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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.
Making use of archival resources in the United Kingdom and the United States, Regina B. Oost examines advertisements, promotional materials, and programs, as well as letters, diaries, and account books, to reconstruct the ways in which Richard D'Oyly Carte, W.S. Gilbert, and Arthur Sullivan attracted and shaped the expectations of theatergoers. Her findings place the Savoy operas in the context of other West End productions, considering similarities between Carte's promotional methods and those of managers Henry Irving, John Hollingshead, and Marie and Squire Bancroft. While all of these managers astutely understood patronage of a middle-class audience to be key to their success, the Savoy collaborators made strategic use of circumstances unique to their situation to distinguish Gilbert and Sullivan operas from contemporary theatrical fare. From Trial by Jury (1875) through The Grand Duke (1896), the Savoy operas celebrated the commodity culture beloved of the urban middle classes, validated a moral code that secured the social privileges audience members cherished, and ultimately provided a new model of British national identity that replaced the agrarian ideal espoused by earlier generations. Written in admirably accessible and jargon-free prose, Oost's book will appeal to scholars of theater history, literature, music, and popular culture, as well as general readers interested in Gilbert and Sullivan and the history of the D'Oyly Carte Opera Company.
In this galloping collection of twenty pointed essays, G. K. Chesterton (1874–1936) nimbly punctures the philosophical pretensions of modern non-Christian thinkers and artists—heretics, as he calls them. Chesterton good-naturedly takes on contemporaries Rudyard Kipling, H. G. Wells, James McNeill Whistler, and even his good friend George Bernard Shaw, exposing the muddled logic of their popular ideas with his characteristic wisdom and razor-sharp wit. He also begins to lay the groundwork for Orthodoxy, his subsequent account of a rational and coherent Christian faith. G. K. Chesterton (1874–1936) was one of C. S. Lewis’ primary mentors in apologetics, and an influence even in his conversion. Novelist, poet, essayist, and journalist, Chesterton was perhaps best known for his Father Brown detective stories. He produced more than 100 volumes in his lifetime, including biographies of St. Francis of Assisi and St. Thomas Aquinas. His Everlasting Man, which set out a Christian outline of history, was one of the factors that wore down Lewis’ resistance to Christianity. Chesterton was one of the first defenders of orthodoxy to use humor as a weapon. Perhaps more important was his use of reason to defend faith.
Contents: Fiction: The Innocence of Father Brown The Wisdom of Father Brown Uncollected Father Brown Stories The Man Who Was Thursday The Flying Inn The Man Who Knew Too Much and Other Stories Magic: A fantastic comedy The Ballad of the White Horse Non-fiction: Heretics Orthodoxy What’s Wrong with the World The Victorian Age in Literature The Crimes of England A Short History of England Irish Impressions The New Jerusalem What I Saw in America Eugenics and Other Evils St. Francis of Assisi The Everlasting Man
'Russ McDonald... offers an initiation into Shakespeares English.... Like a good musician leading us beyond merely humming the tunes, he helps us hear Shakespearean unclarity, revealing just how expression in late Shakespeare sometimes transcends ordinary verbal meaning.... particularly recommendable.' -Ruth Morse, Times Literary Supplement 'Oxford University Press offer a mix of engagingly written introductions to a variety of Topics intended largely for undergraduates. Each author has clearly been reading and listening to the most recent scholarship, but they wear their learning lightly.' -Ruth Morse, Times Literary SupplementOxford Shakespeare Topics (General Editors Peter Holland and Stanley Wells) provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. Notes and a critical guide to further reading equip the interested reader with the means to broaden research. For the modern reader or playgoer, English as Shakespeare used it - especially in verse drama - can seem alien. Shakespeare and the Arts of Language offers practical help with linguistic and poetic obstacles. Written in a lucid, nontechnical style, the book defines Shakespeare's artistic tools, including imagery, rhetoric, and wordplay, and illustrates their effects. Throughout, the reader is encouraged to find delight in the physical properties of the words: their colour, weight, and texture, the appeal of verbal patterns, and the irresistible affective power of intensified language.
