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Beginning in the mid-thirteenth century, the kilns of Dehua, capital of the Fujian Province in southeast China, began producing brilliant white porcelain pieces, the likes of which had never been seen before. Today, blanc de Chine pieces are some of the most sought-after collectibles in the world of Chinese art, their aesthetic appeal lying in their stark shapes and color, and their impossibly delicate, glasslike glaze. "Blanc De Chine" weaves together the most engaging, authoritative story of this precious art ever told. For the connoisseur, author Robert Blumenfield presents dazzling photographs and important research findings from around the world. For the novice collector, he details the differences between true blanc de Chine and other, less distinguished white wares. For the Asian art enthusiast, he provides a rich historical account of the evolution of the form, and the character and technical mastery that distinguish its finest pieces. A major contribution to the field, "Blanc De Chine" will be treasured by all who appreciate the breathtaking beauty and fascinating tradition of this exquisite art.
Dehua porcelain, or Blanc de Chine as it is known in the West, is pure ivory-white porcelain made at the Dehua kilns in the southern Chinese province of Fujian. It rose to international significance in the 17th century and inspired aristocratic patronage in the development of European porcelain. Its popularity at home and abroad continued and the k
The tumultuous years of the French Revolution left France’s prestigious decorative arts industries poised on the brink of ruin. It was not until after the fall of the monarchy and the ascendancy of the Consulat and Empire under Napoleon that they began to recover so that by the middle of the nineteenth century they stood at the pinnacle of their achievement. This book is the first in depth study of the renowned porcelain works at Sèvres during its virtual rebirth under the 47 year direction of the scientist, teacher, and administrator Alexandre Brongniart. Some 110 working drawings from the Sèvres Archive are reproduced here for the first time in color. They celebrate the high skill of the artists whose work often documented contemporary events in France. There are table services in the 'Egyptian' and 'Etruscan' taste as well as individual pieces that recall Napoleonic military campaigns. There are also exquisite Neoclassical decorations using motifs such as birds, butterflies, and insects that reflect the century’s early fascination with the natural sciences. The repertoire of nineteenth century eclecticism is evident in the output of Sèvres from the revival of Gothic and renaissance motifs to the outburst of naturalism. Eleven essays by leading authorities assess this dynamic period.