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Originating in England in the mid 1950s, Pop Art developed its full potential in the USA in the 1960s. It substitutes the everyday for the splendid; mass-produced articles are assigned the same importance as one-offs; the difference between high culture and popular culture is swept away. Media and advertising are among the preferred contents of Pop Art, which celebrates the consumer society in its own witty fashion. The enthusiasm generated by Pop Art since the first works were exhibited has never died down -- it is greater today than ever before. Book jacket.
When it first appeared in 1964, Stuart Hall and Paddy Whannel's The Popular Arts opened up an almost unprecedented field of analysis and inquiry into contemporary popular culture. Counter to the prevailing views of the time, Hall and Whannel recognized popular culture's social importance and considered it worthy of serious study. In their analysis of everything from Westerns and the novels of Mickey Spillane, Ian Fleming, and Raymond Chandler to jazz, advertising, and the television industry, they were guided by the belief that studying popular culture demanded an ethical evaluation of the text and full attention to its properties. In so doing, they raised questions about the relation of culture to society and the politics of taste and judgment in ways that continue to shape cultural studies. Long out of print, this landmark text highlights the development of Hall's theoretical and methodological approach while adding a greater understanding of his work. This edition also includes a new introduction by Richard Dyer, who contextualizes The Popular Arts within the history of cultural studies and outlines its impact and enduring legacy.
A Pop Up Book featuring 3-D Versions of Comic, Pop & Street Art from 6 Acclaimed Artists
The most famous and popular book on art ever published, this quintessential "introduction to art," now in its sixteenth edition, has been a worldwide bestseller for over four decades.
273 great 19th-century woodcuts: crimes, miracles, skeletons, ads, portraits, news cuts. Table of contents includes Calaveras; Disasters; National Events; Religion and Miracles; Don Chepito Marihuano; Chapbook Covers; Chapbook Illustrations; and Everyday Life.
Readins in high & low
Invites young readers to touch twentieth-century pop paintings, including Warhol's "Campbell's Soup Can," Roy Lichtenstein's "Girl with Ball," and Wayne Thiebaud's "Cakes." On board pages.
The most important and best-loved artists of the Pop art movement are gathered in this accessible book of painting, photography, film, and sculpture. When it emerged in the 1950s, the Pop art movement presented a challenge to fine art with its incorporation of images from television, newspapers, and advertising, dissolving the barriers between high and low culture. Over time, Pop developed into one of the most influential movements of the 20th century and many of its works have achieved iconic status. This introduction to Pop art focuses on 50 of the movement’s most important works and covers every major artist associated with the style, including David Hockney, Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, and Andy Warhol. Each work is featured on a beautifully illustrated spread. An informative text highlights the work’s classic characteristics, its unusual aspects, and its significance in the Pop movement. Including brief biographies of the artists, this book is a beautifully illustrated survey of Pop art.
Artwork and popular cultures are crucial sites of contesting and transforming power relationships in world politics. The contributors to this edited collection draw on their experiences across arts, activist, and academic communities to analyze how the global politics of colonialism, capitalism, and patriarchy are expressed and may be transformed through popular cultures and artistic labour. Through their methodological treatment of artwork and popular cultures as material sites of generating aesthetic knowledge and embodying global power, the authors foreground an analysis of global hierarchies and transformative empowerment through critically engaged political imagination and cultural projects. By centralizing an intersectional analysis of the racialized, gendered, economic dimensions of the praxis of culture, The Art of Global Power demonstrates how artwork and popular culture projects, events, and institutions are vital sites of transgressing the material conditions that produce and sustain unjust global power hierarchies. This book intervenes in the international relations popular culture literature by problematizing the idea of a single homogenizing global popular culture and engaging with multiple popular cultures articulated from diverse global locations and worldviews. To the international relations aesthetics literature this book contributes an intersectional analysis of aesthetics as an embodied process of knowledge production and action that takes place within global conditions of colonialism, capitalism, and patriarchy. This book will be of interest to students, researchers and practitioners of international relations, and gender, cultural and media studies.