One of the greatest writers of his time, G. K. Chesterton’s short stories, novels, poetry and essays demonstrate his unparalleled versatility in literature. This comprehensive eBook offers readers the collected works of G. K. Chesterton, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 3) Father Brown Stories The Innocence of Father Brown (1911) The Wisdom of Father Brown (1914) Uncollected Father Brown Stories The Novels The Napoleon of Notting Hill (1904) The Man Who Was Thursday (1908) The Ball and the Cross (1909) Manalive (1912) The Flying Inn (1914) Short Story Collections The Club of Queer Trades (1905) The Man Who Knew Too Much and Other Stories (1922) Tales of the Long Bow (1925) Uncollected Short Stories The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order The Play Magic (1913) The Poetry Collections Greybeards at Play (1900) The Wild Knight and Other Poems (1900) The Ballad of the White Horse (1911) Poems (1915) Wine, Water and Song (1915) The Ballad of St. Barbara and Other Poems (1922) The Poems List of Poems in Chronological Order List of Poems in Alphabetical Order The Non-Fiction The Defendant (1901) Twelve Types (1902) Varied Types (1903) Robert Browning (1903) Dickens (1903) Thackeray (1903) Tolstoy (1903) Tennyson (1903) G. F. Watts (1904) Biography for Beginners (1905) Heretics (1905) Charles Dickens (1906) Orthodoxy (1908) All Things Considered (1908) George Bernard Shaw (1909) Tremendous Trifles (1909) What’s Wrong with the World (1910) A Chesterton Calendar (1911) Appreciations and Criticisms of the Works of Charles Dickens (1911) Alarms and Discursions (1910) A Miscellany of Men (1912) The Victorian Age in Literature (1913) London (1914) The Appetite of Tyranny (1915) The Crimes of England (1915) Divorce versus Democracy (1916) Lord Kitchener (1917) Utopia of Usurers and Other Essays (1917) A Short History of England (1917) Irish Impressions (1919) The Uses of Diversity (1920) The Superstition of Divorce (1920) The New Jerusalem (1920) What I Saw in America (1922) Eugenics and Other Evils (1922) St. Francis of Assisi (1923) Fancies versus Fads (1923) The Everlasting Man (1925) William Cobbett (1925) Uncollected Essays The Criticism Mr. G. K. Chesterton’s Point of View (1912) by John Kelman About Chesterton and Belloc (1914) by H. G. Wells G. K. Chesterton: A Critical Study (1915) by Julius West Mr. G. K. Chesterton and Mr. Hilaire Belloc (1919) by Robert Lynd G. K. Chesterton by (1920) by St. John G. Ervine Gilbert Keith Chesterton (1922) by Patrick Braybrooke
THE G. K. CHESTERTON COLLECTION [50 BOOKS] G. K. CHESTERTON — 50 Books in One: 22 Non-Fiction, 11 Fiction, 8 Biographies, 4 Poetry, 1 Play, 3 Critiques, 1 Introduction — Over 2.3 Million Words in one E-Book — Includes an Introduction to Gilbert Keith Chesterton — Includes an Active Index to all books and 50 Table of Contents for each book — Includes Illustrations by Claude Monet Gilbert Keith Chesterton (1874–1936) was an English writer. He wrote on philosophy, ontology, poetry, plays, journalism, public lectures and debates, literary and art criticism, biography, Christian apologetics, and fiction, including fantasy and detective fiction. Chesterton is often referred to as the "prince of paradox". Whenever possible, Chesterton made his points with popular sayings, proverbs, and allegories—first carefully turning them inside out. Chesterton is well known for his reasoned apologetics and even some of those who disagree with him have recognized the universal appeal of such works as Orthodoxy and The Everlasting Man. Chesterton, as a political thinker, cast aspersions on both progressivism and conservatism, saying, "The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected." Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify such a position more and more with Catholicism, eventually converting to Roman Catholicism from High Church Anglicanism. George Bernard Shaw, Chesterton's "friendly enemy" said of him, "He was a man of colossal genius". INCLUDED BOOKS: GILBERT KEITH CHESTERTON —NON-FICTION— HERETICS ORTHODOXY WHAT’S WRONG WITH THE WORLD WHAT I SAW IN AMERICA THE NEW JERUSALEM IRISH IMPRESSIONS A SHORT HISTORY OF ENGLAND EUGENICS AND OTHER EVILS THE SUPERSTITION OF DIVORCE THE APPETITE OF TYRANNY THE CRIMES OF ENGLAND THE BLATCHFORD CONTROVERSIES THE VICTORIAN AGE IN LITERATURE A MISCELLANY OF MEN ALARMS AND DISCURSIONS ALL THINGS CONSIDERED THE DEFENDANT TREMENDOUS TRIFLES UTOPIA OF USURERS AND OTHER ESSAYS THE USES OF DIVERSITY ESSAYS BY CHESTERTON A CHESTERTON CALENDAR —FICTION— THE INNOCENCE OF FATHER BROWN THE WISDOM OF FATHER BROWN THE MAN WHO WAS THURSDAY THE MAN WHO KNEW TOO MUCH THE NAPOLEON OF NOTTING HILL THE FLYING INN MANALIVE THE BALL AND THE CROSS THE CLUB OF QUEER TRADES THE TREES OF PRIDE OTHER STORIES —BIOGRAPHY— VARIED TYPES CHARLES DICKENS APPRECIATIONS AND CRITICISMS OF THE WORKS OF CHARLES DICKENS GEORGE BERNARD SHAW ROBERT BROWNING WILLIAM BLAKE G.F. WATTS BIOGRAPHIES BY CHESTERTON —POETRY— THE BALLAD OF THE WHITE HORSE THE BALLAD OF SAINT BARBARA THE WILD KNIGHT AND OTHER POEMS GREYBEARDS AT PLAY —PLAYS— MAGIC —CRITIQUES— GILBERT KEITH CHESTERTON by Cecil Chesterton GILBERT KEITH CHESTERTON by Patrick Braybrooke OTHER G. K. CHESTERTON CRITIQUES PUBLISHER: CATHOLIC WAY PUBLISHING
He Predicted Our Current Moral Decline - A Hundred Years Ago Chesterton's compilation of essays in Heretics discusses the difference in Orthodoxy and Heretics, rational vs. irrational, and denial vs. affirmation. He questions the reason for the existence of man and the universe and calls out many prominent figures in the artistic and literary fields for their unorthodox ideas; thus labeling them heretics. He will have you thinking of favorite authors like Rudyard Kipling, Oscar Wilde, and H.G. Wells in a new light, challenging their ideals and morals. In his first essay, Chesterton describes his understanding of the words Orthodox and Heretic as they apply to, and have changed in, the modern period. Chesterton argues that in modernity, ""The word 'orthodoxy' not only no longer means being right; it practically means being wrong"". He continues to write that society no longer tolerates a man's life philosophy or religion, yet is increasingly absorbed in ""art for art's sake"". Get Your Copy Now.