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"Port City Crossfire, is both gripping, nonstop action and a deep dive into what happens to a cop when he's involved in a deadly force event. ...couldn't put it down." ~Kate Flora, award-winning author of the Joe Burgess police procedural series --Present Day, Portland, Maine-- Decried as a murderer and trigger-happy cop, rookie Officer Brandon Blake is beset by doubt and guilt over shooting and killing a sixteen-year-old armed with a pellet gun and a GoPro camera. Suspended, he distracts himself with a side-investigation of a troubled young couple. Danni kept a diary in high-school, detailing her crushes, love affairs, pregnancy, and a single event that has haunted her to this day. With the diary lost, she's resigned to her secret. But her world is up-ended when Blake finds the diary and attempts to return it only to be stopped short by Dani's jealousy-prone boyfriend, Clutch. Dani pursues Blake to retrieve her diary containing a secret that could demand her life. Dogged by a woman with a jealous boyfriend and a strange secret, hunted by the press and angry, grieving parents with a secret of their own, Brandon Blake must solve both mysteries before he loses more than just his job. Publisher Note: Gerry Boyle's journalistic background brings a gritty authenticity to his writing that transports readers into a realm they won’t want to leave. Fans of Michael Connelly, Ian Rankin, and Lee Child, as well as Ed McBain, will enjoy the Brandon Blake Series. “Gritty and unrelenting, Gerry Boyle’s Port City Crossfire will have you turning pages well into the night.” ~Bruce Robert Coffin, Agatha Award-nominated author of Beyond the Truth The Brandon Blake Mystery Series Port City Crossfire Port City Rat Trap
Brandon Blake, the tough and resourceful kid from the Portland waterfront, has made it. He's been hired by the Portland Police Department, partly as payback for stopping a vicious cop killer in PORT CITY SHAKEDOWN. But the newest rookie on the night shift isn't pulling any punches. And when a drug-addled mom can't find her baby, Blake—whose mother left him and was killed when he was a toddler—comes down on her hard. Except the baby really is gone. Meanwhile, Blake's girlfriend, aspiring writer Mia, sees Brandon drifting into the world of cops and crime and leaving her behind. Brandon's relentless search for the child brings a load of trouble down on him, threatens his career, his life, his relationship. Will he end up alone on his old cabin cruiser Bay Witch? Or worse?
When a Bank Teller is Found Dead in Portland Harbor, Officer Brandon Blake Defies Orders in Port City Rat Trap, a Brandon Blake Mystery from Gerry Boyle --Present Day, Portland, Maine-- Having just returned to duty following the fatal shooting of a teen, Officer Brandon Blake is eager to settle into "normal" when a local bank teller is found dead, floating near his live-aboard cabin cruiser in Portland Harbor. The death ruled accidental, Blake, who has been warned about pushing beyond his jurisdiction, wonders how the young woman could have accidentally fallen over a five-foot fence. Blake's ensuing investigation puts him at loggerheads with his own department as well as the New York City Mob. But as he continues to dig into the case, he may be digging his own grave. Publisher Note: Gerry Boyle's journalistic background brings a gritty authenticity to his writing that transports readers into a realm they won’t want to leave. Fans of Michael Connelly, Ian Rankin, and Lee Child, as well as Ed McBain, will enjoy the Brandon Blake Series. “Gritty and unrelenting, Gerry Boyle’s Port City Crossfire will have you turning pages well into the night.” ~Bruce Robert Coffin, Agatha Award-nominated author of Beyond the Truth The Brandon Blake Mystery Series Port City Crossfire Port City Rat Trap
Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.
The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema. Taking into account not only the formal and aesthetic aspects of feature filmmaking, but various other cultural aspects as well, the genre approach treats movie production as a dynamic process of exchange between the film industry and its audience. This process, embodied by the Hollywood studio system, has been sustained primarily through genres, those popular narrative formulas like the Western, musical and gangster film, which have dominated the screen arts throughout this century.
When newspaper editor Jack McMorrow moves to Maine to get away for the rat race of the big city, his investigation into the St. Amand Paper Company leads to murder and kidnapping.
Globalization discourse now presumes that the “world space” is entirely at the mercy of market norms and forms promulgated by reactionary U.S. policies. An academic but accessible set of studies, this wide range of essays by noted scholars challenges this paradigm with diverse and strong arguments. Taking on topics that range from the medieval Mediterranean to contemporary Jamaican music, from Hong Kong martial arts cinema to Taiwanese politics, writers such as David Palumbo-Liu, Meaghan Morris, James Clifford, and others use innovative cultural studies to challenge the globalization narrative with a new and trenchant tactic called “worlding.” The book posits that world literature, cultural studies, and disciplinary practices must be “worlded” into expressions from disparate critical angles of vision, multiple frameworks, and field practices as yet emerging or unidentified. This opens up a major rethinking of historical “givens” from Rob Wilson’s reinvention of “The White Surfer Dude” to Sharon Kinoshita’s “Deprovincializing the Middle Ages.” Building on the work of cultural critics like Edward Said, Gayatri Spivak, and Kenneth Burke, The Worlding Project is an important manifesto that aims to redefine the aesthetics and politics of postcolonial globalization withalternative forms and frames of global becoming.
The term “network” is now applied to everything from the Internet to terrorist-cell systems. But the word’s ubiquity has also made it a cliché, a concept at once recognizable yet hard to explain. Network Aesthetics, in exploring how popular culture mediates our experience with interconnected life, reveals the network’s role as a way for people to construct and manage their world—and their view of themselves. Each chapter considers how popular media and artistic forms make sense of decentralized network metaphors and infrastructures. Patrick Jagoda first examines narratives from the 1990s and 2000s, including the novel Underworld, the film Syriana, and the television series The Wire, all of which play with network forms to promote reflection on domestic crisis and imperial decline in contemporary America. Jagoda then looks at digital media that are interactive, nonlinear, and dependent on connected audiences to show how recent approaches, such as those in the videogame Journey, open up space for participatory and improvisational thought. Contributing to fields as diverse as literary criticism, digital studies, media theory, and American studies, Network Aesthetics brilliantly demonstrates that, in today’s world, networks are something that can not only be known, but also felt, inhabited, and, crucially, transformed.
The Central Intelligence Agency (CIA) is one of the most fascinating yet least understood intelligence gathering organizations in the world
My name is Peter Grant and until January I was just probationary constable in that mighty army for justice known to all right-thinking people as the Metropolitan Police Service (and as the Filth to everybody else). My only concerns in life were how to avoid a transfer to the Case Progression Unit - we do paperwork so real coppers don't have to - and finding a way to climb into the panties of the outrageously perky WPC Leslie May. Then one night, in pursuance of a murder inquiry, I tried to take a witness statement from someone who was dead but disturbingly voluable, and that brought me to the attention of Inspector Nightingale, the last wizard in England. Now I'm a Detective Constable and a trainee wizard, the first apprentice in fifty years, and my world has become somewhat more complicated: nests of vampires in Purley, negotiating a truce between the warring god and goddess of the Thames, and digging up graves in Covent Garden ... and there's something festering at the heart of the city I love, a malicious vengeful spirit that takes ordinary Londoners and twists them into grotesque mannequins to act out its drama of violence and despair.The spirit of riot and rebellion has awakened in the city, and it's falling to me to bring order out of chaos - or die trying.