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A small-sized commitment of time is all you need to create these picture-perfect postcard quilts! Give, trade, or treasure these 4" x 6" mini-greetings--and make a one-of-a-kind quilt in an evening. Follow one step-by-step project to learn the technique; then get inspired by more than 85 creative variations, all shown in close-up photos Choose a novelty fabric to start; then learn to develop your own themes with photos of fabric and embellishment collections Embellish postcards with machine satin stitching, ribbons, yarns, buttons, beads, rubber stamps, costume jewelry--there's no limit to what you can use! Fabric postcards * Fiber postcards * Artist postcards * Trading cards
"Postcard-sized works of art, also known as Artist Mailing Cards, one of the latest ideas to emerge from the world of mixed media art"--Page 4 of cover.
A beautiful collection of private photographs and amusing commercial postcards from the turn of the last century that celebrate our love for man's best friend. While visiting postcard fairs and browsing their collections, Libby Hall, author of Prince and Other Dogs I and II, found herself won over by these cards. Wildly sentimental images that in a modern light might seem over the top-a dog crying real tears while thinking of his master fighting on the front lines during World War I, an Edwardian tea party given for a child's favorite pet, a canine family toasting their uncle's good health-suggest a genuine love and respect for the animals that were beginning to become a fixture of the modern nuclear family. For both collectors and general readers, Postcard Dogs will charm and amuse you with its odd yet heartfelt portraits, capturing the excitement and possibility of a society on the brink of profound change.
Franki Kohler teaches six different techniques for making mailable fabric postcards that are useful for greetings, invitations, announcements, and more.
Not so long ago, it was relatively easy to wake up overlooking Victoria Harbour in Hong Kong and go to sleep in the shadow of the Brooklyn Bridge; to travel from Venice to Istanbul in time for dinner. The international network of the art world, in particular, made it easy to slip through time and borders--with the right invitation and the right passport. You may never have been to Basel, Switzerland for the art fairs, but you might certainly feel as though you have, experiencing it exclusively through the spate of other people's images. Vik Muniz's series Postcards from Nowhere grapples with how, through photographs, we have come to "see" and understand distant yet iconic sites we may never actually view with our own eyes. "The images we hold in our heads are an assemblage," notes Muniz. "They are an amalgam of every image of those locations that we have ever seen." More critically, the series serves as an homage not just to the quasi-obsolete artifact of the picture postcard, but to a way of life that has now been put in sharp relief. Muniz's images--created out of collaged pieces of vintage postcards from the artist's personal collection--materialize the experience and longing of travel, triangulating between the traveler, a distant location, and the recipient who, increasingly, remains at home. Volume I presents thirty-two single postcards displaying each of the images in the series. Volume II presents a series of thirty-six postcards that, when assembled, can be viewed as a single, large-scale work of 30 x 40 inches. The process of assembling the larger, single image is akin to the original act of collage--or like that of assembling a mosaic crafted from disparate pieces that have traveled from afar, but when brought together, conjure something that is larger, more complete than any individual element could be on its own.
Some people are lucky enough to own beautiful heirloom quilts that were passed down through the family. The rest of us have to be content with making those eye-popping quilts ourselves! Now we can, with this fantastic collection of nine authentic 1930s patterns made using reproduction fabric. The projects feature a range of skill levels and techniques and are ideal for showcasing your talent and your fabric collection.
"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website.
A vivid picture of four decades of social and cultural history in the Green Mountain State.