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Excerpt from A Practical Method Of Learning To Speak Correctly The Castilian Language It is no uncommon thing for an author to introduce his own productions by criticising prior works on the same subject; thereby endeavouring to obtain public favour at the expense of his predecessors. Thati may avoid all possibility of adopting a course so inconsist ent with every liberal sentiment, I shall confine myself entirely to pointing out to my readers the practical uses to be made of the Work which I have now the honour of submitting to them. In the acquirement of a language so as to Speak it uently and correctly, it is necessary to be particular in its pronunciation-to possess a choice and nume rous selection of words and expressions-and to know how to apply them. This view of the subject has ina duced me to divide my Practical Method into three distinct parts. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
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NATIONAL BESTSELLER • For anyone who wants to learn a foreign language, this is the method that will finally make the words stick. “A brilliant and thoroughly modern guide to learning new languages.”—Gary Marcus, cognitive psychologist and author of the New York Times bestseller Guitar Zero At thirty years old, Gabriel Wyner speaks six languages fluently. He didn’t learn them in school—who does? Rather, he learned them in the past few years, working on his own and practicing on the subway, using simple techniques and free online resources—and here he wants to show others what he’s discovered. Starting with pronunciation, you’ll learn how to rewire your ears and turn foreign sounds into familiar sounds. You’ll retrain your tongue to produce those sounds accurately, using tricks from opera singers and actors. Next, you’ll begin to tackle words, and connect sounds and spellings to imagery rather than translations, which will enable you to think in a foreign language. And with the help of sophisticated spaced-repetition techniques, you’ll be able to memorize hundreds of words a month in minutes every day. This is brain hacking at its most exciting, taking what we know about neuroscience and linguistics and using it to create the most efficient and enjoyable way to learn a foreign language in the spare minutes of your day.
Excerpt from A New Practical And Easy Method Of Learning The Spanish Language: After The System Of F. Ahn, Doctor Of Philosophy And Professor At The College Of Neuss The editor of this Grammar has followed the rational system which has already procured for Professor Ahn a European reputation, and he has adopted it for the study of the Spanish Language. He is greatly indebted to the excellent Grammars of Lespada and Martin ez, which he has used for the groundwork of this Grammar, and it is hoped that its simplicity and utility will pro cure for it that favor which the German, French, and Italian Grammars of Professor Ahn have already found in the colleges and schools of England. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."