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What is the title of this book intended to signify, what connotations is the adjective “Postmodern” meant to carry? A potential reader will surely pose this question. To answer it, I should describe what distinguishes the - proach to analysis presented here from what has by its protagonists been called “Modern Analysis”. “Modern Analysis” as represented in the works of the Bourbaki group or in the textbooks by Jean Dieudonn ́ e is characterized by its systematic and axiomatic treatment and by its drive towards a high level of abstraction. Given the tendency of many prior treatises on analysis to degenerate into a collection of rather unconnected tricks to solve special problems, this de?nitely represented a healthy achievement. In any case, for the development of a consistent and powerful mathematical theory, it seems to be necessary to concentrate solely on the internal problems and structures and to neglect the relations to other ?elds of scienti?c, even of mathematical study for a certain while. Almost complete isolation may be required to reach the level of intellectual elegance and perfection that only a good mathem- ical theory can acquire. However, once this level has been reached, it can be useful to open one’s eyes again to the inspiration coming from concrete external problems.
Providing an introduction to situational analysis, Adele E. Clarke outlines how this method differs from and is superior to grounded theory and to qualitative data analysis.
A highly controversial intervention into the debate on postmodernism and feminism, this book looks at what happens when these modes of analysis are jointly employed to illuminate the sexual politics of Islam. As a religion, Islam has been demonized for its gender practices like no other. This book analyzes that Orientalism, with particular reference to representations of Muslim women and describes the real sexual politics of Islam. The author goes on to describe the rise of Islamic fundamentalism and the West's response to it. She argues that regardless of the sophisticated argument of postmodernists and their suspicion of power, as an intellectual and political movement postmodernism has put itself in the service of power and the status quo. Moghissi brilliantly demonstrates how this trend has given rise to a neo-conservative feminism. A major feminist critique of Islamic fundamentalism, this book asks some hard questions of those who, in denouncing the racism of Western feminism, have taken up an uncritical embrace of the Islamic identity of Muslim women. It is urgent reading for all those concerned about human rights, as well as for students and academics of women's studies, political science, social theory and religious studies.
Essential reading for all those concerned with contemporary theorizing of organization, this important and thought-provoking volume explores the implications of postmodernist/poststructuralist thinking for organizations and organizational analysis. The book introduces the concepts underpinning a postmodern organizational analysis, contrasting modern and postmodern forms of explanation and addressing the distinctions between postmodernity and postmodernism. Succeeding chapters then examine and assess the interplay of major postmodernist themes - such as deconstruction, desire, difference, pluralism and relativism - with key topics of organizational analysis and research. The final section is one of critique, as its authors variously argue that postmodernism fails adequately to address the realities of power, control and change in a globalizing world.
The Postmodern Turn gathers together in one volume some of the most important statements of the postmodern approach to human studies. In addressing postmodern social theory and emphasising the social role of knowledge, this book abandons the disciplinary boundaries separating the sciences and the humanities. The first collection of its kind, it provides the classic essays of authors such as Lyotard, Haraway, Foucault and Rorty. Contributors include well-known theorists in the fields of sociology, anthropology, women's and gay studies, philosophy, and history.
In this book it explores science and technology, makes connections between these epistemic, cultural, and political trends, and develops profound insights into the nature of our postmodernity.
Post-Postmodernism begins with a simple premise: we no longer live in the world of "postmodernism," famously dubbed "the cultural logic of late capitalism" by Fredric Jameson in 1984. Far from charting any simple move "beyond" postmodernism since the 1980s, though, this book argues that we've experienced an intensification of postmodern capitalism over the past decades, an increasing saturation of the economic sphere into formerly independent segments of everyday cultural life. If "fragmentation" was the preferred watchword of postmodern America, "intensification" is the dominant cultural logic of our contemporary era. Post-Postmodernism surveys a wide variety of cultural texts in pursuing its analyses—everything from the classic rock of Black Sabbath to the post-Marxism of Antonio Negri, from considerations of the corporate university to the fare at the cineplex, from reading experimental literature to gambling in Las Vegas, from Badiou to the undergraduate classroom. Insofar as cultural realms of all kinds have increasingly been overcoded by the languages and practices of economics, Nealon aims to construct a genealogy of the American present, and to build a vocabulary for understanding the relations between economic production and cultural production today—when American-style capitalism, despite its recent battering, seems nowhere near the point of obsolescence. Post-postmodern capitalism is seldom late but always just in time. As such, it requires an updated conceptual vocabulary for diagnosing and responding to our changed situation.
This book presents a groundbreaking analysis of the emergence of a pos tmodern paradigm in theory, the arts, science, and politics. From the authors of Postmodern Theory, the much-acclaimed introduction to key p ostmodern thinkers and themes, The Postmodern Turn ranges over diverse intellectual and artistic terrain--from architecture, painting, liter ature, music, and politics, to the physical and biological sciences. C ritically engaging postmodern theory and culture, Steven Best and Doug las Kellner illuminate our momentous transition between a modernist pa st and a future struggling to define itself.
Sorts out both traditional and recent narrative theories, providing the necessary skills to interpret any story that comes along.
The book deals with film, television, information technology, consumer products and popular literature, and assesses challenges to conceptions of the postmodern based on gender, race and religion.