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Swamps and marshes have traditionally been regarded as places of horror and ill health in western culture - places to be feared, drained and filled. In this wide-ranging study, Rod Giblett examines the swamp from a cross-disciplinary standpoint. Using material from fiction, films and popular culture and drawing on literature, cultural studies, philosophy, social theory, critical geography and medical history, he criticises the urge to drain swamps ('the project of modernity') as masculinist and imperialist.
In Wetlands and Western Cultures: Denigration to Conservation, Rod Giblett examines the portrayal of wetlands in Western culture and argues for their conservation. Giblett’s analysis of the wetland motif in literature and the arts, including in Beowulf and the writings of Tolkien and Thoreau, demonstrates two approaches to wetlands—their denigration as dead waters or their commendation as living waters with a potent cultural history.
Among the most productive ecosystems on earth, wetlands are also some of the most vulnerable. Australian Wetland Cultures argues for the cultural value of wetlands. Through a focus on swamps and their conservation, the volume makes a unique contribution to the growing interdisciplinary field of the environmental humanities. The authors investigate the crucial role of swamps in Australian society through the idea of wetland cultures. The broad historical and cultural range of the book spans pre-settlement indigenous Australian cultures, nineteenth-century European colonization, and contemporary Australian engagements with wetland habitats. The contributors situate the Australian emphasis in international cultural and ecological contexts. Case studies from Perth, Western Australia, provide practical examples of the conservation of wetlands as sites of interlinked natural and cultural heritage. The volume will appeal to readers with interests in anthropology, Australian studies, cultural studies, ecological science, environmental studies, and heritage protection.
Combining memoir and studies in the Environmental Humanities, Black Swan Song weaves together an autobiographically-based account of the unique life and work of Rod Giblett. For over 25 years he was a leading local wetland conservationist, environmental activist, and pioneer transdisciplinary researcher and writer of fiction and non-fiction. He has researched, written, and published more than 25 books in the environmental humanities, especially wetland cultural studies, and psychoanalytic ecology. Black Swan Song traces Rod’s early and later life and work from being born in Borneo as the child of Christian missionaries, through his childhood in Bible College, being a High School dropout and studying at three universities to becoming an academic, activist and author, and now a writer. Following in the footsteps of New Lives of the Saints: Twelve Environmental Apostles, Black Swan Song also comprises conversations in conservation counter-theology between the twelve minor biblical prophets and twelve environmental apostles, such as Henry David Thoreau, Aldo Leopold, John Muir, and Rachel Carson. It also introduces the lives and works of twelve more environmental apostles, such as John Clare, Rebecca Solnit, John Charles Ryan, and others who have made a valuable contribution to green thinking and living. Black Swan Song mixes modes and genres, such as memoir, essay, story, criticism, etc., making up the writer’s black swan song. It provides ways of living and being with the earth in dark and troubled times by providing resources of a journey of hope for learning to live bio- and psycho-symbiotic livelihoods in bioregional home habitats of the living earth and in the Symbiocene, the hoped-for age superseding the Anthropocene.
Using the rich and vital Australian Aboriginal understanding of country as a model, People and Places of Nature and Culture affirms the importance of a sustainable relationship between nature and culture. While current thought includes the mistaken notion—perpetuated by natural history, ecology, and political economy—that humans have a mastery over the Earth, this book demonstrates the problems inherent in this view. In the current age of climate change, this is an important appraisal of the relationship between nature and culture, and a projection of what needs to change if we want to achieve environmental stability.
Ireland and the Balkans have come to represent divided and (re)united communities. They both provide effective microcosms of national, ethnic, political, military, religious, ideological and cultural conflicts in their respective regions and, as a result, they demonstrate real and imaginary divisions. This book will specifically focus on the history, politics and literature of Bosnia-Herzegovina and Northern Ireland, while making comparative reference to some of Europe’s other disputed and divided regions. Using case-studies such as Kosovo and Serbia; Lithuania, Germany, Poland, Russia and Belarus; Greece and Macedonia, it examines ‘space’, ‘place’ and ‘border’ discourse, the topography of war and violence, post-war settlement and reconciliation, and the location and negotiation of national, ethnic, religious, political and cultural identities. The book will be of particular interest to scholars and students of cultural studies, history, politics, Irish studies, Slavonic studies, area studies and literary studies.
How to Make A Wetland tells the story of two Turkish coastal areas, both shaped by ecological change and political uncertainty. On the Black Sea coast and the shores of the Aegean, farmers, scientists, fishermen, and families grapple with livelihoods in transition, as their environment is bound up in national and international conservation projects. Bridges and drainage canals, apartment buildings and highways—as well as the birds, water buffalo, and various animals of the regions—all inform a moral ecology in the making. Drawing on six years of fieldwork in wetlands and deltas, Caterina Scaramelli offers an anthropological understanding of sweeping environmental and infrastructural change, and the moral claims made on livability and materiality in Turkey, and beyond. Beginning from a moral ecological position, she takes into account the notion that politics is not simply projected onto animals, plants, soil, water, sediments, rocks, and other non-human beings and materials. Rather, people make politics through them. With this book, she highlights the aspirations, moral relations, and care practices in constant play in contestations and alliances over environmental change.
Water reflects culture. This book is a detailed analysis of hydrological change in Australia’s largest inland waterway in Australia, the Gippsland Lakes in Victoria, in the first 70 years of white settlement. Following air, water is our primal need. Unlike many histories, this book looks at the entire hydrological cycle in one place, rather than focusing on one bit. Deftly weaving threads from history, hydrology and psychology into one, Following the Water explores not just what settlers did to the waterscape, but probes their motivation for doing so. By combining unlikely elements together such as swamp drainage, water proofing techniques and temperance lobbying, the book reveals a web of perceptions about how water ‘should be’. With this laid clear, we can ask how different we are from our colonial forebears.
Recent years have witnessed a surge in early modern ecostudies, many devoted to Shakespearean drama. Yet in this burgeoning discipline, travel writing appears moored in historicization, inorganic subjects are far less prevalent than organic ones, and freshwater sites are hardly visited. For All Waters explores these uncharted wetscapes. Lowell Duckert shows that when playwrights and travel writers such as Sir Walter Raleigh physically interacted with rivers, glaciers, monsoons, and swamps, they composed “hydrographies,” or bodily and textual assemblages of human and nonhuman things that dissolved notions of human autonomy and its singular narrativity. With a playful, punning touch woven deftly into its theoretical rigor, For All Waters disputes fantasies of ecological solitude that would keep our selves high and dry and that would try to sustain a political ecology excluding water and the poor. The lives of both humans and waterscapes can be improved simultaneously through direct engagement with wetness. For All Waters concludes by investigating waterscapes in peril today—West Virginia’s chemical rivers and Iceland’s vanishing glaciers—and outlining what we can learn from early moderns’ eco-ontological lessons. By taking their soggy and storied matters to heart, and arriving at a greater realization of our shared wetness, we can conceive new directions to take within the hydropolitical crises afflicting us today.