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Gospel from the mouths of fools
This book challenges Christian communities to engage in lament--a mode of existence characterized by impassioned expression, witnessing, and personal or social protest in the face of evil and injustice, reflecting a profound yearning for God's saving presence. Divine lament responds to, and expresses solidarity with, human suffering, unveiling multiple facets of God's image and demonstrating a profound sense of divine compassion. Drawing on the Book of Lamentations, Korean concepts related to suffering (han and hanpuri), the Paschal Triduum narratives, and recent homiletic discourses on suffering, the author investigates how complex issues related to grief and hope can be addressed in preaching without diminishing the harsh reality of affliction. Designed to assist preachers, this book encourages a more intentional approach to addressing suffering, specifically by advocating for lament as a transitional space between affliction and hope. Furthermore, readers are invited to contemplate the significance of the church, which, within a world in decline, embodies the body of Christ, manifesting both the demise and resurrection of God.
Few vocations share more in common with preaching than stand-up comedy. Each profession demands attention to the speaker's bodily and facial gestures, tone and inflection, timing, and thoughtful engagement with contemporary contexts. Furthermore, both preaching and stand-up arise out of creative tension with homiletic or comedic traditions, respectively. Every time the preacher steps into the pulpit or the comedian steps onto the stage, they must measure their words and gestures against their audience's expectations and assumptions. They participate in a kind of dance that is at once choreographed and open to improvisation. It is these and similar commonalities between preaching and stand-up comedy that this book engages. Stand-Up Preaching does not aim to help preachers tell better jokes. The focus of this book is far more expansive. Given the recent popularity of comedy specials, preachers have greater access to a broad array of emerging comics who showcase fresh comedic styles and variations on comedic traditions. Coupled with the perennial Def Comedy Jams on HBO, preachers also have ready access to the work of classic comics who have exhibited great storytelling and stage presence. This book will offer readers tools to discern what is homiletically significant in historical and contemporary stand-up routines, equipping them with fresh ways to riff off of their respective preaching traditions, and nuanced ways to engage issues of contemporary sociopolitical importance.
Teaching preaching, like preaching itself, is a noble endeavor. After nearly four decades of teaching, Richard Lischer has sent legions of preachers across the world to preach gospel. This volume pays tribute to his faith-filled life of preaching and teaching. The contributors, some of whom were taught by Lischer, have received many laurels themselves, so readers will find in these pages wisdom for preaching from many quarters. Some authors include sermons with helpful commentary about the preaching exercise; some offer essays to illuminate the task of sermon writing; all acknowledge the influence of Richard Lischer on their preaching and teaching endeavors.
Different ethical situations require different homiletical responses. John McClure organizes recent literature on ethics and preaching into four ethical approaches. Does your situation require public moral leadership? Then a communicative ethic is best. Does your situation require the development of countercultural moral character? Then a witness ethic is best. Does your situation require ethical consciousness-raising and organizing for social justice? Then a liberationist ethic is best. Does your situation require genuine moral conversation and the discernment of shared commitments in spite of our differences? Then a hospitality ethic is best. Each ethical approach is briefly and carefully explored, correlated with appropriate contexts and situations, and demonstrated with model sermons. The result is a useful handbook for quickly discerning what ethical approach is needed, how to preach that approach, and what to expect as a result.
How do listeners create meaning when hearing a sermon? In this cutting-edge homiletical study, Marianne Gaarden draws on sociological, psychological, and other empirical research to offer new perspectives and presents the notion of the Third Room of Preaching, the place where the preacher's words and the listener's prior experiences come together and new meaning emerges. The new research insights challenge conventional understandings of preaching and invite homileticians to reflect theologically on the implications for the sermon as an act of communication. In addition, the book includes an appendix that offers new perspectives on how to best educate and train preachers in light of that research.
How can we proclaim justice for God's Creation in the face of global warming? How does fracking fit with "the earth and its fullness are the Lord's?" Creation-Crisis Preaching works with the premise that all of Creation, including humankind, needs to hear the Good News of Jesus' resurrection in this age in which humanity is "crucifying" Creation. Informed by years of experience as an environmental activist and minister, Leah Schade equips preachers to interpret the Bible through a "green" lens, become rooted in environmental theology, and learn how to understand their preaching context in terms of the particular political, cultural, and biotic setting of their congregation. Creation-Crisis Preaching provides both theoretical grounding and practical tips for preachers to create environmental sermons that are relevant, courageous, creative, pastoral, and inspiring.
This book examines the impact of white racialization in homiletics. The first section, Racial Hegemony, interrogates the white, colonial bias of Euro-American homiletical practice, pedagogy, and theory with particular attention to the intersection of preaching and racialization. The second section, Resistance and Possibilities, contributes diverse critical homiletical approaches emerging in conversation with racially-minoritized scholarship and racially subjugated knowledge and practice. By reading this book, preachers and professors of preaching will encounter alternative, non-dominant homiletical pathways toward a more just future for the church and the world.
In our highly sensory and interactive age, how might drawing upon various arts--music, film, architecture, dramatic performance, painting, fashion, and more--expand the aesthetic experience and mode of preaching? This book presents a critical, practical answer to the question. As our society becomes more visually oriented, art-seeking, and body-positive, the practice of preaching is likewise challenged to demonstrate the mind-body, word-visual, and artistic proclamation of the Sacred (after all, isn't the writing of the Bible itself highly art-full and aesthetic?). In this book, Sunggu A. Yang, a seasoned preacher and experienced teacher of preaching, encourages preachers to utilize their unique artistic talents as critical sources of theological and homiletical imagination and as hermeneutical-perspectival tools to aid their rigorous exegetical process of interpreting Scripture, eventually toward artistic-holistic sermon composition and delivery. A sample syllabus, included in the appendix, will greatly assist any preaching instructor who wants to offer a creative course on arts and preaching.