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Through the analysis of a variety of favela-based visual cultural productions by young people and contemporary theorists, Postcards from Rio examines the complex relationship between citizenship and urban space in contemporary Rio de Janeiro. By analyzing videos and photographs, Kátia da Costa Bezerra illustrates how citizens of favelas are reshaping their sense of belonging as subjects and as a legitimate part of the city. A groundbreaking study that examines more deeply the relationship between urban space, citizenship, and imagery originating in the favelas, Postcards from Rio sheds crucial light on how contemporary lenses are defining and mediating the meanings of space and citizenship as strategies of empowerment. The city emerges as a political space where multiplicities of perspectives are intertwined with demands for more inclusive forms of governance.
Postcards from the Baja California Border uses popular historical imagery--the vintage postcard--to tell a compelling, visually enriched geographical story about the border towns of Baja California.
Not so long ago, it was relatively easy to wake up overlooking Victoria Harbour in Hong Kong and go to sleep in the shadow of the Brooklyn Bridge; to travel from Venice to Istanbul in time for dinner. The international network of the art world, in particular, made it easy to slip through time and borders--with the right invitation and the right passport. You may never have been to Basel, Switzerland for the art fairs, but you might certainly feel as though you have, experiencing it exclusively through the spate of other people's images. Vik Muniz's series Postcards from Nowhere grapples with how, through photographs, we have come to "see" and understand distant yet iconic sites we may never actually view with our own eyes. "The images we hold in our heads are an assemblage," notes Muniz. "They are an amalgam of every image of those locations that we have ever seen." More critically, the series serves as an homage not just to the quasi-obsolete artifact of the picture postcard, but to a way of life that has now been put in sharp relief. Muniz's images--created out of collaged pieces of vintage postcards from the artist's personal collection--materialize the experience and longing of travel, triangulating between the traveler, a distant location, and the recipient who, increasingly, remains at home. Volume I presents thirty-two single postcards displaying each of the images in the series. Volume II presents a series of thirty-six postcards that, when assembled, can be viewed as a single, large-scale work of 30 x 40 inches. The process of assembling the larger, single image is akin to the original act of collage--or like that of assembling a mosaic crafted from disparate pieces that have traveled from afar, but when brought together, conjure something that is larger, more complete than any individual element could be on its own.
A history in postcards of Mexican tourist towns in the first half of the twentieth century, with nearly two hundred illustrations. Between 1900 and the late 1950s, Mexican border towns came of age both as tourist destinations—in some cases by luring Americans who wanted to escape Prohibition—and as emerging cities. Commercial photographers produced thousands of images of their streets, plazas, historic architecture, and tourist attractions, which were reproduced as photo postcards. Daniel Arreola has amassed one of the largest collections of these border town postcards, and in this book he uses this amazing visual archive to offer a new way of understanding how the border towns grew and transformed themselves in the first half of the twentieth century, as well as how they were pictured to attract American tourists. Postcards from the Río Bravo Border presents nearly two hundred images of five towns on the lower Río Bravo: Matamoros, Reynosa, Nuevo Laredo, Piedras Negras, and Villa Acuña. Using multiple images of sites within each city, Arreola tracks changes both within the cities as places and in the ways in which they’ve been pictured for tourist consumption. He also shows how postcard images, when systematically and chronologically arranged, can tell us a great deal about how Mexican border towns have been viewed over time. This innovative visual approach demonstrates that historical imagery, no less than text or maps, can be assembled to tell a fascinating geographical story. “This is masterful cultural geography with rich visual materials, delivered in a unique and compelling fashion.” —Journal of Latin American Geography
In this first translation in book form of his work, Latin American social commentator Carlos Monsivais presents an extraordinary chronicle of contemporary life south of the Rio Grande, ranging over subjects as various as Latino hip hop, Dolores del Rio, boleros, and melodrama. Monsivais's chronicles are laconic and satirical, taking as a constant theme the conflicts between Mexican and North American culture and between modern and traditional ways of life.
Each contains 30 detachable duotone postcards of treasured historical images from the Museum of New Mexico preeminent photo archives. All are 6 7/8 x 4 3/4.
The orchestra have an important concert to play… but all the musicians have gone walkabout! Can you help the Maestro and his faithful assistant to track them down using clues from their postcards? Take a trip from Reykjavik to Rio, through Greek islands, Venetian canals and Egyptian pyramids in this search-and-find tour of the world and learn all the instruments of the orchestra as you work your way through this spotting extravaganza.
Description: Front has image of Rio de Janeiro, Brazil. Sent from Bob Brandhart, USS Louisville (CA-28) to Gerhart Lang, Maplewood, Missouri.
It’s the city the rest of the world descends on to party…. whether for the spectacular annual Carnival, the sun-kissed beaches, the World Cup, or, in 2016, the Olympics. It’s also a place that’s sadly become synonymous with some of the excesses of partying, the dark underbelly that accompanies any urban hedonist’s destination. But these are just two images of Rio. There are countless others: opulent seat of two former empires; stronghold of brutal, twentieth-century dictatorships; sprawling metropolis stretched between stunning mountain tops and equally stunningeconomic extremes – from the affluence of neighbourhoods like Leblon and Ipanema, to the overcrowded slums in the foothills, the favelas. This anthology brings together ten short stories that go beyond the postcards and snapshots, and introduce us to real residents of Rio – the cariocas: young hopefuls training to be the next stars of samba, exhausted labourers press-ganged into meeting an impossible construction deadline (the nation’s pride being at stake), bored call-girls, nostalgic drag queens, married couples having petty middle-class domestics…. These are characters who’ve developed a deep understanding of Rio’s contradictions, a way of living with the grey areas – between the grime and the glitz – that make Rio the ‘marvellous city’ it is.
A short shot of brilliant storytelling one of the most celebrated modern Australian short stories is now available to read by itself, wherever you are. A young woman from Melbourne visits her parents, and Auntie Lorna, in Surfers Paradise. As she stays with them, and writes postcard after postcard home, she thinks back on relationships that have shaped her. Helen Garner's collection Postcards from Surfers heralded a new generation of Australian writing, and her beautifully detailed, honest and evocative prose is on perfect display in this the title story.