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Redwood Valley Pomo master weaver Corine Pearce describes the history, wild-crafting, distinct styles and contemporary use of traditional cradle baskets.
Pomo Indian basketry ranks as a world-class art, and no more interesting collection exists than that created by Elsie Allen and her mother, Annie Burke, presented here in full-color.
The methods of Indian basket weaving explained in this excellent manual are the very ones employed by native practitioners of the craft. members of the Navajo School of Basketry have set down their secrets in clear and simple language, enabling even the beginner to create work that can rival theirs in grace, design, and usefulness. Beginning with basic techniques, choice of materials, preparation of the reed, splicing, the introduction of color, principles and methods of design, shaping the basket and weaves from many cultures, such as Lazy Squaw, Mariposa, Taos, Samoan, Klikitat, and Shilo, each accompanied by specific instructions. There are suggestions for the weaving of shells, beads, feathers, fan palms, date palms, and even pine needles, and recipes for the preparation of dyes. Examples of each type of basket are illustrated by photographs, often taken from more than one angle so that the bottom can be seen as well as the top and sides. Close-up photography of the various types of stitching, especially at the crucial stage of beginning the basket, is an invaluable aid to the weaver. In addition, the authors have provided line drawings which are exceptionally clear magnifications of the various weave patterns. Anyone who follows the lessons contained in this book will have a knowledge of basketry unattainable in any other way. They are so lucid and complete that the amateur as well as the experienced weaver will be able to manufacture baskets distinguishable from authentic native articles only in that they were not woven by Indians. For those who merely seek a broader knowledge of American Indian arts, the book provides a comprehensive introduction to the subject of basketry.
A world-renowned Pomo basket weaver and medicine woman, Mabel McKay expressed her genius through her celebrated baskets, her Dreams, her cures, and the stories with which she kept her culture alive. She spent her life teaching others how the spirit speaks through the Dream, how the spirit heals, and how the spirit demands to be heard. Greg Sarris weaves together stories from Mabel McKay's life with an account of how he tried, and she resisted, telling her story straight—the white people's way. Sarris, an Indian of mixed-blood heritage, finds his own story in his search for Mabel McKay's. Beautifully narrated, Weaving the Dream initiates the reader into Pomo culture and demonstrates how a woman who worked most of her life in a cannery could become a great healer and an artist whose baskets were collected by the Smithsonian. Hearing Mabel McKay's life story, we see that distinctions between material and spiritual and between mundane and magical disappear. What remains is a timeless way of healing, of making art, and of being in the world. Sarris’s new preface, written expressly for this edition, meditates on Mabel McKay’s enduring legacy and the continued importance of her teachings.
This unique book provides a complete study of the exquisite Native American basketry from the San Francisco Bay Area and the Monterey Bay region north to Sonoma, Napa, and Mendocino and eastward across the Sacramento Valley to the crest of the Sierras. Baskets of the Pomo, Ohlone (Costanoan), Coast Miwok, Esselen, Huchnom, Lake Miwok, Maidu, Wappo, and Yuki people are lavishly illustrated and knowledgably and sensitively described. Color photographs and drawings illustrate the rare, fine California Indian baskets from museum and private collections in the United States and Europe. The vast majority of these baskets are illustrated for the first time. Ralph Shanks is vice president of the Miwok Archaeological Preserve of Marin. Lisa Woo Shanks is editor of the Basketry of California and Oregon Series. They are the authors of The North American Indian Travel Guide.
Just as a basket’s purpose determines its materials, weave, and shape, so too is the purpose of the essay related to its material, weave, and shape. Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket. Shapes of Native Nonfiction features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim TallBear. Their ambitious, creative, and visionary work with genre and form demonstrate the slippery, shape-changing possibilities of Native stories. Considered together, they offer responses to broader questions of materiality, orality, spatiality, and temporality that continue to animate the study and practice of distinct Native literary traditions in North America.
The Sonoma Mendocino coastline, famous for jagged cliffs, timber-filled ridges, and pounding surf, has been home to many people from varying histories and backgrounds. Pomo tribes, renowned for basketmaking, who were the first settlers and descendants, still live in the area. From early pioneers such as George Call, H.A. Richardson, Cyrus Robinson, J.A. Hamilton, and Antonio Stornetta to Pomo spiritual leader Essie Parrish and the founders of Sea Ranch (Al Boeke, and the team of designers and architects Lawrence Halprin, Charles Moore, William Turnbull, Donlyn Lyndon, and Richard Whitaker), the Sonoma Mendocino coast has many legendary locals. This area also has been home to renowned artists, musicians, writers, scientists, educators, and business leaders. Community services are especially vital to rural areas. Dedicated volunteers created Gualala Arts, services for seniors and youth, the Coast Library, theater groups, and restored historic buildings such as the famous Point Arena Lighthouse. These unsung heroes have brought new meaning to this vibrant community.
With the aid of illustrations and photographs, Pomo weaver Elsie Allen gives step-by-step directions how to make various kinds of coiled and twine Pomo baskets, how to gather the materials, how to design the baskets, and how to add feathers.
This exciting and funny Pomo legend explains how brave Coyote once saved the people from a drought and a plague of grasshoppers.