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Winnie the Pooh, Kanga, and Roo bake a yummy cake.
Dorothy Parker’s complete weekly New Yorker column about books and people and the rigors of reviewing. When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under the rubric “Constant Reader,” she created what is still the most entertaining book column ever written. Parker’s hot takes have lost none of their heat, whether she’s taking aim at the evangelist Aimee Semple MacPherson (“She can go on like that for hours. Can, hell—does”), praising Hemingway’s latest collection (“He discards detail with magnificent lavishness”), or dissenting from the Tao of Pooh (“And it is that word ‘hummy,’ my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader Fwowed up”). Introduced with characteristic wit and sympathy by Sloane Crosley, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post
So... people have made a mess of things as usual, and the Valley is cold and cheerless. The last Red Dragon is born, snorting and pale pink in a damp cave, unable to make fire, melt glaciers and usher in spring. Can Snort together with his only friends, three heroic mice Shallwe, Whatif and Doit, reach The Great Attenbird who has seen it all from the top of the mountain? Can they take direction from Corvid 20 and Corvid 20A the know-it-all Jackdaws, glean some truth from Cummins and Govins the slippery lizards of the ice kingdom. Will Scarlett and Vulcan, the ancient Red Dragon parents, live long enough to be proud of their only child and hear the birds sing again? Will a tired and angry band of children do a better job next time? Not all these questions are answered inside these covers, but some are...
Ten adventures of Pooh, Eeyore, Tigger, Piglet, Owl, and other friends of Christopher Robin.
Certain that she is really a male trapped in a female body, Mary Ward pursues this elusive identity, much to the consternation of her mother, her brother, and a neighbor's son.
Explanation Cobbett's Field was first published for private circulation in 1997. Since then it has been through four revisions. With the present edition (for general sale) five poems have been omitted since they are now available in Rückblick II. However, there is some duplication in the case of four poems which also appear in War (2007). Moreover, a handful of poems with a war theme appear here that are not included in War. Ten poems have been added to the original content. There has also been some readjustment to the order of presentation. August 2007 Introduction to the First Edition Reading poetry simply reinforces for me what fickle creatures we are. I have had my way with the presentation as with the words themselves. It has all been carefully thought through (that much is to be hoped for at least). There is no saying, however, that I won't have a different mind of the matter tomorrow. I had wanted this selection to be representative, but then nothing can be that without exposing the entire corpus - an unthinkable act. August 1997
Bella Wallis – respectable society widow with a secret identity as a writer of sensationalist novels – is now happily engaged to the love of her life, Philip Westland. But Westland’s shadowy job, working for the British government, continually takes him abroad and away from the charismatic, impatient Bella. And then there is the matter of Westland’s sister’s incarceration in a French nunnery, a mystery about which he refuses to say a word. Bella is convinced that their future together can only be resolved by getting to the bottom of his secret. The resulting quest will take her from the Oval, and a vicious curse laid on champion batsman W.G Grace, to the desolate moors of Yorkshire, on the trail of some decidedly dangerous women and a surprisingly chatty hermit...
A “wonderful memoir” of a woman’s life as a fashion-magazine writer in 1950s and ’60s New York (Publishers Weekly). Mary Cantwell arrived in Manhattan one summer in the early 1950s with eighty dollars, a portable typewriter, a wardrobe of unsuitable clothes, a copy of The Poems of Gerard Manley Hopkins, a boyfriend she was worried might be involved with the Communists, and no idea how to live on her own. She moved to the Village because she had heard of it, and worked at Mademoiselle because that was where the employment agency sent her. In this evocative and unflinching book, Cantwell recalls the city she knew back then by revisiting five apartments in which she lived. Her memoir vividly recreates both a particular golden era in New York City and the sometimes painful, sometimes exhilarating process of forging a self.
A passionate young woman of high courage... IN THIS SEQUEL TO JANE EYRE, young Janet Rochester is consigned to Highcrest Manor and the guardianship of the strict Colonel Dent while her parents journey to the West Indies. As Janet struggles to make a life for herself, guided by the ideals of her parents, she finds herself caught up in the mysteries of Highcrest. Why is the East Wing forbidden to her? What lies behind locked gates? And what is the source of the voices she hears in the night? Can she trust the enigmatic Roderick Landless, or should she transfer her allegiance to the suave and charming Sir Hugo Calendar? Whether riding her mare on the Yorkshire moors, holding her own with Colonel Dent, or waltzing at her first ball, Janet is strong, sympathetic, and courageous. After all, she is her mother's daughter. "The very first scene pulled me in and the suspense continued to build to the very end. I'm very impressed."—Historical-Fiction.com