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Praise for Saeed Jones: "Jones is the kind of writer who's more than wanted: he's desperately needed."—FlavorWire "I get shout-happy when I read these poems; they are the gospel; they are the good news of the sustaining power of imagination, tenderness, and outright joy."—D. A. Powell "Prelude to Bruise works its tempestuous mojo just under the skin, wreaking a sweet havoc and rearranging the pulse. These poems don't dole out mercy. Mr. Jones undoubtedly dipped his pen in fierce before crafting these stanzas that rock like backslap. Straighten your skirt, children. The doors of the church are open."—Patricia Smith "It's a big book, a major book. A game-changer. Dazzling, brutal, real. Not just brilliant, caustic, and impassioned but a work that brings history—in which the personal and political are inter-constitutive—to the immediate moment. Jones takes a reader deep into lived experience, into a charged world divided among unstable yet entrenched lines: racial, gendered, political, sexual, familial. Here we absorb each quiet resistance, each whoop of joy, a knowledge of violence and of desire, an unbearable ache/loss/yearning. This is not just a "new voice" but a new song, a new way of singing, a new music made of deep grief's wildfire, of burning intelligence and of all-feeling heart, scorched and seared. In a poem, Jones says, "Boy's body is a song only he can hear." But now that we have this book, we can all hear it. And it's unforgettable."—Brenda Shaughnessy "Inside each hunger, each desire, speaks the voice of a boy that admits "I've always wanted to be dangerous." This is not a threat but a promise to break away from the affliction of silence, to make audible the stories that trouble the dimensions of masculinity and discomfort the polite conversations about race. With impressive grace, Saeed Jones situates the queer black body at the center, where his visibility and vulnerability nurture emotional strength and the irrepressible energy to claim those spaces that were once denied or withheld from him. Prelude to a Bruise is a daring debut."—Rigoberto González From "Sleeping Arrangement": Take your hand out from under my pillow. And take your sheets with you. Drag them under. Make pretend ghosts. I can't have you rattling the bed springs so keep still, keep quiet. Mistake yourself for shadows. Learn the lullabies of lint. Saeed Jones works as the editor of BuzzfeedLGBT.
Pierced by grief and charged with history, this new poetry collection from the award-winning author of Prelude to Bruise and How We Fight for Our Lives confronts our everyday apocalypses. In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us. Drawing from memoir, fiction, and persona, Jones confronts the everyday perils of white supremacy with a finely tuned poetic ear, identifying moments that seem routine even as they open chasms of hurt. Viewing himself as an unreliable narrator, Jones looks outward to understand what’s within, bringing forth cultural icons like Little Richard, Paul Mooney, Aretha Franklin and Diahann Carroll to illuminate how long and how perilously we’ve been living on top of fault lines. As these poems seek ways to love and survive through America’s existential threats, Jones ushers his readers toward the realization that the end of the world is already here—and the apocalypse is a state of being.
The first of two prequel novels in Isaac Asimov’s classic science-fiction masterpiece, the Foundation series THE EPIC SAGA THAT INSPIRED THE APPLE TV+ SERIES FOUNDATION It is the year 12,020 G.E. and Emperor Cleon I sits uneasily on the Imperial throne of Trantor. Here in the great multidomed capital of the Galactic Empire, forty billion people have created a civilization of unimaginable technological and cultural complexity. Yet Cleon knows there are those who would see him fall—those whom he would destroy if only he could read the future. Hari Seldon has come to Trantor to deliver his paper on psychohistory, his remarkable theory of prediction. Little does the young Outworld mathematician know that he has already sealed his fate and the fate of humanity. For Hari possesses the prophetic power that makes him the most wanted man in the Empire . . . the man who holds the key to the future—an apocalyptic power to be known forever after as the Foundation.
John Riley is a physicist who achieves his lifelong dream of unraveling the mysteries of anti-gravity, but along the way, also unwittingly discovers the secret of interstellar communication. When he and a small group of coworkers attempt to respond to an unexpected message, believing it to have originated from somewhere on earth, they find more than they anticipate. The message is from deep space.Once contact is made, the Remotes, as they are called, will not be dissuaded. Humanity becomes an unwilling newcomer to a staggeringly ancient galactic collective, which regards the earth as an 'emerging world' that is subject to its oversight. As humanity slips further into the grip of the enigmatic consortium, the mysteries become deeper; there is more to earth's history than meets the eye, and even the galaxy itself is not what it seems.
Workers' compensation was arguably the first widespread social insurance program in the United States--before social security, Medicare, or unemployment insurance--and the most successful form of labor legislation to emerge from the early progressive movement. In A Prelude to the Welfare State, Price V. Fishback and Shawn Everett Kantor challenge widespread historical perceptions by arguing that workers' compensation, rather than being an early progressive victory, succeeded because all relevant parties--labor and management, insurance companies, lawyers, and legislators--benefited from the ruling.
The narration delves on the living and values of a large family in New Zealand. With trivial details of characters such as personality, gestures and attitudes, Mansfield has managed to delve into the psychology of characters and produce individuals that instantly capture attention. A must-read....
Earth's first interstellar mission ... An alien colony in ruins ... Their fight for survival has only just begun. Called "True Science Fiction" ... A must-read! When Jack Harrison climbed down the short ladder from the airlock and stepped onto the debris covered soil, the ground crackled with the sound of dried leaves and twigs. Warm sunlight shined through his helmet, making him almost forget the decade he just spent captaining Earth's first ship to another star system. The serene tropical surroundings, though, stood in stark contrast to the long abandoned structures that lay nearby. Evidence points to a massacre - the systematic extermination of an alien colony hundreds of millennia ahead of humanity. Time, however, has erased any trace of the attackers. Jack and his crew barely start probing the ruins before their curiosity betrays them as an abandoned alien device cuts them off from their main ship. Lost and short on supplies, survival soon becomes their only goal. Even their short-lived rescue by an alien race, who themselves are under siege, offers little hope. As they struggle to find a way home, signs begin pointing to a danger darker than any they could have foreseen. Jack knows that playing it safe may no longer be an option - but his only other choice is to confront a threat that they don't even begin to understand.
Analyzes the complicated domestic and international politics that shaped the Allied nations' policy toward war crimes that culminated in the Nuremberg trials, reconstructing the little-studied deliberations among the Allies at the end of the war. UP.
After Elissa's nightmarish visions and inexplicable bruises lead to the discovery of a battered twin sister on the run from government agents, Elissa enlists the help of an arrogant new graduate from the space academy.