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Exploring Peru’s lively music industry and the studio producers, radio DJs, and program directors that drive it, Gentleman Troubadours and Andean Pop Stars is a fascinating account of the deliberate development of artistic taste. Focusing on popular huayno music and the ways it has been promoted to Peru’s emerging middle class, Joshua Tucker tells a complex story of identity making and the marketing forces entangled with it, providing crucial insights into the dynamics among art, class, and ethnicity that reach far beyond the Andes. Tucker focuses on the music of Ayacucho, Peru, examining how media workers and intellectuals there transformed the city’s huayno music into the country’s most popular style. By marketing contemporary huayno against its traditional counterpart, these agents, Tucker argues, have paradoxically reinforced ethnic hierarchies at the same time that they have challenged them. Navigating between a burgeoning Andean bourgeoisie and a music industry eager to sell them symbols of newfound sophistication, Gentleman Troubadours and Andean Pop Stars is a deep account of the real people behind cultural change.
"Where Have All the Pop Stars Gone? -- Volume 1" chronicles the lives of musical soloists and band members whose songs hit the top of the music charts in the late 1950s and in the '60s. Through conversations with them, as well as producers, managers and family members, we share fascinating behind-the-scenes glimpses into the lives of these creative, talented people."Where Have All the Pop Stars Gone? -- Volume 1" includes authenticated, authorized biographical chapters on seven musical groups and solo performers: the Association (whose songs include three gold records -- "Cherish," "Windy" and "Never My Love"); Herman's Hermits (whose extensive string of hits includes three gold records -- "Mrs. Brown, You've Got a Lovely Daughter," "I'm Henry VIII, I Am" and "There's a Kind of Hush"); the Kingston Trio (whose enormous popularity reflected in seven gold albums triggered the folk music craze of the early '60s, and whose hits included million-selling "Tom Dooley," along with "Where Have All the Flowers Gone" and "Greenback Dollar"); Chris Montez (whose hit tunes included "Let's Dance," "Call Me" and "The More I See You"); the Spiral Starecase (who recorded "She's Ready," "No One For Me To Turn To" and the smash hit "More Today Than Yesterday"); Bobby Vee (whose 30 hit records included "Take Good Care of My Baby," "The Night Has a Thousand Eyes" and the million-selling "Come Back When You Grow Up"); and the Zombies (whose hits included "She's Not There," "Tell Her No" and the gold record "Time of the Season").
A "collection of personal essays exploring the intersection of queerness, relationships, pop culture, the Internet, and identity, introducing one of the most undeniably original new voices today. Jill Gutowitz's life--for better and worse--has always been on a collision course with pop culture, [including] ... the pivotal day when Orange Is the New Black hit the airwaves and broke down the door to Jill's own sexuality. In these honest examinations of identity, desire, and self-worth, Jill explores perhaps the most monumental cultural shift of our lifetimes: the mainstreaming of lesbian culture"--
A Times Book of the Year A Telegraph Book of the Year A Guardian Book of the Year A Rock 'n' Roll Book Club Book of the Year A Guardian 50 Best Holiday Reads An Independent Book of the Year A Mojo Music Book of the Year A Resident Book of the Year A Classic Pop Book of the Year 'This really is a wonderful book for pop kids everywhere' - RICHARD OSMAN Using the arrival of the Spice Girls as a jumping-off point, this fascinating new narrative will explore, celebrate and contextualise the thus-far-uncharted period of British pop that flourished between 1996 and 2006. A double-denim-loving time before the glare of social media and the accession of streaming. The bastions of '00s pop - armed with buoyant, immaculately crafted, carefree anthems - provided entertainment, escapism and fun for millions. It was a heady, chorus-heavy decade - populated by the likes of Steps, S Club 7, Blue, 5ive, Mis-Teeq, Hear'Say, Busted, Girls Aloud, McFly, Craig David and Atomic Kitten, among countless others - yet the music was often dismissed as inauthentic, juvenile, not 'worthy' enough: ultimately, a 'guilty pleasure'. Now, music writer Michael Cragg aims to redress that balance. Using the oral-history format, Cragg goes beneath the surface of the bubblegum exterior, speaking to hundred's of the key players about the reality of their experiences. Compiled from interviews with popstars, songwriters, producers, choreographers, magazine editors, record-company executives, TV moguls and more, this is a complete behind-the-scenes history of the last great movement in British pop - a technicolour turning-point ripe for re-evaluation, documented here in astonishing, honest and eye-opening detail.
For female pop stars, whose star bodies and star performances are undisputedly the objects of a sexualized external gaze, the process of ageing in public poses particular challenges. Taking a broadly feminist perspective, 'Rock On': women, ageing and popular music shifts popular music studies in a new direction. Focussing on British, American and Latina women performers and ageing, the collection investigates the cultural work performed by artists such as Shirley Bassey, Petula Clark, Madonna, Celia Cruz, Grace Jones and Courtney Love. The study crosses generations of performers and audiences enabling an examination of changing socio-historical contexts and an exploration of the relationships at play between performance strategies, star persona and the popular music press. For instance, the strategies employed by Madonna and Grace Jones to engage with the processes and issues related to public ageing are not the same as those employed by Courtney Love or Celia Cruz. The essays in this insightful collection reflect on the ways that artists and fans destabilise both the linear trajectories and the compelling weight of expectations regarding ageing by employing different modalities of resistance through persona re-invention, nostalgia, postmodern intertextuality and even early death as the ultimate denial of age.
Stars do have real power, but not all of them wield it wisely. This work explores how a variety of celebrities developed their brands and how celebrity can become a jumping-off point to entirely unrelated activities. Over the past century, a new breed of entertainer has arisen—one where the old division between on-camera talent and the suits behind the scenes has largely eroded. From Mabel Normand and Charlie Chaplin to Lady Gaga and Quentin Tarantino, entertainers have attempted to cross specialties and platforms to new arenas, from politics to philanthropy and more. An ideal resource for general readers as well as students of American popular culture and media at the undergraduate through scholar level, Star Power: The Impact of Branded Celebrity details the new ways entertainers are working in expanded environments to broaden their brands while also providing the history behind this recent trend. The two-volume set comprises four main sections: one that provides historical background, a second on entertainers moving beyond stardom, a third focused on commerce and education, and a final section on cultural missions. The work documents how earlier entertainers "set the stage" for today's stars by exploiting their celebrity to take greater artistic control of their projects and provides articles that depict each artist from a number of perspectives. Readers will understand what motivates the most important contemporary entertainers working today and better grasp the business of entertainment as a whole—how Hollywood works, and who is really in control.
Reviews our current understanding of the life, evolution and death of massive stars; for researchers and graduate students.
Fast on the heels of the wildly popular Pop-Up Book of Celebrity Meltdowns comes this equally raucous, irreverent sequel. Brought to life with Mick Coulas's outrageously humorous caricatures and Kees Moerbeek's stunningly inventive paper engineering, this deluxe, handcrafted gift book brings to life ten more examples of celebrity behavior gone horribly, horribly wrong.
Star-studded paper doll collection spotlights 16 rock and pop celebrities, including Rick Nelson, Diana Ross, Mick Jagger, Janis Joplin, Cass Elliott, Sly Stone, Eric Clapton, Roy Orbison, Cher, James Brown, Jimi Hendrix, Joan Baez, and others. Each is shown in 2 authentically rendered costumes. 16 plates of full-color dolls and costumes.