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In the heart of Louisiana's Atchafalaya Basin, a letter sent from an isolated settlement, addressed to Hautes-Pyrénées, France, and marked undeliverable, shows up at the Bayou Chene post office. That same day locals find a dog, nearly dead and tethered to an empty skiff. Odd yet seemingly trivial, the arrival of a masterless dog and a returned letter triggers a series of events that will dramatically change the lives of three friends and affect all of the residents of Bayou Chene. Gwen Roland's debut novel, set in 1907 in a secluded part of Louisiana, follows young adults Loyce Snellgrove, her cousin Lafayette "Fate" Landry, and his friend Valzine Broussard as they navigate between revelations about the past and tensions in the present. Forces large and small—the tragedies of the Civil War, the hardships of swamp life, family secrets, as well as unfailing humor—create a prismatic depiction of Louisiana folklife at the turn of the twentieth century and provide a realistic setting for this enchanting drama. Roland anchors her work in historical fact and weaves a superb tale of vivid characters. In Postmark Bayou Chene, she uses the captivating voice that described the beauty and challenges of the swamp to legions of readers in her autobiographical Atchafalaya Houseboat. Her ear for dialogue and eye for detail bring the now-vanished community of Bayou Chene and the realities of love and loss on the river back to life in a well-crafted, bittersweet tribute.
In the early 1970s, two idealistic young people—Gwen Carpenter Roland and Calvin Voisin—decided to leave civilization and re-create the vanished simple life of their great-grandparents in the heart of Louisiana's million-acre Atchafalaya River Basin Swamp. Armed with a box of crayons and a book called How to Build Your Home in the Woods, they drew up plans to recycle a slave-built structure into a houseboat. Without power tools or building experience they constructed a floating dwelling complete with a brick fireplace. Towed deep into the sleepy waters of Bloody Bayou, it was their home for eight years. This is the tale of the not-so-simple life they made together—days spent fishing, trading, making wine, growing food, and growing up—told by Gwen with grace, economy, and eloquence. Not long after they took up swamp living, Gwen and Calvin met a young photographer named C. C. Lockwood, who shared their "back to the earth" values. His photographs of the couple going about their daily routine were published in National Geographic magazine, bringing them unexpected fame. More than a quarter of a century later, after Gwen and Calvin had long since parted, one of Lockwood's photos of them appeared in a National Geographic collector's edition entitled 100 Best Pictures Unpublished—and kindled the interest of a new generation. With quiet wisdom, Gwen recounts her eight-year voyage of discovery—about swamp life, wildlife, and herself. A keen observer of both the natural world and the ways of human beings, she transports readers to an unfamiliar and exotic place.
Louisiana's bayous and their watersheds teem with cypress trees, alligators, crawfish, and many other life forms. From Bayou Tigre to Half Moon Bayou, these sluggish streams meander through lowlands, marshes, and even uplands to dominate the state's landscape. In Bayou-Diversity, conservationist Kelby Ouchley reveals the bayou's intricate web of flora and fauna. Through a collection of essays about Louisiana's natural history, Ouchley details an amazing array of plants and animals found in the Bayou State. Baldcypress, orchids, feral hogs, eels, black bears, bald eagles, and cottonmouth snakes live in the well over a hundred bayous of the region. Collectively, Ouchley's vignettes portray vibrant and complex habitats. But human interaction with the bayou and our role in its survival, Ouchley argues, will determine the future of these intricate ecosystems. Bayou-Diversity narrates the story of the bayou one flower, one creature at a time, in turn illustrating the bigger picture of this treasured and troubled Louisiana landscape.
Penelope Lemon is a recent divorcée, closet Metallica fan, and accidental subversive to all the expectations of suburban motherhood. After ending her marriage with James, a woodsy intellectual who favors silky kimonos too short for his knobby knees, Penelope finds herself, at forty, living with her randy mother in her childhood home. Broke and desperate for work, she waitresses at Coonskins, a frontier-themed restaurant where the decor is heavy on stuffed mammals and discarded peanut shells. Despite the pitfalls of balancing parental duties, jobs, and the vagaries of middle-age life, Penelope pushes through one obstacle after another, trying to regain her independence. Whether fumbling through the world of online dating; coping with a bullying situation involving her son, Theo, something of a gastric wonder on the school bus; or wrestling with the discovery of nude photos from her carefree college days that are not quite as “artistic” as she remembers, Penelope gradually emerges as a modern-day heroine who navigates the assorted inanities of life with verve and humor. Audacious and laugh-out-loud funny, Inman Majors’s new novel holds up a fun-house mirror to the relatable challenges of being a single parent in the digital age. All those who live by the beat of their own drum gain a coconspirator, an accomplice, and a champion in the unstoppable Penelope Lemon.
The editors of TIME Magazine present D-Day.
During the Civil War, humans impacted plants and animals on an unprecedented scale as soldiers on both sides waged the most environmentally destructive war ever on American soil. In Flora and Fauna of the Civil War, Kelby Ouchley blends traditional and natural history to create a unique text that explores both the impact of the Civil War on the surrounding environment and the reciprocal influence of plants and animals on the war effort. After discussing the physical setting of the war and exploring humans' attitudes toward nature during the Civil War period, Ouchley presents the flora and fauna by individual species or closely related group in the words of the participants themselves. Collectively, no better sources exist to reveal human attitudes toward the environment in the Civil War era.
At nearly 1.4 million acres, the Atchafalaya Basin in south central Louisiana comprises America's largest swamp wilderness. Award-winning nature photographer C. C. Lockwood is the foremost chronicler of this natural treasure. What began as a curious side-trip in 1973 became a decades-long love affair, and for more than thirty years, Lockwood has explored the Atchafalaya's waters and captured its haunting beauty on film. Now, twenty-five years after the publication of his first book, he returns to his favorite subject in C. C. Lockwood's Atchafalaya. His passion for the Atchafalaya as expressed in his photographs can be compared to John James Audubon's exuberant appreciation for the state's abundant bird life as depicted in his prints more than 150 years ago. The art of both exalts Louisiana's wildlife -- and cautions against taking it for granted. Lockwood revisits and reflects on the places he has frequented most in the swamp, recalling his escapades both long past and recent among gators and skeeters. He shares the thoughts of basin residents about how the Atchafalaya has changed over time, for better and for worse. Increases and decreases in various bird and other animal populations, changes in water levels and consistency, flora mainstays and trees gone missing, burgeoning aquatic vegetation -- all are keenly observed by this explorer. Lockwood finds undiminished the seductive seasonal and diurnal moods of the swamp: autumn and spring, sunset and moonrise, as breathtaking now as in the past. In nearly one-hundred dazzling color photographs, Lockwood brilliantly documents the Atchafalaya's timeless beauty. He shows amazingly diverse and abundant wildlife, rookeries with thousands of egrets and herons, waters with billions of crawfish, and ridges with deer, squirrel, and woodcock. Waters run deep in Lockwood's soul, as evidenced in his intimate treatment of the meandering bayous fringed with bald cypress trees, the many glassy lakes reflecting vegetation into double images, and the mighty Atchafalaya River -- the lifeline of the swamp."No place in the world gives me such a feeling of peace as America's largest river basin swamp," writes Lockwood. In these pages, he pays homage to the queen of U.S. wetlands.