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"I saw a buffalo today." Our fascination with these magnificent creatures draws thousands every year to wilderness areas to view them in their natural setting. Portraits of the Bison stunningly documents bison society with numerous colour photographs, detailed anatomical illustrations, and engaging description. Wes Olson explores the history, social structure, and life cycle of these intriguing animals, with an emphasis on safety and awareness while observing them. The detailed illustrations and photographs enable age and gender identification from birth to death and explore the differences between the species. This beautiful guide will captivate nature lovers and bison experts as it reveals the story of this wanderer of the plains.
Eggers is one of the most notable writers of his generation, recognized for such bestselling and critically acclaimed books as A Hologram for the King, What Is the What, and The Circle. Before he embarked on his writing career, Eggers was classically trained as a draftsman and painter. He then spent many years as a professional illustrator and graphic designer before turning to writing full-time. More recently, in order to raise money for ScholarMatch, his college-access nonprofit, he returned to visual art, and the results have been exhibited in galleries and museums around the country. Usually involving the pairing of an animal with humorous or biblical text, the results are wry, oddly anthropomorphic tableaus that create a very entertaining and eccentric body of work from one of today’s leading culture makers.
The Ecological Buffalo takes a deep dive into the complex relationships buffalo have with the other species they share space and time with.
The must-have photography monograph of the year, this lavish oversized volume celebrates David Yarrow's unparalleled wildlife imagery. For more than two decades, legendary British photographer David Yarrow has been putting himself in harm's way to capture immersive and evocative photography of the world's most revered and endangered species. With his images heightening awareness of those species and also raising huge sums for charity and conservation, he is one of the most relevant photographers in the world today. Featuring Yarrow's 150 most iconic photographs, this book offers a truly unmatched view of some of the world's most compelling animals. The collection of stunning images, paired with Yarrow's first-person contextual narrative, offers insight into a man who will not accept second best in his relentless pursuit of excellence. David Yarrow Photography offers a balanced retrospective of his spectacular work in the wild and his staged storytelling work, which has earned him wide acclaim in the fine-art market. Yarrow rarely just takes pictures--he almost always makes them. This approach sets him apart from others in the field. Yarrow's work will awaken our collective conscience, and--true to form--he plans to donate all the royalties from this book to conservation
"How to turn photographs into wooden keepsakes"--Cover.
Over a lifetime, CNN founder Ted Turner has dedicated two million private acres to a globally unparalleled project to reintroduce and restore the species that once roamed freely there. Ted Turner was for many years the largest private-property owner in America and known for his establishment of the largest bison herds in the world. From this beginning, his holdings have grown to be refuges of biodiversity for some of the most endangered species in the world, from migratory birds to fish and insects, and from wolves to grizzly bears. Rhett Turner explores his father’s devotion to leaving nature in better shape than he found it by taking us across nearly two dozen of the Turner family’s properties—from the northern Rockies to the prairies of the Dakotas to the southeastern Atlantic coastal plains and pine forests—land equal to the size of Yellowstone National Park.
Re-examines Catlin's art and his vision of a "nation's park" to protect the buffalo and native American people
Archaeological and anthropological investigations of depictions seldom extend beyond a single culture or a single geographical location, although there is a powerful factor common to all depictions, the factor of human perception. In this volume an attempt is made to show how this factor affects both creation and recognition of depictions, how, in common with everyday vision of the environment, typical contours are derived and used, not merely to depict individually readily recognisable models, but also how by concatenation they lead to such a splendid figure as Australian Kakadu crocodiles, or by distortion to creation of illusions of pictorial depth, such as is evoked by Leonardo da Vinci’s perspective and by inverted (Byzantine) perspective thought by some to be an aberration. Bartel’s studies show that pictorial depth is often achieved to the artist’s, and many a viewer’s, but not to geometer’s satisfaction by partial distortion, and Chinese masterpieces embody, side by side, ‘normal’ and inverted perspective. The visual process is universally uniform (if it were not, one would not be able to recognise an Altamira bison as a bison) and its foibles can be freely exploited. Its best known exploiter is probably Cezanne. His pictures are admired by many and puzzle many. Strzemiński postulated that they compound distinct lines of sight, thus endorsing primacy of central vision, a concept thought by Gombrich to be of greater import to geometers than to artists.