien, the spirited perception of C. S. Lewis, and the dramatic flair of Dante's Divine Comedy. Readers will join Script on an epic mission to save the Isle of Estillyen from the forces of darkness, experiencing many daunting adventures along the way.
Presence in Play: A Critique of Theories of Presence in the Theatre is the first comprehensive survey and analysis of theatrical presence to be published. Theatre as an art form has often been associated with notions of presence. The 'live' immediacy of the actor, the unmediated unfolding of dramatic action and the 'energy' generated through an actor-audience relationship are among the ideas frequently used to explain theatrical experience – and all are underpinned by some understanding of 'presence.' Precisely what is meant by presence in the theatre is part of what Presence in Play sets out to explain. While this work is rooted in twentieth century theatre and performance since modernism, the author draws on a range of historical and theoretical material. Encompassing ideas from semiotics and phenomenology, Presence in Play puts forward a framework for thinking about presence in theatre, enriched by poststructuralist theory, forcefully arguing in favour of 'presence' as a key concept for theatre studies today.
If you've ever had a poker session where you felt completely at ease, your instincts were spot on, and you could effortlessly make the right play without fear or hesitation, you were likely playing from a place of deep presence. "I've had the pleasure of working alongside Jason and I promise his wealth of knowledge on emotional intelligence and its application in a risk-based business is an untapped, hidden edge that few explore. Can't recommend his work enough." -Matt Berkey Poker with Presence is your guide to playing this way each time you sit down. The experiential exercises inside bring you into presence and flow so you can win more money and enjoy your time at the table more each day. "I would recommend this book to anyone who wants to improve at poker, and anything else." - Tommy Angelo
Chaikin, who directed the celebrated Open Theater in the '60s, kindled an emphasis on communal playmaking whose impact is still evident today. This conversational review of his efforts details his methods and reveals the struggles involved in the creation of some of the most exciting theatre of our time.
Pearce analyzes three of Shakespeare's immortal plays in order to uncover evidence of the Bard's Catholic beliefs.
An absorbing study of the contested embodiment of the idea of presence in the plays and novels of the eighteenth century.
Each chapter of this book presents a single day of the twenty-day training which Ruth Zaporah developed into Action Theater, her investigation into the life-reflecting process of improvisation. This book shows through exercises, stories, anecdotes, and metaphors how to focus attention on the body's awareness of the present moment, moving away from preconceived ideas. Improvisations move through fear, boredom, laziness, and distraction to a sustained awareness of creative options.
From player to coach to SEC football official, and from employee to employer, Wes leads with a servant's heart and a football player's passion. Join him as he details his struggle to overcome failure, his journey to influence others, and his rise to success in his motivational book Field Presence: It's Not Enough Just to Play the Game.
Collects some of Miller's last published fiction, revealing the playwright's insight, humanism, and empathy.