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A content reading methods text that takes a quick start, heuristic approach to imparting the skills future teachers need to improve their pupils' reading ability in essential content areas. Coverage of current theories and practices in comprehension, assessment and heuristics is organized around pre-reading, guided silent reading, and post-reading.
Author C. S. Lewis examines John Milton's "Paradise Lost" and the epic genre, discussing epic technique, subject matter, and style and the elements of Milton's story.
Reading Children’s Literature offers insights into the major discussions and debates currently animating the field of children’s literature. Informed by recent scholarship and interest in cultural studies and critical theory, it is a compact core text that introduces students to the historical contexts, genres, and issues of children’s literature. A beautifully designed and illustrated supplement to individual literary works assigned, it also provides apparatus that makes it a complete resource for working with children’s literature during and after the course. The second edition includes a new chapter on children’s literature and popular culture (including film, television, and merchandising) and has been updated throughout to reflect recent scholarship and new offerings in children’s media.
A Preface to Mark is a literary study which, from the standpoint of the newer critical methodologies, explores two questions. First, Bryan attempts to determine what kind of text Mark would have been seen to be, both by its author and by others who encountered it near the time of its writing. He examines whether Mark should be seen as an example of any particular literary type, and if so which. He concludes that a comparison of Mark with other texts of the period leads inevitably to the conclusion that Mark's contemporaries would broadly have characterized his work as a "life." Second, Bryan looks at the evidence that exists to indicate whether Mark, like so much else of its period, was written to be read aloud. He points out ways in which Mark's narrative would have worked particularly well as rhetoric. The first examination of Mark as a whole in the light of contemporary studies of orality and oral transmission, A Preface to Mark not only shows us Mark in its original setting, but also suggests ways in which our own encounter with Mark's text may be significantly enriched. Its accessible style will serve as a good introduction to the Gospel for students as well as the general reader.
A unique college reading text that presents works of poetry, short stories, essays, and textbook chapters.