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This is the first complete history of the Irish Post Office, an institution which has been at the heart of Irish life for over 300 years. It tells the story of how a small letter office grew into one of the greatest departments of State, influencing developments in areas of life which ranged from transport and communications to economics, technology and national identity. From the early days of postboys and packet ships to the introduction of the telegraph and telephone, the Post Office has played a vital role in communications, delivering mail to all parts of the island, maintaining precious links between Ireland and its emigrants, and representing, through the friendly face of a local postman or postmistress, an approachable facet of Government. Always a commercial enterprise as well as a public service, the Post Office has had to deal with the tensions that arise in that relationship and which today pose particularly serious challenges. At the heart of the book are the men and women whose fascinating stories and sympathetic characters have moulded the shape of the department and ensured its survival in the face of personal turmoil, rebellion and political intrigue. Drawing on much unpublished material, The Post Office in Ireland: An Illustrated History reveals an organisation that has been quietly influential in the development of Irish society and pays tribute to those who have faithfully served it. From letters and telegrams, to railways, radio and the GPO itself – this history of the Irish Post Office tells the story of our nation and its people in a unique and accessible way.
South-west Donegal, Ireland, June 1856. From the time that the blight first came on the potatoes in 1845, armed and masked men dubbed Molly Maguires had been raiding the houses of people deemed to be taking advantage of the rural poor. On some occasions, they represented themselves as 'Molly's Sons', sent by their mother, to carry out justice; on others, a man attired as a woman, introducing 'herself' as Molly Maguire, demanding redress for wrongs inflicted on her children. The raiders might stipulate the maximum price at which provisions were to be sold, warn against the eviction of tenants, or demand that an evicted family be reinstated to their holding. People who refused to meet their demands were often viciously beaten and, in some instances, killed -- offences that the Constabulary classified as 'outrages'. Catholic clergymen regularly denounced the Mollies and in 1853, the district was proclaimed under the Crime and Outrage (Ireland) Act. Yet the 'outrages' continued. Then, in 1856, Patrick McGlynn, a young schoolmaster, suddenly turned informer on the Mollies, precipitating dozens of arrests. Here, a history of McGlynn's informing, backlit by episodes over the previous two decades, sheds light on that wave of outrage, its origins and outcomes, the meaning and the memory of it. More specifically, it illuminates the end of 'outrage' -- the shifting objectives of those who engaged in it, and also how, after hunger faded and disease abated, tensions emerged in the Molly Maguires, when one element sought to curtail such activity, while another sought, unsuccessfully, to expand it. And in that contention, when the opportunities of post-Famine society were coming into view, one glimpses the end, or at least an ebbing, of outrage -- in the everyday sense of moral indignation -- at the fate of the rural poor. But, at heart, The End of Outrage is about contention among neighbours -- a family that rose from the ashes of a mode of living, those consumed in the conflagration, and those who lost much but not all. Ultimately, the concern is how the poor themselves came to terms with their loss: how their own outrage at what had been done unto them and their forbears lost malignancy, and eventually ended. The author being a native of the small community that is the focus of The End of Outrage makes it an extraordinarily intimate and absorbing history.
This original study is the first major critical appraisal of Ireland’s post-colonial experience in relation to that of other emergent nations. The parallels between Ireland, India, Latin America, Africa and Europe establish bridges in literary and musical contexts which offer a unique insight into independence and freedom, and the ways in which they are articulated by emergent nations. They explore the master-servant relationship, the functions of narrative, and the concepts of nationalism, map-making, exile, schizophrenia, hybridity, magical realism and disillusion. The author offers many incisive answers to the question: What happens to an emerging nation after it has emerged?
Ingenious Ireland takes readers on a magnificent tour of the country's natural wonders, clever inventions, and historic sites. Richly illustrated and meticulously compiled, Ingenious Ireland introduces readers to the complete history, culture, and landscape of all thirty-two Irish counties. Mary Mulvihill unearths Ireland's treasures and divulges her secrets, such as the oldest fossil footprints in the Northern hemisphere, the advent of railways, the invention of milk of magnesia, and why the shamrock is a sham. Fascinating and comprehensive, Ingenious Ireland unravels the mysteries and marvels of this remarkable country.