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In the Hellenistic and Roman world intimate relations existed between those holding power and the cults of Isis. This book is the first to chart these various appropriations over time within a comparative perspective. Ten carefully selected case studies show that “the Egyptian gods” were no exotic outsiders to the Hellenistic and Roman Mediterranean, but constituted a well institutionalised and frequently used religious option. Ranging from the early Ptolemies and Seleucids to late Antiquity, the case studies illustrate how much symbolic meaning was made with the cults of Isis by kings, emperors, cities and elites. Three articles introduce the theme of Isis and the longue durée theoretically, simultaneously exploring a new approach towards concepts like ruler cult and Religionspolitik.
Why did Egyptian cults, especially those dedicated to the goddess Isis and god Sarapis, spread so successfully across the ancient Mediterranean after the death of Alexander the Great? How are we limited by the established methodological apparatus of historiography and which innovative methods from other disciplines can overcome these limits? In this book, Tomáš Glomb shows that while the interplay of different factors such as the economy, climate, and politics created favorable conditions for the early spread of the Isiac cults, the use of innovative quantitative methods can shed new light and help disentangle the complex interplay of individual factors. Using a combination of geospatial modeling, mathematical modeling, and network analysis, Glomb determines that, at least in the regions of the Hellenistic Aegean and western Asia Minor, the political channels created by the Ptolemaic dynasty were a dominant force in the local spread of the Isiac cults. An important contribution to the historiography of the ancient Mediterranean, this book answers the specific question of “how it happened” as well as, “how can we answer it beyond the limits of the established methodological apparatus in historiography.”
The traditional grand narrative correlating the decline of Graeco-Roman religion with the rise of Christianity has been under pressure for three decades. This book argues that the alternative accounts now emerging significantly underestimate the role of three major cults, of Cybele and Attis, Isis and Serapis, and Mithras. Although their differences are plain, these cults present sufficient common features to justify their being taken typologically as a group. All were selective adaptations of much older cults of the Fertile Crescent. It was their relative sophistication, their combination of the imaginative power of unfamiliar myth with distinctive ritual performance and ethical seriousness, that enabled them both to focus and to articulate a sense of the autonomy of religion from the socio-political order, a sense they shared with Early Christianity. The notion of 'mystery' was central to their ability to navigate the Weberian shift from ritualist to ethical salvation.
In Isis Pelagia: Images, Names and Cults of a Goddess of the Seas, Laurent Bricault, one of the principal scholars of the cults of Isis, presents a new interpretation of the multiple sources that present Isis as a goddess of the seas. Bricault discusses a wealth of relatively unknown archaeological and textual data, drawing on a profound knowledge of their historical context. After decades of scholarly study, Bricault offers an important contribution and a new phase in the debate on understanding the “diffusion” as well as the “reception” of the cults of Isis in the Graeco-Roman world. This book, the first English-language monograph by the leading French scholar in the field, underlines the importance of Isis Studies for broader debates in the study of ancient religion.
Domesticating Empire is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Barrett draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire.
The earliest written references to the Osirian myth-complex appeared already in the Pyramid Text spells (c. 2400–2300 BCE). The most complete exposition of this ancient Egyptian myth is, however, found in the Greek treatise On Isis and Osiris, in which the 2nd-century CE Platonist Plutarch utilises Egyptian mythology to advocate his philosophical ideas concerning the divine and the nature of the cosmos. This book aims at “decoding” Plutarch’s narrative of the Osirian myth, linking his claims to the existing Egyptian and Greek parallels. It thus analyses a multitude of mythic and religious traditions from a transcultural perspective, exploring the relation of the Pharaonic features of the Osirian divinities to the features they had acquired in Ptolemaic and Roman times, interpreting the Egyptian myth within the overall framework of parallel mythologies from other cultures, and examining whether the brief mythic stories (historiolae) recited in Late Egyptian ritual texts can be deployed to enrich the context of certain obscure episodes in Plutarch’s account of the myth. The book will be of great interest not only to scholars and students of Plutarch and later Middle Platonism, but also to Egyptologists. Due to its thematic variety and scope, this publication will also appeal to a wider array of readers (specialists and non-specialists alike) interested in religious syncretism, interreligious connections, and the challenge of multiculturalism from Hellenistic times until Late Antiquity.
Recently, complex interpretations of socio-cultural change in the ancientMediterranean world have emerged that challenge earlier models. Influenced bytoday’s hyper-connected age, scholars no longer perceive the Mediterranean as astatic place where “Greco-Roman” culture was dominant, but rather see it as adynamic and connected sea where fragmentation and uncertainty, along with mobilityand networking, were the norm. Hence, a current theoretical approach to studyingancient culture has been that of globalization. Certain eras of Mediterranean history (e.g., the Roman empire) known for their increased connectivity have thus beenanalyzed from a globalized perspective that examines rhizomal networking, culturaldiversity, and multiple processes of social change. Archaeology has proven a usefuldiscipline for investigating ancient “globalization” because of its recent focus on howidentity is expressed through material culture negotiated between both local andglobal influences when levels of connectivity are altered. One form of identity that has been inadequately explored in relation to globalizationtheory is insularity. Insularity, or the socially recognized differences expressed bypeople living on islands, is a form of self-identification created within a particularspace and time. Insularity, as a unique social identity affected by “global” forces,should be viewed as an important research paradigm for archaeologies concerned with re-examining cultural change. The purpose of this volume is to explore how comparative archaeologies of insularitycan contribute to discourse on ancient Mediterranean “globalization.” The volume’s theme stems from a colloquium session that was chaired by the volume’s co-editors atthe Annual Meeting of the Archaeological Institute of America in January 2017. Given the current state of the field for globalization studies in Mediterranean archaeology,this volume aims to bring together for the first time archaeologists working ondifferent islands and a range of material culture types to examine diachronically how Mediterranean insularities changed during eras when connectivity increased, such asthe Late Bronze Age, the era of Greek and Phoenician colonization, the Classicalperiod, and during the High and Late Roman imperial eras. Each chapter aims tosituate a specific island or island group within the context of the globalizing forces and networks that conditioned a particular period, and utilizes archaeological material toreveal how islanders shaped their insular identities, or notions of insularity, at thenexus of local and global influences.
From even before the time of Alexander the Great, the Greek gods spread throughout the Mediterranean, carried by settlers and largely adopted by the indigenous populations. By the third century b.c., gods bearing Greek names were worshipped everywhere from Spain to Afghanistan, with the resulting religious systems a variable blend of Greek and indigenous elements. Greek Gods Abroad examines the interaction between Greek religion and the cultures of the eastern Mediterranean with which it came into contact. Robert Parker shows how Greek conventions for naming gods were extended and adapted and provides bold new insights into religious and psychological values across the Mediterranean. The result is a rich portrait of ancient polytheism as it was practiced over 600 years of history.
The material and intellectual presence of Egypt is at the heart of Western culture, religion and art from Antiquity to the present. This volume aims to provide a long term and interdisciplinary perspective on Egypt and its mnemohistory, taking theories on objects and their agency as its main point of departure. The central questions the book addresses are why, from the first millennium BC onwards, things and concepts Egyptian are to be found in such a great variety of places throughout European history and how we can account for their enduring impact over time. By taking a radically object-oriented perspective on this question, this book is also a major contribution to current debates on the agency of artefacts across archaeology, anthropology and art history.
This book applies modern theories of globalisation to the ancient Roman world, creating new understandings of Roman archaeology and history. This is the first book to intensely scrutinize the subject through a team of international specialists studying a wide range of topics, including imperialism, economics, migration, urbanism and art.