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POLYNESIAN INTERCONNECTIONS celebrates the unity of one Polynesian family related to Europeans, Asians and Aborigines Africans through their ancient heritage and genetics. The term Polynesian means 'many islands' or 'many races.' The Polynesians came from an ancient family of intermixed races and today we share our love with all peoples of the world. We are one family, the human family, the Polynesian family. To the world we say 'ALOHA.' And may the love and spirit of family bring happiness and prosperity into our lives.
This 1939 text examines whether the formation of a cohesive ethnology of Polynesia could be possible.
Waipio Valley: A Polynesian Journey from Eden to Eden recounts the remarkable migrations of the Polynesians across a third of the circumference of the earth. Their amazing journey began from Kalana i Hauola, the biblical Garden of Eden located along the shore of the Persian Gulf, extended to the Indus River Valley of ancient Vedic India, to Egypt where some ancestors of the Polynesians were on the Israelite Exodus, through Island Southeast Asia and across the Pacific Ocean. They voyaged thousands of miles in double-hull canoes constructed from hollowed-out logs, built with Stone Age tools and navigated by the stars of the night sky. The Polynesians resided on numerous tropical islands before reaching Waipio Valley, the last Polynesian Garden of Eden. Due to their isolation on the islands of the Pacific Ocean, Polynesian religious and cultural beliefs have preserved elements from mankinds past nearer the beginning of human history. Polynesian mythology includes genealogical records of their divine ancestors that extends back to Kahiki, their mystical land of creation and ancient divine homeland created by the gods, epic tales of gods and heroes that preserved records of their ancient voyages, oral chants such as the Hawaiian Kumulipo contain evolutionary creation theories that reflect modern scientific thought, and the belief in a Supreme Creator God.
The Indigenous Languages of the Americas is a comprehensive assessment of what is known about their history and classification. It identifies gaps in knowledge and resolves controversial issues while making new contributions of its own. The book deals with the major themes involving these languages: classification and history of the Indigenous languages of the Americas; issues involving language names; origins of the languages of the New World; unclassified and spurious languages; hypotheses of distant linguistic relationships; linguistic areas; contact languages (pidgins, lingua francas, mixed languages); and loanwords and neologisms.
From their earliest encounters with Indigenous Pacific Islanders, white Europeans and Americans asserted an identification with the racial origins of Polynesians, declaring them to be racially almost white and speculating that they were of Mediterranean or Aryan descent. In Possessing Polynesians Maile Arvin analyzes this racializing history within the context of settler colonialism across Polynesia, especially in Hawai‘i. Arvin argues that a logic of possession through whiteness animates settler colonialism, by which both Polynesia (the place) and Polynesians (the people) become exotic, feminized belongings of whiteness. Seeing whiteness as indigenous to Polynesia provided white settlers with the justification needed to claim Polynesian lands and resources. Understood as possessions, Polynesians were and continue to be denied the privileges of whiteness. Yet Polynesians have long contested these classifications, claims, and cultural representations, and Arvin shows how their resistance to and refusal of white settler logic have regenerated Indigenous forms of recognition.
An exemplary investigation into music and sustainability, Singing and Survival tells the story of how music helped the Rapanui people of Easter Island to preserve their unique cultural heritage. Easter Island (or Rapanui), known for the iconic headstones (moai) that dot the island landscape, has a remarkable and enduring presence in global popular culture where it has been portrayed as a place of mystery and fascination, and as a case study in societal collapse. These portrayals often overlook the remarkable survival of the Rapanui people who rebounded from a critically diminished population of just 110 people in the late nineteenth century to what is now a vibrant community where indigenous language and cultural practices have been preserved for future generations. This cultural revival has drawn on a diversity of historical and contemporary influences: indigenous heritage, colonial and missionary influences from South America, and cultural imports from other Polynesian islands, as well as from tourism and global popular culture. The impact of these influences can be perceived in the island's contemporary music culture. This book provides a comprehensive overview of Easter Island music, with individual chapters devoted to the various streams of cultural influence from which the Rapanui people have drawn to rebuild and reinforce their music, their performances, their language and their presence in the world. In doing so, it provides a counterpoint to deficit discourses of collapse, destruction and disappearance to which the Rapanui people have historically been subjected.