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Popular culture stories--found in comic strips, TV programs, magazines, and movies--gain their popularity by evoking our desires and anxieties. Aden offers a well-constructed argument that creating a sense of place (and with it a sense of personal identity and community) serves as an important enticement for many popular cultures works. . . . Aden handles contemporary theory deftly and] does an excellent job of identifying many of the tensions present in 20th-century America. --Quarterly Journal of Speech Stories encountered at the movies, on television, and in popular magazines are treated as reflections of the popular culture. . . . Believing that the American experience has been guided by a 'normative narrative' or 'grand narrative' that constitutes the 'American dream, ' Aden holds that stories can be used to extract the 'rules' of a narrative, determine the direction, and identify conceptions of the 'promised lands' for a culture. --Critical Studies in Mass Communication
In this groundbreaking book, Andrei Pop presents a lucid reassessment of those writers and artists in the late nineteenth century whose work merits the adjective “symbolist.” For Pop, this term denotes an art that is self-conscious about its modes of making meaning and he argues that these symbolist practices, which sought to provide more direct access to the viewer by constant revision of its material means of meaning-making (brushstrokes on a canvas, words on a page), are crucial to understanding the genesis of modern art. The symbolists saw art not as a social revolution, but a revolution in sense and in how we conceptualize the world. At the same time, the concerns of symbolist painters and poets were shared to a remarkable degree by theoretical scientists of the period, especially by mathematicians and logicians who were dissatisfied with the strict empiricism dominant in their disciplines, and which made shared knowledge seem unattainable. A crisis of sense made art and science look for conceptual foundations underlying the diverging subjective responses and perceptions of individuals. Unlike other studies of this period, Pop’s focus is not on how individual artists may have absorbed bits of scientific theories, but rather on the philosophical questions that were relevant to both domains. The problem of subjectivity in particular, of what in one’s experience can and cannot be shared, was crucial to the possibility of collaboration within science and to the communication of artistic innovation. Pop’s brilliant close readings of the literary and visual practices of Manet and Mallarmé, of drawings by Ernst Mach, William James and Wittgenstein, of experiments with color by Bracquemond and Van Gogh, and of the philosophical systems of Frege and Russell add up to a startling but coherent picture of the symbolist heritage of modernity and its consequences.
Publikace mapuje různé druhy klavírní stylizace populárních písní patřící do hudby jazzového okruhu. Je první českou publikací, která systematicky popisuje a předkládá rytmicko-melodické modely určené k doprovodu populárních písní hraných současně s melodií i bez melodie. Text je rozdělen do dvou částí. První blok obsahuje analytickou část, která je zaměřena na hudební teorii z pohledu sledované látky, tj. klavírní fakturu, harmonii, rytmus ad. vážící se ke zkoumanému tématu. Náplň druhé části tvoří typologie rytmicko-melodických modelů a variací vhodných k doprovodům populárních písní.
Radio, television and the press form the vast stage on which the public dramas of our time are played to a responsive audience of millions- the peoples of our nation and of the world. Almost anyone can steal the scene and become a public hero, a favorite villain or a lamented victim. How do these persons-the symbolic leaders-emerge? Who are they? How does the climate of public opinion affect the would-be leader? How does the public use its leaders?This book discusses how symbolic leaders emerge, how unknown people become symbolic and it analyzes the kinds of encounters that are likely to make individuals either ""heroes,"" ""villains,"" or ""fools."" The book portrays the ups-and-downs of public images, as well as crises and role reversals, in which parties may swap roles without meaning to. The book concludes with a final chapter, which deals with the concept of public drama and its implications for change as well as its instability in modern society.Symbolic Leaders is a probing and provocative analysis of the process of public drama and of the actors, who play the leading roles, discussed in terms of their significance for the structures of our rapidly changing society and illustrated by vivid case histories. Professor Klapp's lively style makes this work an eminently readable sociological study. The social scientist will find in it a challenging and original theory of social organization, which suggests strategic areas for further research. Public relations personnel will find it an invaluable practical handbook of clues for creating a public image. And the general reader will find Symbolic Leaders a fascinating and thought-provoking commentary on public life in our society.
