Download Free Praising In Black And White Book in PDF and EPUB Free Download. You can read online Praising In Black And White and write the review.

The American Church in Black and White is a book born out of the authors love for Gods church. It was shaped and given form and text in the crucible of the authors experience as a pastor of several Indiana congregationscongregations that attempted to create a Christian, counter-narrative, to the tragic narrative and legacy of our nations history of slavery and racism. Cautiously optimistic in tone, the author posits that if the American church is going to live into Christs prayer request for His church to be one (John 17:21), if the church is going to deal effectively with the fallen powers and win people to the Lord, then Christians will have to face and overcome the complex and tragic history of racial antipathy in this country; also, the church will have to learn how to successfully navigate a spiritual and cultural minefield. The author has distilled the three main cultural controversies (mines) that can explode/implode the churchs intercultural hopes, down to:1) Culturally-Based Worship Preferences 2) Culturally-Based Views on Ministerial Authority, and 3) Biblical Hermeneutics in Black and White. It is the authors conviction that in spite of these areas of potential conflict, God has given the church the power to become an intercultural community that is distinctive, attractive, and authentically Christian
"Praising in Black and White presents an informational, analytical discussion of worship styles by comparing two African American congregations - one mainline, with a formal, European worship style, the other Pentecostal, with a charismatic worship style. Aghahowa provides a fascinating study of the differences and similarities of two approaches to worship, demonstrating how an appreciation of these styles might lead us to a deeper and more rewarding church experience." "The book includes survey instruments and other tools that can serve as a basis for dialogue. Study questions are included to encourage group discussion."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Collection of poetry from Lotus Press. This ground-breaking anthology of poetry contains an informative foreword by the editor, Naomi Long Madgett, which traces the historical influences that have cast so many contemporary African American men in a negative light. The book is divided into eight sections: "Fathers," "Brothers, Sons and Other Youth," "Lovers," "Street Scene," "Beacons," "Music-Makers," "In Light and Shadow," and "In This Sad Place." Each of these section titles is preceded by a group of four portraits drawn by the late Carl Owens. This is an extremely important book that educates its readers, portraying African American men in many positive ways and denying the stereotypical images that too often prevail. The message is not overshadowed by the fine literary quality of the poems by 55 African American women. The title refers to Ifé, a city in Nigeria which, according to legend, was the birthplace of mankind.
NATIONAL BOOK AWARD FINALIST • A sweeping, genre-bending “masterpiece” (Minneapolis Star Tribune) exploring Black art, music, and culture in all their glory and complexity—from Soul Train, Aretha Franklin, and James Brown to The Fresh Prince of Bel-Air, Whitney Houston, and Beyoncé ONE OF THE TEN BEST BOOKS OF THE YEAR: Chicago Tribune, The Philadelphia Inquirer, The Dallas Morning News, Publishers Weekly “Gorgeous essays that reveal the resilience, heartbreak, and joy within Black performance.”—Brit Bennett, #1 New York Times bestselling author of The Vanishing Half “I was a devil in other countries, and I was a little devil in America, too.” Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur “Genius Grant” Fellow and bestselling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines—whether it’s the twenty-seven seconds in “Gimme Shelter” in which Merry Clayton wails the words “rape, murder,” a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt—has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib’s own personal history of love, grief, and performance. Touching on Michael Jackson, Patti LaBelle, Billy Dee Williams, the Wu-Tan Clan, Dave Chappelle, and more, Abdurraqib writes prose brimming with jubilation and pain. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space—from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio. WINNER OF THE ANDREW CARNEGIE MEDAL AND THE GORDON BURN PRIZE • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD AND THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Time, The Boston Globe, NPR, Rolling Stone, Esquire, BuzzFeed, Thrillist, She Reads, BookRiot, BookPage, Electric Lit, The Rumpus, LitHub, Library Journal, Booklist
