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Arroyo Hondo Pueblo, one of the largest fourteenth century sites in the northern Rio Grande region, was excavated by the School of American Research under the leadership of Douglas W. Schwartz between 1970 and 1974. In this eighth volume of the Arroyo Hondo Archaeological Series, Judith A. Habicht-Mauche presents a masterful description and interpretation of the pottery from Arroyo Hondo. Habicht-Mauche builds on an exhaustive study of the mineralogical and chemical attributes of the ceramic assemblage to produce a penetrating evaluation of the stylistic diversity, origins, and changes through time of the pottery types found at Arroyo Hondo. From this analytic foundation, she draws larger conclusions on the structure of the pueblo's social and economic alliances and their significance for understanding population expansion, resource competition, regional trade, craft specialization, ethnic diversity, and the rise of tribal networks throughout the northern Rio Grande region. In additional reports, Richard W. Lang provides an analysis and seriation of stratigraphic ceramic samples from the pueblo, and Anthony Thibodeau describes the miscellaneous ceramic artifacts including pipes, effigies, balls, and beads. This volume also contains a final report on the stone artifacts from Arroyo Hondo, in which Carl J. Phagan accomplishes a comprehensive reconstruction and interpretation of the lithic data collected at the site in 1971-72 and 1973-74.
In the Pueblo IV period (1275-1600) potters began to make distinctive polychrome vessels, which have been linked by archaeologists to new ideologies and religious practices in the area. This research examines interaction networks along settlement clusters in the Zuni region of west-central New Mexico in the thirteenth and fourteenth centuries, using analytical techniques such as INAA sourcing of ceramic pastes.
This reissue of three early essays on Mimbres archaeology and design fills a major gap in the literature on the Mimbres, whose pottery has long fascinated students of the prehistoric Southwest. Fewkes, one of the eminent archaeologists of the early twentieth century, introduced Mimbres art to scholars when he published these essays with the Smithsonian Institution between 1914 and 1924, under the titlesArchaeology of the Lower Mimbres Valley, New Mexico, Designs on Prehistoric Pottery from the Mimbres Valley, New Mexico,andAdditional Designs on Prehistoric Mimbres Pottery.Long out-of-print, these essays represent the first analysis and description of the complex abstract and representational designs that continue to fascinate us 2,000 years after they were painted.
A fascinating exploration of the rich artistic heritage and beauty of Casas Grandes ceramics
Nampeyo, the famous Hopi-Tewa potter (1860-1942), is known for the grace and beauty of her work, but very little accurate information has been available about her life. Romantic myths, cultural misunderstandings, and outright distortions have obscured both Nampeyo the artist and the person. Based on an exhaustive search of first-person accounts, photographic evidence, and interviews with family members, Kramer provides the only reliable biography of the artist. By the turn of the century, Nampeyo had revitalized Hopi pottery by creating a contemporary style inspired by prehistoric ceramics. Military men, missionaries, anthropologists, photographers, artists, and tourists all collected her unsigned work. This biography contributes to an understanding of changes on the Hopi reservation effected by outsiders during Nampeyo's life and the complex response of American society to Native Americans and their art. Kramer also presents the first stylistic analysis of vessels made by Nampeyo.
A textbook tracing the history of New Mexico's land and people from the Ice Age to the present.
For decades archaeologists have used pottery to reconstruct the lifeways of ancient populations. It has become increasingly evident, however, that to make inferences about prehistoric economic, social, and political activities through the patterning of ceramic variation, it is necessary to determine the location where the vessels were made. Through detailed analysis of manufacturing technology and design styles as well as the use of modern analytical techniques such as neutron activation analysis, Zede–o here demonstrates a broadly applicable methodology for identifying local and nonlocal ceramics.
Follows pottery making traditions from the earliest utility wares of the Mogollon and Anasazi Indians to the early and spectacular pictorial styles of the Mimbres pots and the mineral, vegetal, and glaze-paint traditions that began to emerge around A.D. 500.