This book first published in 1973 offers a broad survey of the study of symbolic ideas and behaviour. The study of symbolism is popular nowadays and anthropologists have made substantial contributions to it. Raymond Firth has long been internationally known for his field research in the Solomons and Malaysia, and for his theoretical work on kinship, economics and religion. Here from a new angle, he has produced a broad survey of the study of symbolic ideas and behaviour. Professor Firth examines definitions of symbol. He traces the history of scientific inquiry into the symbolism of religious cults, mythology and dreams back into the eighteenth century. He compares some modern approaches to symbolism in art, literature and philosophy with those in social anthropology. He then cites examples in anthropological treatment of symbolic material from cultures of varying sophistication. Finally he offers dispassionate analyses of symbols used in contemporary Western situations - from hair-styles to the use and abuse of national flags; from cults of Black Jesus to the Eucharistic rite. In all this Professor Firth combines social and political topicality with a scholarly and provocative theoretical inquiry.
Images that tell the story of salvation illustrate saints in various scenes. They are often depicted by an emblem or icon. It used to be that we knew enough about the saints to recognize them in images or artworks without much trouble, but it is becoming a struggle. understanding the saints. This text explains such things as why so many of the saints appear in images with Jesus and the Virgin Mary, yet remain unnamed, which symbols are associated with each saint, and what their roles were in Christian salvation. work of popular religious culture and anthropology.
This volume brings together Pierre Bourdieu's highly original writings on language and on the relations among language, power, and politics. Bourdieu develops a forceful critique of traditional approaches to language, including the linguistic theories of Saussure and Chomsky and the theory of speech-acts elaborated by Austin and others. He argues that language should be viewed not only as a means of communication but also as a medium of power through which individuals pursue their own interests and display their practical competence. Drawing on the concepts that are part of his distinctive theoretical approach, Bourdieu maintains that linguistic utterances or expressions can be understood as the product of the relation between a "linguistic market" and a "linguistic habitus." When individuals use language in particular ways, they deploy their accumulated linguistic resources and implicitly adapt their words to the demands of the social field or market that is their audience. Hence every linguistic interaction, however personal or insignificant it may seem, bears the traces of the social structure that it both expresses and helps to reproduce. Bourdieu's account sheds fresh light on the ways in which linguistic usage varies according to considerations such as class and gender. It also opens up a new approach to the ways in which language is used in the domain of politics. For politics is, among other things, the arena in which words are deeds and the symbolic character of power is at stake. This volume, by one of the leading social thinkers in the world today, represents a major contribution to the study of language and power. It will be of interest to students throughout the social sciences and humanities, especially in sociology, politics, anthropology, linguistics, and literature.
Symbols of the Vikings - Myth and Truth: A revelation of Icelandic magic, its roots and the misconceptions of today Immerse yourself in the world of Norse symbols and discover the true story behind the mysterious signs that are often mistakenly referred to as "Viking symbols" today. Vegvísir, Ægishjálmur and many other of these fascinating symbols have gained unprecedented popularity in modern esotericism and pop culture. But the truth about their origins is far more complex and profound than it seems at first glance. This book sheds light on the historical roots of the Galdrastafir, the magical symbols used in Icelandic magic in modern times. With an in-depth look at Icelandic culture and history, it shows that these signs do not originate from the Viking Age, but are products of a later era that was heavily influenced by Christianity. Learn how these symbols came to be, what role they played in Icelandic magic and how they are often misunderstood and reinterpreted today. The book exposes modern myths and misconceptions and offers valuable insights into the true meaning and cultural context of these fascinating symbols. For readers interested in Norse mythology, Icelandic culture and the history of magic, this book is essential reading. It sheds light on the dark corners of the past and shows how these ancient symbols live on in our modern world - and how we can use them respectfully and consciously.
This anthology introduces some of the most influential literature shaping our understanding of the social and cultural foundations of education today. Together the selections provide students a range of approaches for interpreting and designing educational experiences worthy of the multicultural societies of our present and future. The reprinted selections are contextualized in new interpretive essays written specifically for this volume.
Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.