Seattle was a very different city in 1960 than it is today. There were no black bus drivers, sales clerks, or bank tellers. Black children rarely attended the same schools as white children. And few black people lived outside of the Central District. In 1960, Seattle was effectively a segregated town. Energized by the national civil rights movement, an interracial group of Seattle residents joined together to form the Seattle chapter of the Congress of Racial Equality (CORE). Operational from 1961 through 1968, CORE had a brief but powerful effect on Seattle. The chapter began by challenging one of the more blatant forms of discrimination in the city, local supermarkets. Located within the black community and dependent on black customers, these supermarkets refused to hire black employees. CORE took the supermarkets to task by organizing hundreds of volunteers into shifts of continuous picketers until stores desegregated their staffs. From this initial effort CORE, in partnership with the NAACP and other groups, launched campaigns to increase employment and housing opportunities for black Seattleites, and to address racial inequalities in Seattle public schools. The members of Seattle CORE were committed to transforming Seattle into a more integrated and just society. Seattle was one of more than one hundred cities to support an active CORE chapter. Seattle in Black and White tells the local, Seattle story about this national movement. Authored by four active members of Seattle CORE, this book not only recounts the actions of Seattle CORE but, through their memories, also captures the emotion and intensity of this pivotal and highly charged time in America’s history. A V Ethel Willis White Book For more information visit: http://seattleinblackandwhite.org/
Mildred Dee Brown (1905–89) was the cofounder of Nebraska’s Omaha Star, the longest running black newspaper founded by an African American woman in the United States. Known for her trademark white carnation corsage, Brown was the matriarch of Omaha’s Near North Side—a historically black part of town—and an iconic city leader. Her remarkable life, a product of the Reconstruction era and Jim Crow, reflects a larger American history that includes the Great Migration, the Red Scare of the post–World War era, civil rights and black power movements, desegregation, and urban renewal. Within the context of African American and women’s history studies, Amy Helene Forss’s Black Print with a White Carnation examines the impact of the black press through the narrative of Brown’s life and work. Forss draws on more than 150 oral histories, numerous black newspapers, and government documents to illuminate African American history during the political and social upheaval of the twentieth century. During Brown’s fifty-one-year tenure, the Omaha Star became a channel of communication between black and white residents of the city, as well as an arena for positive weekly news in the black community. Brown and her newspaper led successful challenges to racial discrimination, unfair employment practices, restrictive housing covenants, and a segregated public school system, placing the woman with the white carnation at the center of America’s changing racial landscape.
The New York Times best-selling book exploring the counterproductive reactions white people have when their assumptions about race are challenged, and how these reactions maintain racial inequality. In this “vital, necessary, and beautiful book” (Michael Eric Dyson), antiracist educator Robin DiAngelo deftly illuminates the phenomenon of white fragility and “allows us to understand racism as a practice not restricted to ‘bad people’ (Claudia Rankine). Referring to the defensive moves that white people make when challenged racially, white fragility is characterized by emotions such as anger, fear, and guilt, and by behaviors including argumentation and silence. These behaviors, in turn, function to reinstate white racial equilibrium and prevent any meaningful cross-racial dialogue. In this in-depth exploration, DiAngelo examines how white fragility develops, how it protects racial inequality, and what we can do to engage more constructively.
From the New York Times bestselling author of Deacon King Kong and The Good Lord Bird, winner of the National Book Award for Fiction: The modern classic that Oprah.com calls one of the best memoirs of a generation and that launched James McBride's literary career. More than two years on The New York Times bestseller list. As a boy in Brooklyn's Red Hook projects, James McBride knew his mother was different. But when he asked her about it, she'd simply say 'I'm light-skinned.' Later he wondered if he was different too, and asked his mother if he was black or white. 'You're a human being! Educate yourself or you'll be a nobody!' she snapped back. And when James asked about God, she told him 'God is the color of water.' This is the remarkable story of an eccentric and determined woman: a rabbi's daughter, born in Poland and raised in the Deep South who fled to Harlem, married a black preacher, founded a Baptist church and put twelve children through college. A celebration of resilience, faith and forgiveness, The Color of Water is an eloquent exploration of what family really means.
In discussing the political and industrial problems of the South, I base my conclusions upon a personal knowledge of the condition of classes in the South, as well as upon the ample data furnished by writers who have pursued, in their way, the question before me. That the colored people of the country will yet achieve an honorable status in the national industries of thought and activity, I believe, and try to make plain. In discussion of the land and labor problem I but pursue the theories advocated by more able and experienced men, in the attempt to show that the laboring classes of any country pay all the taxes, in the last analysis, and that they are systematically victimized by legislators, corporations and syndicates.