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In a richly illustrated re-examination of a seminal period in art history, the author of Rossetti and His Circle asks important questions about the pre-Raphaelite artists, their work, their artistic themes, and their influence on the history of art.
This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.
The Pre-Raphaelite Brotherhood was founded in 1848 when a group of young artists joined together in an attempt to revitalise contemporary art. Barnes discusses the lives and work of the friends and arch-rivals, including Rossetti, Millais and Morris.
In this completely revised and updated second edition, Staley takes into account important paintings that have recently come to light, as well as current understandings of the Pre-Raphaelite movement and its legacy. The author provides a comprehensive account of the background and formation of the Pre-Raphaelite Brotherhood, the role of landscape in major Pre-Raphaelite figurative paintings, and the emergence and impact of a school of Pre-Raphaelite landscape painting as well as its place in the wider tradition of British landscape painting. The important Pre-Raphaelite figures, John Everett Millais, William Holman Hunt, and Ford Madox Brown, are discussed, as are the main landscape specialists affected by the movement: Thomas Seddon, George Price Boyce, John William Inchbold, and John Brett. Attention is paid to the significant influence of John Ruskin and his active involvement with many of the artists. This spectacular volume, enhanced by over 150 colour illustrations, is the definitive study of its subject and will provide both visual and intellectual stimulation for anyone drawn to the work of the Pre-Raphaelite Brotherhood and its followers.
Essentially a domestic biography whose main concern is the tragicomedy of manners enacted by a closely knit group of friends and lovers, Wives and Stunners tells the story of Janey Morris, Georgie Burne-Jones, Lizzie Siddall, Effie Gray and less well-known, Marie Spartali, Aglaia Coronio and Mary Zambacco. These women were the wives, mistresses andmuses, of the Pre-Raphaelite Brotherhood, the inspiration behind the work of Dante Gabriel Rossetti, William Holman Hunt, William Morris, Edward Burne-Jones and John Millais. Set against the background of mid-Victorian bohemian England, Henrietta Garnett vividly evokes the world they inhabited and the lives they lived. She recounts the romances and friendships between the artists and the 'stunners' in a lively and original way and her book will appeal to anyone interested in Victorian England, the history of the Pre-Raphaelites and, significantly, to everyone who wants to read a spellbinding story of a bygone era.
The Pre-Raphaelite Brotherhood was a group of nineteenth-century artists who challenged contemporary art with their commitment to realism and 'truth to nature'. Renowned as much for their social relationships as for their artistic ideals, the lives of the Pre-Raphaelites - Holman Hunt, Rossetti, Millais, Burne-Jones and Morris - illustrate the full range of human experience, from personal tragedy to triumph. Jan Marsh explores both the individual personalities and the artistic force which bound the circle together.
A magnificent new book on the Pre-Raphaelites—oversized, gorgeously illustrated, and packed with insight Dante Gabriel Rossetti, John Everett Millais, and William Holman Hunt. These were among the young British artists who, in the revolutionary year of 1848, set out to return a lost vibrancy to European art. Calling themselves the Pre-Raphaelite Brotherhood, they and their later followers—including Edward Burne-Jones and William Morris—mounted an artistic front against what they saw as the confining standards of the Victorian art world, and the dehumanizing aspects of the industrial age. Their works drew on Shakespeare, Keats, Tennyson, and medieval lore. They also treated religious and contemporary themes with striking realism, bringing viewers into intimate contact with the subject and causing scandal in their time. In this authoritative yet highly readable volume, art historian Aurélie Petiot traces Pre-Raphaelitism from its beginnings as a secret brotherhood to its dissemination in multiple strands of British art and beyond. Petiot offers keen analyses of Pre-Raphaelite painting, drawing, and decorative art alike. She gives particular attention to the role of women in the movement, not only as models and muses, but as pioneering artists in their own right, whose work has only begun to receive its proper recognition. Uniquely, the last chapters of the book are devoted to the enduring (yet often underestimated) Pre-Raphaelite influence on the later course of modern art and on our contemporary culture. More than 300 full-color illustrations reproduce all the great Pre-Raphaelite masterpieces, as well as many fascinating lesser-known works, with all the luminous brilliance and detail for which the Pre-Raphaelites are renowned. This splendid volume is a must-have for any art history lover.
This study of Pre-Raphaelite painters and poets reveals a style steeped in mythology and literary allusion and popular today with lovers of romantic art and poetry. Includes bibliography, documents section, list of illustrations, index. 125 illustrations, 95 in color.