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This book is both an introductory overview of The Cantos and a detailed analysis advancing the knowledge of even the most sophisticated specialist. Sicari's analysis gives a clear orientation to the often bewildering but ultimately rewarding world of this difficult epic poem and shows that beneath the surface of the poem is the classical figure of the epic wanderer whose journey provides the "plot" of the poem. Non-specialists will appreciate Sicari's synthesis of a wide range of material. Sicari explores how Dante and the epic tradition informs The Cantos; those interested in the epic should find Sicari's study an important contribution to the field. Those studying modernism in general will see in Sicari's definition of the modern epic useful ways to study the other great achievements of high modernism, especially those of Yeats, Eliot, and Joyce. Those interested in the relation between literature and politics will find this book especially informative, for Sicari is one of the few critics on Pound who does not ignore Pound's politics, or simply castigate him for the unfortunate views he adopts and advocates. The analysis of Pound's fascism is a sub-theme that sheds new light on how politics enters a great modernist poem and affects its shape and intention.
"This comparative study investigates the epic lineage that can be traced back from Derek Walcott's Omeros and Ezra Pound's Cantos through Dante's Divina Commedia to the epic poems of Virgil and Homer, and identifies and discusses in detail a number of recurrent key topoi. A fresh definition of the concept of genre is worked out and presented, based on readings of Homer. The study reads Pound's and Walcott's poetics in the light of Roman Jakobson's notions of metonymy and metaphor, placing their long poems at the respective opposite ends of their language poles." "Although there has already been an intermittent critical focus on the 'classical' (and 'Dantean') antecedents of Walcott's poetry, the present study is the first to bring together the whole range of epic intertextualities underlying Omeros, and the first to read this Caribbean masterpiece in the context of Pound's achievement." --Book Jacket.
Ezra Pound spent most of his life in Italy and wrote about it incessantly in his poetry. Only by following his footsteps, acquaintances and composition processes can we make sense of and enjoy his forbidding Cantos. This study provides for the first time an account of Pound’s Italian wanderings and of what they became in his work. After this study we will be able to read Pound as a guide to the places, people and books he loved, and we will share his the poet traveler’s joys and discoveries.
This comparative study crosses multiple cultures, traditions, genres, and languages in order to explore the particular importance of Homer in the emergence, development, and promotion of modernist writing. It shows how and why the Homeric epics served both modernist formal experimentation, including Pound's poetics of the fragment and Joyce's sprawling epic novel, and sociopolitical critiques, including H.D.'s analyses of the cultural origins of twentieth-century wars and Mandelstam's poetic defiance of the totalitarian Stalinist regime. The book counters a long critical tradition that has recruited Homer to consolidate, champion and, more recently, chastise an elitist, masculine modernist canon. Departing from the tradition of reading these texts in isolation as mythic engagements with the Homeric epics, Leah Flack argues that ongoing dialogues with Homer helped these writers to mount their distinct visions of a cosmopolitan post-war culture that would include them as artists working on the margins of the Western literary tradition.
This collection of twenty essays investigates a series of different aspects of poetic influence in relation to the major modernist poet, Ezra Pound. The volume commences with five essays on matters to do with translation and poetic influence, which situate Ezra Pound as an important transitional figure between 19th-century and 20th-century translation strategies. The next five essays consider different influences on Pound’s poetry, and introduce the reader to new research in a variety of areas, including how specific Chinese cultural artefacts inform his poetry. The following five essays explore Pound’s influence on some of his major contemporaries, such as Eugenio Montale and Charles Olson, and also (through the reading he gave her as a girl) on his daughter, Mary de Rachewiltz. The concluding five essays exemplify different approaches to the thorny issue of Pound and politics, and end with two diametrically opposed interpretations of Pound’s political / poetic thought. The collection will be of great interest to scholars of Ezra Pound and of modern to postmodern poetry; but it will also serve as a useful and lively introduction to some of the debates within Pound scholarship to students coming to his work for the first time.
"Through an incisive analysis of Pound's correspondence and writings, much of it previously unexamined, Surette shows how Pound's heroic efforts to inform himself on economic theory led him into confusion and conflict."--BOOK JACKET.
Modernism is still widely acknowledged as perhaps the most important and influential artistic and cultural phenomenon of the 20th century. Written by expert scholars from around the world and covering hundreds of different topics in a clear, incisive, and critical manner, this reference maps the complex field of modernism in a fresh and original way. The principal focus of the book is on English-language literary modernism and the period 1890-1939, yet many entries extend beyond those parameters to include important precursors and successors of the movement. The book also covers the crucial European and interdisciplinary dimensions of modernism and provides complementary comparative perspectives from countries and regions not usually included in traditional accounts of the subject. Entries cite works for further reading, and the volume closes with a selected, general bibliography.
Was Ezra Pound the first theorist of world literature? Or did he inaugurate a form of comparative literature that could save the discipline from its untimely demise? Would he have welcomed the 2008 financial crisis? What might he say about America's economic dependence on China? Would he have been appalled at the rise of the “digital humanities,” or found it amenable to his own quasi-social scientific views about the role of literature in society? What, if anything, would he find to value in today's economic and aesthetic discourses? Ezra Pound in the Present collects new essays by prominent scholars of modernist poetics to engage the relevance of Pound's work for our times, testing whether his literature was, as he hoped it would be, “news that stays news.”
Publisher description
This book explores the theology and philosophy of the distinguished modern Muslim scholar and theologian Bediuzzaman Said Nursi [d.1960]. Nursi wrote in both Ottoman Turkish and Arabic and his life and thought reflected the transition of modern Turkey from an empire to a secular republic. The contributors to this volume shed new light on two major dimensions of Nursi's thought: theodicy and justice. Classical Muslim theologians debated these two important issues; however, we must consider the modern debate of these issues in the context of the radical political and social transformations of modern Turkey. Nursi explored these matters as they related to the development of state and society and the crisis of Islam in the modern secular nation-state. Nursi is the founder of a 'faith movement' in contemporary Turkey with millions of followers worldwide. In this book, distinguished scholars in Islamic, Middle Eastern, and Turkish Studies explore Nursi's thought on theodicy and justice in comparison with a number of western philosophers, theologians, and men of letters, such as Dante, Merton, Kant, and Moltman. This book presents an invaluable resource for studies in comparative religion, philosophy, and Islamic and Middle Eastern Studies.