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Prater Violet concerns the filming of an unashamedly romantic and commercial musical about old Vienna. It is a stinging satirical novel about the film industry, trifling studio feuds, and the fatuous movie Prater Violet, which, ironically, counterpoints the tragic events on the world stage as Hitler's lengthening shadow falls over the real Vienna of the thirties. At its center are vivid portraits of the mocking genius Friedrich Bergmann, the imperious, dazzlingly witty Austrian director, and his disciple, a genial young screenwriter-the fictionalized Christopher Isherwood. When it first appeared in 1945, Prater Violet caused a fury of critical speculation and acclaim. Edmund Wilson called it "a deliberate historical parable," and Diana Trilling's Nation review said, "Prater Violet is the most charming novel I have read in a long time... It is a book written in the author's own person, yet utterly without ego; it is a novel about movie writers which is yet a novel about the life of every serious artist; it is a book without a political moral, but a profound moral-political statement; it is gay, witty, sophisticated, but wholly responsible.
A timeless story of decaying middle-class English life after wwI and the generation that tried to escape its values Christopher Isherwood was only twenty-one when he began his first novel, All the Conspirators. in his introduction to the American edition, Isherwood explains: “All the Conspirators records a minor engagement in what Shelley calls ‘the great war between the old and young.’ And what a war it was!” in many ways this novel (like the classic Berlin Stories) is a period piece growing out of a particular historical situation—clashes between parents and children with all their passionate moral struggles. Isherwood’s vivid portrayal of an older generation trying to hold on while a younger generation tries to wrench free still resonates and disarms.
Publisher Description
Christopher Isherwood
When Christopher Isherwood's A Single Man first appeared, it shocked many with its frank, sympathetic, and moving portrayal of a gay man in maturity. Isherwood's favorite of his own novels, it now stands as a classic lyric meditation on life as an outsider. Welcome to sunny suburban 1960s Southern California. George is a gay middle-aged English professor, adjusting to solitude after the tragic death of his young partner. He is determined to persist in the routines of his former life. A Single Man follows him over the course of an ordinary twenty-four hours. Behind his British reserve, tides of grief, rage, and loneliness surge—but what is revealed is a man who loves being alive despite all the everyday injustices.
Isherwood’s lectures on writing and writers, now all available for the first time In the 1960s, Christopher Isherwood gave an unprecedented series of lectures at California universities about his life and work. During this time Isherwood, who would liberate the memoir and become the founding father of modern gay writing, spoke openly for the first time about his craft—on writing for film, theater, and novels—and spirituality. Isherwood on Writing brings these free-flowing, wide-ranging public addresses together to reveal a distinctly American Isherwood at the top of his form. This updated edition contains the long-lost conclusion to the second lecture, published here for the first time, including its discussion of A Single Man, his greatest novel, and A Meeting by the River, his final novel.
This book maps Christopher Isherwood's intellectual and aesthetic reflections from the late 1930s through the late 1970s. Drawing on the queer theory of Eve Sedgwick and the ethical theory of Michel Foucault, Carr illuminates Isherwood's post-war development of a queer ethos through his focus on the aesthetic, social, and historical politics of the 1930s in his novels Prater Violet (1945), The World in the Evening (1954), and Down There on a Visit (1962), and in his memoir, Christopher and His Kind: 1929–1939 (1976).
Best known for Goodbye to Berlin -- the inspiration for the Tony and Oscar award-winning musical Cabaret -- Christopher Isherwood has always been considered both a literary and a gay pioneer. That is truer now than ever. Readers of his plays, novels, and diaries continue to discover Isherwood's lasting contribution to twentieth-century culture, literature, autobiographical fiction, and memoir, to gay rights, and to twentieth-century culture.
This book tells the stories of notable historical figures whose resistance of patriarchal laws transformed ethical, political, and legal standards.
The first thorough examination of Isherwood's work and life in twenty years, Izzo's analysis brings into play the Mortmere stories, by Isherwood and Edward Upward (dating from the 1920s but published only in 1994), and the Diaries, 1939-1960, published in 1996, to reposition Isherwood within a circle of British writers that included - besides Upward - W. H. Auden, Stephen Spender, and Cecil Day Lewis.