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Sumptuous photographs display the elaborate, colorful tiles -azulejosadorning interiors and exteriors throughout Portugal.
From Palaces and churches to the humblest homes colored hand-painted tiles have decorated Portuguese buildings for centuries.Azulejos date as far back as the 13th century when the Moors invaded the land that now belongs to Spain and Portugal."Colors of Portugal" is not an essay but a collection of 110 beautiful "azulejo" tile patterns.
A superb and beautifully illustrated history of Portuguese tiles from the 16th century to the present
This definitive book tells the visual history of tile decoration in the Indian subcontinent, through vibrant photography and thorough research. Historic India, which now encompasses the modern nations of India, Pakistan and Bangladesh, is celebrated for the richness of its architectural and decorative arts, but less well known for glazed tiles. Arthur Millner opens up this hitherto neglected subject with a richly illustrated narrative of the development of tiles across the South Asian Subcontinent. Millner traces the craft’s roots in Muslim Persia, Afghanistan and Central Asia, showing how imported glazing techniques combined with an ancient local tradition of clay craftsmanship. He explores the production, designs and influences in Indian tiles from antiquity to the colonial period, tracing the historical evolution through a series of key eras, including the Delhi Sultanate and the Mughal Empire in Northern India as well as the independent sultanates in the Deccan, Bengal, Central India and the Indus region. Although glazed tiles are generally associated with Islam, they also briefly flourished in both Hindu strongholds, such as Gwalior and Orchha, and in Christian Portuguese-ruled Goa. More than four hundred photographs, many of little-known sites, are drawn from the author’s years of travel as well as from colleagues, the archives of the Victoria and Albert Museum, auction houses and other celebrated institutions. These images capture both the architectural context and the visual appeal of the vibrant colors and intricate designs, and provide a visual compendium of the different styles and techniques. Taken together they offer a unique chronicle of an important and environmentally threatened aspect of the region’s cultural, artistic and religious evolution over centuries—one that will appeal to both the specialist and general reader including anyone with an interest in Indian history and architecture, as well as those interested in Islamic art and ceramics.
Azulejos are painted, glazed ceramic tiles that date back to 13th-century Portugal. Today, we see these decorative tiles across a wide range of buildings, from palaces and restaurants to railway stations and family homes. The design seen here is pulled from the traditional tiles gracing the façades of a variety of old houses in Porto, Portugal.
Azulejos are painted, glazed ceramic tiles that date back to 13th-century Portugal. Today, we see these decorative tiles across a wide range of buildings. The design seen here is pulled from the traditional tiles gracing the façades of a variety of old houses in Porto, Portugal.
A dazzling visual history of ceramic tiles from around the world and across the centuries. This striking book gathers together an extensive collection of ceramic tiles from around the world and explores their rich history, purpose, and decorative qualities. For centuries, tiles have been used for both functional and aesthetic purposes on the fac¸ades and interiors of buildings. Found in a multitude of shapes, sizes, colors, and designs—ranging from complex geometrical Islamic patterns to figurative seventeenth-century delftware—tiles are among the most varied ceramic products. This luxurious source book, curated by the award-winning studio Here Design, is organized chronologically and features tiles in every variety of shape, displaying each individual tile type and its overall laid pattern in vivid color. Tiles are also shown in situ around the world and at different periods in their remarkable history. The Tile Book is a dazzling mosaic, with colors and patterns that will uplift and inspire.
"After more than twenty years since the Gulbenkian's Iznik pottery catalogue was published comes this book celebrating the impressive decorative repertoire, the great diversity, quantity and quality of Ottoman ceramic ware gathered by Calouste Sarkis Gulbenkian." "This publication is based on a selection of eighty representative objects from the various periods of production spanning the start of the 16th century up until the industry's decline in the 17th century. After a brief history of the collection, the first part introduces the various types of ware according to their decoration, in a broadly chronological order. The second part, which is dedicated to tiles, deals with large panels, frieze and border tiles, most of which are on permanent display in the Museum." "Calouste Gulbenkian's first contact with Ottoman ceramics, which coincided with the beginning of his career as a collector, took place in 1898 when he bought four Iznik fritware dishes at Christie's in London, two of which are of the highest quality, decorated over a scale background. Over the following forty years, Gulbenkian steadily collected the remaining pieces making up this important group, which also includes the magnificent ceramic tile panels." --Book Jacket.
Decorative tiles have adorned the façades and interiors of ancient Persian temples, Islamic mosques and pleasure palaces, medieval castles and cottages, Victorian churches and shops, and modern civic and domestic structures. Tile Art is an informative volume that traces the rich tradition of these sumptuous tiles and fully illustrates their varied designs. The author deals lucidly and extensively with various manufacturing and decorating processes, as well as with the most significant designers and potteries in Britain, on the Continent and in the United States. Dutch Delftware tiles are described in detail, as are Portuguese azulejos, Italian maiolica panels, Scandinavian stove surrounds, British and American Arts and Crafts examples and French and Dutch Art Nouveau creations. The contributions of artists and designers such as William Morris, Walter Crane, Vanessa Bell and Louis Comfort Tiffany are noted, and the technical advances pioneered by such companies as Mintons, Pilkingtons, Low and Maw are described in relation to the increasing sophistication in tile design during the 19th century. -- Inside jacket flap.