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Preliminary Material /Stanley L. Jaki -- Quelques Réflexions: Au Sujet des Théories Physiques /Stanley L. Jaki -- Une Nouvelle Théorie: du Monde Inorganique /Stanley L. Jaki -- Physique et métaphysique /Stanley L. Jaki -- L'École Anglaise et les théories physiques /Stanley L. Jaki -- Quelques Réflexions au sujet de la Physique Expérimentale /Stanley L. Jaki -- L'Évolution des théories Physiques du XVIIe siècle jusqu'à nos jours /Stanley L. Jaki -- Index /Stanley L. Jaki.
This is the third of a three-volume set on medieval scholarship that presents original biographical essays on scholars whose work has shaped medieval studies for the past four hundred years. A companion to Volume 1: History and Volume 2: Literature and Philology, Volume 3: Philosophy and the Arts covers the lives of twenty eminent individuals-from Victor Cousin (1792-1867) to Georges Chehata Anawati (1905-1994) in Philosophy; from H.J.W. Tillyard (1881-1968) to Gustave Reese (1899-1977) in Music; and from Alois Riegl (1858-1905) to Louis Grodecki (1910-1982) in Art History-whose subjects were the art, music, and philosophical thought of Europe between 500-1500. The scholars of medieval philosophy strove to identify the nexus of philosophical truth, whether they were engaged in the clash of the Christian church and secular republicanism as reflected in the tension between theology and philosophy, in addressing the conflicting perceptions of Muslim identity, or in defining Jewish philosophical theology in non-Jewish culture. Medieval musicologists, who are included as the subjects of the essays, pioneered or recontextualized traditional views on the definition of music as subject matter, on the relationship between music and philosophical concepts, on interpretative distinctions between secular and sacred music, monophony and polyphony, and concepts of form and compositional style. The art historians treated in this volume not only overturn the view of medieval art as an aesthetic decline from classical art, but they demonstrate the continual development of form and style inclusive of minor and major arts, in textiles, architecture and architectural sculpture, manuscripts, ivory carvings, and stained glass. The philosophers, musicologists, and art historians who appear in Volume 3 worked in three newly-emerging disciplines largely of nineteenth-century origin. In their distinguished and extraordinary output of energy in scholarly and academic arenas, they contributed significantly to the emergence and formation of medieval studies as the prime discipline of historical inquiry into and hence the key to understanding of the human experience.
This is the first comprehensive study in English about the medieval imperial abbey of Farfa, which played a key role in the Papal Patrimony and in the competition between the Empire and the Papacy.
This book analyses the theological, medical and scientific critique of enthusiasm claims to direct divine inspiration in early modern Europe, and the contribution of that critique to a more secular culture on the eve of the Enlightenment.
One Hundred Twentieth-Century Philosophers offers biographical information and critical analysis of the life, work and impact of some of the most significant figures in philosophy this century. Taken from the acclaimed Biographical Dictionary of Twentieth-Century Philosophers, the 100 entries are alphabetically organised, from Adorno to Zhang Binglin, and cover individuals from both continental and analytic philosophy. The entries have an identical four-part structure making it easy to compare and contrast information, comprising: * biographical details * a bibliography of major works * a listing of relevant secondary and critical literature * an appraisal of the philosopher's thoughts and achievements. A separate glossary provides an introduction to the origins, development and main features of major philosophical schools and movements and offers select bibliographies to guide the reader to further research.
This volume contains more than twenty essays in the history of modern philosophy and history of religion by R.H. Popkin. Several of the essays have not been published before. Thinkers discussed include Hobbes, Henry More, Pascal, Spinoza, Cudworth, Newton, Hume, Condorcet, and Moritz Schlick.
This book makes available to scholars the unpublished proto-scholastic "Commentary on the Psalms," composed by one of the outstanding figures of the early twelfth century, Gilbert of Poiters (Gilbert Porreta). The commentary had its origins in the atmosphere of experimentation which characterized the schools of Laon, Chartres and Paris in the first decades of the century. Its unique "mise en page," its methodology and its connection to other texts - especially glossed classical texts, the "Glossa ordinaria" and the writings of Peter Lombard - are explored. Gilbert's "Commentary" is a text critical for the understanding of the development of the discipline of theology in the twelfth century schools.