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Five strangers forge an unlikely alliance to uncover the identity of the infamous Point Roberts Slayer. On a peculiar peninsula in Washington State, the small town of Point Roberts exists in the shadow of the fifteen people who were murdered here. Surrounded by water and a giant wall that spans its border with Canada, Point Roberts has been cut off from the rest of the world every February for the past twenty-seven years in an attempt to stop a brutal serial killer from striking again. Because the murders took place exclusively during February three years in a row, closing down the town seemed like the only way to stop the slayings. And so far . . . it has worked. Except the decades-old cold case remains unsolved, and the residents of Point Roberts are beginning to question if there's an ulterior motive behind the mayor's enforced lockdowns. After a brazen seventeen-year-old orphan named Liza moves to town, a new February begins. At first, she knows nothing of the murders, but that quickly changes when she finds a mysterious book titled The Fifteen-a book that shares shocking details on the killings. Determined to discover the identity of the Point Roberts Slayer, Liza teams up with four other misfits who all hold secrets and have personal connections to the victims. These five strangers will have to work together to uncover the truth, if only they can stay out of the murderer's destructive path so they don't become victims themselves. Point Roberts is a love letter to the moody Pacific Northwest, an intricate portrait of complex characters building walls to protect their fragile hearts, and, at its core, a profound story of embracing chosen family and walking with them into the foggy unknown.
Marilyn Monroe wakes up inside the rust-colored brick walls of an extravagant mansion in Savannah, and is informed that it's the year 2062. The young man who tells her this is Jeremiah Gold, whom Marilyn met just days ago in California, a century earlier. He quickly explains how he traveled back to 1962 in the time machine he invented, to save her from the death that would have otherwise overtaken her. At first Marilyn is unable to comprehend the truth, but as Jeremiah discovers that the news of her legendary demise is still mysteriously in place, she decides to align her trust in him. In time, the brazen blonde emerges out into the southern city, taking caution so that none of the citizens of Savannah recognize her. Marilyn knows it's dangerous, but she can't quench the urge she has to explore this futuristic world, regardless of the warnings Jeremiah gives her. What Happened to Marilyn is a time-bending novel that gives one of the most famous women in the world a shot at redemption. As she struggles to deal with her identity and her unfulfilled dreams, Marilyn wonders if she should stay with Jeremiah, or return to the past that will never let her go.
This opulent and expansive volume, published in conjunction with the Los Angeles County Museum of Art's monumental exhibition Made in California: Art, Image, and Identity,1900-2000, charts the dynamic relationship between the arts and popular conceptions of California. Displaying a dazzling array of fine art and material culture, Made in California challenges us to reexamine the ways in which the state has been portrayed and imagined. Unusually inclusive, visually intriguing, and beautifully produced, this volume is a delight throughout--both in image and in text--and will appeal to anyone who has lived in, visited, or imagined California.
A complete and thorough DIY repair manual for Exakta VX and VXIIa cameras. The step-by-step instructions combined with excellent photographt allow a high rate of success. Much of the information specific to these models has never been published!
Squatters and autonomous movements have been in the forefront of radical politics in Europe for nearly a half-century—from struggles against urban renewal and gentrification, to large-scale peace and environmental campaigns, to spearheading the antiausterity protests sweeping the continent. Through the compilation of the local movement histories of eight different cities—including Amsterdam, Berlin, and other famous centers of autonomous insurgence along with underdocumented cities such as Poznan and Athens—The City Is Ours paints a broad and complex picture of Europe’s squatting and autonomous movements. Each chapter focuses on one city and provides a clear chronological narrative and analysis accompanied by photographs and illustrations. The chapters focus on the most important events and developments in the history of these movements. Furthermore, they identify the specificities of the local movements and deal with issues such as the relation between politics and subculture, generational shifts, the role of confrontation and violence, and changes in political tactics. All chapters are written by politically-engaged authors who combine academic scrutiny with accessible writing. Readers with an interest in the history of the newest social movements will find plenty to mull over here. Contributors include Nazima Kadir, Gregor Kritidis, Claudio Cattaneo, Enrique Tudela, Alex Vasudevan, Needle Collective and the Bash Street Kids, René Karpantschof, Flemming Mikkelsen, Lucy Finchett-Maddock, Grzegorz Piotrowski, and Robert Foltin.
Issued to coincide with the Twyla Tharp-Mikhail Baryshnikov national tour, premier choreographer Twyla Tharp reveals her extraordinary odyssey that changed contemporary dance. She recounts her unique story, from her childhood to her training in classical ballet to her struggle to find her own vision. Photographs.
The American Dance Festival has been a magnet drawing together diverse artists, styles, theories, and dance training methods; from this creative mix the ADF has emerged as the sponsor of performances by some of the greatest choreographers and dance companies of our time. Jack Anderson traces the development of ADF from its beginnings in New England to its seasons at Duke University. He displays the ADF for the multidimensional creature it is—a center for performances, a school for the best young dancers in the country, and a provider of community and professional services.
Information Methods takes a highly practical approach that helps students to acquire the skills they need to handle and communicate information with confidence in a wide variety of situations. Students can practice building their analytical and creative thinking skills. Students will also develop the writing and research skills that are vital for success in an academic context. The book's coverage extends to the different forms of writing in a business context. In addition, students are introduced to Web 2.0, social networking, database processing, global information systems and usability issues. This custom edition is published for Swinburne University and Open Universities Australia.
The Handbook of Incarceration in Popular Culture will be an essential reference point, providing international coverage and thematic richness. The chapters examine the real and imagined spaces of the prison and, perhaps more importantly, dwell in the uncertain space between them. The modern fixation with ‘seeing inside’ prison from the outside has prompted a proliferation of media visions of incarceration, from high-minded and worthy to voyeuristic and unrealistic. In this handbook, the editors bring together a huge breadth of disparate issues including women in prison, the view from ‘inside’, prisons as a source of entertainment, the real worlds of prison, and issues of race and gender. The handbook will inform students and lecturers of media, film, popular culture, gender, and cultural studies, as well as scholars of criminology and justice.