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A new take on our bio-cultural evolution explores how the "inner theatre" of the brain and its "animal-human stages" are reflected in and shaped by the mirror of cinema. Vampire, werewolf, and ape-planet films are perennial favorites—perhaps because they speak to something primal in human nature. This intriguing volume examines such films in light of the latest developments in neuroscience, revealing ways in which animal-human monster movies reflect and affect what we naturally imagine in our minds. Examining specific films as well as early cave images, the book discusses how certain creatures on rock walls and movie screens express animal-to-human evolution and the structures of our brains. The book presents a new model of the human brain with its theatrical, cinematic, and animal elements. It also develops a theory of "rasa-catharsis" as the clarifying of emotions within and between spectators of the stage or screen, drawing on Eastern and Western aesthetics as well as current neuroscience. It focuses on the "inner movie theater" of memories, dreams, and reality representations, involving developmental stages, as well as the "hall of mirrors," ape-egos, and body-swapping identifications between human beings. Finally, the book shows how ironic twists onscreen—especially of contradictory emotions—might evoke a reappraisal of feelings, helping spectators to be more attentive to their own impulses. Through this interdisciplinary study, scholars, artists, and general readers will find a fresh way to understand the potential for interactive mindfulness and yet cathartic backfire between human brains—in cinema, in theater, and in daily life.
Since the dinosaurs died out over 65 million years ago our planet has been dominated by mammals. A succession of bizarre evolutionary specimens have come and gone -- from walking whales to sabre-toothed cats -- yet many of these magnificent creatures have never been visualized before. Now, for the first time, spectacular and unfamiliar animals are recreated and set in the context of their world. Walking with Prehistoric Beasts reveals the extraordinary ancestors of modern mammals and the arrival of man, bringing to life the roots of our heritage. Following on from the hugely-acclaimed Walking with Dinosuars, Walking with Prehistoric Beasts recreates the creatures and landscapes of post-dinosaur Earth; transporting us to the icy plains of the mammoth, dark forests stalked by giant carnivorous birds, and deserts dominated by 16 ton Indricotheres. From the tiny fruit-eating primate Apidium, to the powerful chalicotheres, whose curved claws forced them to walk on their knuckles, the lives of these little known creatures are vividly brought to life. Meet the bizarre hose-nosed Macrauchenia, and the Deodicurus, a giant armadillo with a spiked club for a tail; run with cat-sized horses and rhino-sized carnivorous pigs, hunt with the skull-crushing Andrewsarchus, and walk with the very first humans. Illustrated boxes describe the latest scientific evidence that led to the reconsturctions of these creatures, while character boxes provide information on behavior and habitats. The text is illustrated throughout with ground-breaking computer graphic images to offer a unique record of lost worlds never seen before and reveal many of the most spectacular periods in Earth's history. Also available, accompanying the Walking with Prehistoric Beasts TV series, are books for children, home videos, a DVD, and a CD of the soundtrack from the series.
"George Frison is an icon in American archeology. In Survival by Hunting, he describes personal experiences leading to the insights and perspectives that set him apart from the majority of his colleagues, who know of large game hunting only secondhand."—Michael B. Collins, Texas Archeological Research Laboratory, the University of Texas at Austin “This small book is a record of achievement and dedication to learning rarely seen in the profession of archaeology. It is the inspirational product of a person who fully understands the critical importance of prior knowledge about the behavior of prey to inferring the activities of ancient hunter-gatherers. Students of past hunter-gatherers need to read this book.”—Lewis R. Binford, author of In Pursuit of the Past
Homo sapiens began to explore the world beyond Africa only 100,000 years ago. These people were not primitive cavemen, but as intelligent as ourselves. Thousands of years before Cook or Columbus, they pioneered a route from Africa through Eurasia to Australia, northern Europe, the Americas, and ultimately the shores of remote islands like New Zealand. What our ancestors found was not the planet that we know today, but instead, a prehistoric world ruled by giant animals, 'monsters' that had risen from the ashes of the dinosaurs.
Philosophers have traditionally concentrated on the qualities that make human beings different from other species. In Beast and Man Mary Midgley, one of our foremost intellectuals, stresses continuities. What makes people tick? Largely, she asserts, the same things as animals. She tells us humans are rather more like other animals than we previously allowed ourselves to believe, and reminds us just how primitive we are in comparison to the sophistication of many animals. A veritable classic for our age, Beast and Man has helped change the way we think about ourselves and the world in which we live.