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Presents annotated translations of papyrus writings and tomb inscriptions from the middle and late periods of ancient Egypt.
Ancient Egypt has long been a source of fascination in Western popular culture. Movies such as The Mummy (1932, 1959), Biblical epics like The Ten Commandments (1923, 1956), and pharaonic films like Cleopatra (1934, 1963) and The Egyptian (1954) have all recreated the glamour and allure of Egyptian art and civilization for Western audiences. This work traces how these and other films were inspired by writers like Bram Stoker and Sir Arthur Conan Doyle and by the art of Victorian painters. Similarly, it shows how the soundtracks to such films belong to a Romantic musical tradition stretching back beyond Verdi and Mozart. Exploring these artistic endeavors addresses the question of whether the fantasy of ancient Egypt represents racist misunderstandings of a far more significant reality, or a way for Western culture to understand itself.
"First published in 1973 - and followed by Volume II in 1976 and Volume III in 1980 - this anthology has assumed classic status in the field of Egyptology and portrays the remarkable evolution of the literary forms of one of the world's earliest civilizations. Volume III spans the last millennium of Pharaonic civilization, from the tenth century B.C. to the beginning of the Christian era. It features a new foreword by Joseph G. Manning"--Publisher's description.
Collections of scenes and texts designated variously as the "Book of the Earth," "Creation of the Solar Disc," and "Book of Aker" were inscribed on the walls of royal sarcophagus chambers throughout Egypt's Ramessid period (Dynasties 19-20). This material illustrated discrete episodes from the nocturnal voyage of the sun god, which functioned as a model for the resurrection of the deceased king. These earliest "Books of the Earth" employed mostly ad hoc arrangements of scenes, united by shared elements of iconography, an overarching, bipartite symmetry of composition, and their frequent pairing with representations of the double sky overhead. From the Twenty-First Dynasty and later, selections of programmatic tableaux were adapted for use in private mortuary contexts, often in conjunction with innovative or previously unattested annotations. The present study collects and analyzes all currently known Book of the Earth material, including discussions of iconography, grammar, orthography, and architectural setting.
First published in the 1940s and widely condemned as obscene, The Egyptian outsold every other American novel published that same year, and remains a classic; readers worldwide have testified to its life-changing power. It is a full-bodied re-creation of a largely forgotten era in the world’s history: an Egypt when pharaohs contended with the near-collapse of history’s greatest empire. This epic tale encompasses the whole of the then-known world, from Babylon to Crete, from Thebes to Jerusalem, while centering around one unforgettable figure: Sinuhe, a man of mysterious origins who rises from the depths of degradation to get close to the Pharoah...
This volume deals with the development and the characteristics of the literature of Ancient Egypt over a period of more than two millennia, from the monumental origins of autobiography at the end of the Old Kingdom (ca. 2150 BCE) down to the latest literary compositions in Demotic during the Graeco-Roman period (300 BCE-200 CE). This book, the result of an international co-operation among more than twenty scholars, is divided into sections devoted to the definition of literary discourse in Ancient Egypt; the history and genres of these texts, their linguistic and stylistic features; and the image of Ancient Egypt as displayed in later literary traditions of the Mediterranean world - Greek, Coptic, Arabic. With over thirty chapters, this volume provides an interdisciplinary account of current research in one of the methodologically most advanced fields of Egyptology.
Originally published: London: Bodley Head, 1967.