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A penetrating analysis of the real-photo postcard phenomenon of the early 1900s. These cards depict the now vanished world of small-town America, but also represent a pivotal stage in the evolution of photography. Their head-on style inherits something of the plain aesthetic of the Civil War photographers, while anticipating the great 1930s documentary artists such as Walker Evans. Fusing his skills as a chronicler of early 20th-century America, a historian of photography and a keen critic, Sante shows how these postcards offer a revealing 'self-portrait of the American nation'.
“Consent” is a Molotov cocktail, flung at the face of the French establishment, a work of dazzling, highly controlled fury...By every conceivable metric, her book is a triumph.” -- The New York Times Already an international literary sensation, an intimate and powerful memoir of a young French teenage girl’s relationship with a famous, much older male writer—a universal #MeToo story of power, manipulation, trauma, recovery, and resiliency that exposes the hypocrisy of a culture that has allowed the sexual abuse of minors to occur unchecked. Sometimes, all it takes is a single voice to shatter the silence of complicity. Thirty years ago, Vanessa Springora was the teenage muse of one of the country’s most celebrated writers, a footnote in the narrative of a very influential man in the French literary world. At the end of 2019, as women around the world began to speak out, Vanessa, now in her forties and the director of one of France’s leading publishing houses, decided to reclaim her own story, offering her perspective of those events sharply known. Consent is the story of one precocious young girl’s stolen adolescence. Devastating in its honesty, Vanessa’s painstakingly memoir lays bare the cultural attitudes and circumstances that made it possible for a thirteen-year-old girl to become involved with a fifty-year-old man who happened to be a notable writer. As she recalls the events of her childhood and her seduction by one of her country’s most notable writers, Vanessa reflects on the ways in which this disturbing relationship changed and affected her as she grew older. Drawing parallels between children’s fairy tales and French history and her personal life, Vanessa offers an intimate and absorbing look at the meaning of love and consent and the toll of trauma and the power of healing in women’s lives. Ultimately, she offers a forceful indictment of a chauvinistic literary world that has for too long accepted and helped perpetuate gender inequality and the exploitation and sexual abuse of children. Translated from the French by Natasha Lehrer "...One of the belated truths that emerges from [Consent] is that Springora is a writer. [...]Her sentences gleam like metal; each chapter snaps shut with the clean brutality of a latch." -- The New Yorker "Consent [is] rapier-sharp, written with restraint, elegance and brevity." -- The Times (London) "[Consent] has something steely in its heart, and it departs from the typical American memoir of childhood abuse in exhilarating ways." -- Slate "Lucid and nuanced...[Consent] will speak to trauma survivors everywhere." -- Los Angeles Review of Books ”A piercing memoir about the sexually abusive relationship she endured at age 14 with a 50-year-old writer...This chilling account will linger with readers long after the last page is turned.” -- Publishers Weekly "Springora's lucid account is a commanding discussion of sexual abuse and victimization, and a powerful act of reclamation." -- Booklist "A chilling story of child abuse and the sophisticated Parisians who looked the other way...[Springora] is an elegant and perceptive writer." -- Kirkus
Weegee held a mirror up to New York and revealed a city that was provocative and gripping, while at the same time managing to capture the City's heart. --Miles Barth, International Center of Photography.
Reproduces more than 100 images of Paris taken by photographer Pierre Yves-Petit in the years between the two world wars and that depict the magic and romance most often associated with the City of Light.
Wish You Were Here! Lost New York in Old Postcards documents the city from the turn of the century to the mid-1950s, the years in which hand-colored postcards were produced. These cards capture images of lost New York—buildings, places, parks, hotels, subways, restaurants, nightclubs, theaters, and stores—that no longer exist or have been transformed by the constant change defining New York as a work in progress. • An exhibit of the contents of this book can be seen at The Museum of the City of New York, where the author’s collection will be donated. Rod Kennedy, Jr.’s books include The Brooklyn Cookbook and The County Fair Cookbook with Lyn Stallworth; Atlantic City: 125 Years of Ocean Madness with Lee Eisenberg and Vicki Levi. He is the founder and president of Stadia Tins Ltd., which produces decorative tins that are replicas of major league baseball stadiums. He also produced the “Star Spangled Banner” poster for the Smithsonian Institution.
Published on the occasion of an exhibition held at the Museum of Fine Arts, Boston, Oct. 24, 2012-Apr. 14, 2013.
The beloved gift format that is 100 postcards in a box has never been more beautiful. The images include 100 rare portraits of exotic flowers, cacti and succulents from the world-renowned collection of the NY Botanical Garden. Printed on lush, uncoated stock to mimic the original paintings, these brilliantly colored postacrds can be mailed, framed or used in craft projects.
The first impression of W. Reginald Bray (1879-1939) was one of an ordinary middle-class Englishman quietly living out his time as an accountant in the leafy suburb of Forest Hill, London. A glimpse behind his study door, however, revealed his extraordinary passion for sending unusual items through the mail. In 1898, Bray purchased a copy of the Post Office Guide, and began to study the regulations published quarterly by the British postal authorities. He discovered that the smallest item one could post was a bee, and the largest, an elephant. Intrigued,he decided to experiment with sending ordinary and strange objects through the post unwrapped, including a turnip, abowler hat, a bicycle pump, shirt cuffs, seaweed, a clothes brush, even a rabbit's skull. He eventually posted his Irish terrier and himself (not together), earning him the name "The Human Letter." He also mailed cards to challenging addressessome in the form of picture puzzles, others sent to ambiguous recipients at hard to reach destinationsall in the name of testing the deductive powers of the beleaguered postman. Over time hispassion changed from sending curios to amassing the world's largest collection of autographs, also via the post. Starting with key British military officers involved in the Second Boer War, he acquired thousands of autographs during the first four decades of the twentieth centuryof politicians, military men, performing artists, aviators, sporting stars, and many others. By the time he died in 1939, Bray had sent out more than thirty-two thousand postal curios and autograph requests. The Englishman Who Posted Himself and Other Curious Objects tells W. Reginald Bray's remarkable tale for the first time and includes delightful illustrations of some of his most amazing postal creations. Readers will never look at the objects they post the same way again.
Designed in 1858 by Frederick Law Olmstead, Central Park is the verdant heart and soul of New York City. Through it covers a mere 840 acres, the park is a haven in the midst of a bustling city that encompasses wooded glades, serene meadows, ponds, paths, plazas and forests. It is a truly democratic place, where all gather to enjoy nature's beauty and bounty. This selection of thirty breathtaking images by the celebrated team of Sonja Bullaty and Angelo Lomeo is a celebration of this urban utopia and its beauty in all seasons.