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This book provides a critical assessment of Benjamin’s writings on Franz Kafka and of Benjamin’s related writings. Eliciting from Benjamin’s writings a conception of philosophy that is political in its dissociation from – its becoming renegade in relation to, its philosophic shame about – established laws, norms, and forms, the book compares Benjamin’s writings with relevant works by Agamben, Heidegger, Levinas, and others. In relating Benjamin’s writings on Kafka to Benjamin’s writings on politics, the study delineates a philosophic impetus in literature and argues that this impetus has potential political consequences. Finally, the book is critical of Benjamin’s messianism insofar as it is oriented by the anticipated elimination of exceptions and distractions. Exceptions and distractions are, the book argues, precisely what literature, like other arts, brings to the fore. Hence the philosophic, and the political, importance of literature.
Tracing Walter Benjamin's convergences with, and divergences from, influential German legal theorist Carl Schmitt, this edited collection contextualizes Benjamin's thinking in the intellectual currents of his time, while also placing him in dialogue with traditions and thinkers from antiquity to the present. At stake is whether Benjamin presents the possibility of a distinctive political theology-a question which the collection addresses without collapsing the tensions internal to Benjamin's thought. Benjamin's thought has been a touchstone, explicitly or implicitly, in numerous efforts to conceive of a 'new' political theology that is not anchored in legitimizing and preserving power, but in justice and liberation. Benjamin interrogates the political-theological complex from what may be construed as a vantage point opposed to Schmitt. Whereas Schmitt excavates the theological elements in modernity in order to shore up liberalism's illiberal inheritance, Benjamin roots out these latent structures in order to dissolve them and liberate us from their oppressive legacy. This volume's multifaceted contributions explore why Benjamin has been such a fertile source for thinking about political theology beyond – and often against – Schmitt. Benjamin indicates how existing political theologies can be challenged or expanded. This book accordingly makes a wide range of relevant work available for study whilst also opening new perspectives on Benjamin's œuvre.
Bringing together leading international and interdisciplinary scholars, this ground-breaking volume examines the theory and practice of philosophical health in contemporary contexts of care broadly understood, care for the self, care for the other, and care for the world. But what do we mean by philosophical health? Whilst this book does not seek to provide a normative definition, as it explores disparate perspectives and encourages pluralism in philosophical ways of life, one may envision philosophical health as a state of creative coherence between a person's or a group's way of thinking and their way of acting, such that the possibilities for a good life are increased, and the needs for flourishing satisfied. An idea central to philosophical health is the concept of 'possibility'. Without a sense of self-possibility and openness to the future, health loses meaning, and conversely, pathologies are defined by various kinds of impossibilities. As such, philosophical health reconsiders care as a process of cultivating or pruning the compossible in embodied, psychological, and social terms, of allowing things to re-generate, or in some cases to vanish. Drawing on the history of philosophy, phenomenology, new materialism, post-colonialism but also a wide range of contemporary approaches to philosophical practice, Philosophical Health sheds light on the understudied philosophical dimension of care and the healing dimension of philosophizing. Advocating philosophy as a lived practice, it uncovers the increasing relevance of philosophical health to contemporary debates on well-being, well-belonging, counselling, and development.
What does it mean to be religious believers for people whose living conditions are defined by an increasingly secularized environment? Is the common distinction between faith and knowledge valid? The 21 essays cover approaches from various fields of the humanities. Some explore post-Kantian thoughts, discussing, i.a., American Pragmatism, M. Buber, M. Horkheimer, H. Putnam, J. Habermas, Ch. Taylor and variants of deconstruction, while other essays focus on ways in which the conflict between agnostics and seekers is addressed in US literary works, as in Fl. O’Connor, W. Percy, N. Hawthorne, J. Updike and in novels dealing with pandemics, for instance by L. Wright, E. M. Wiseman and R. Cook. Historical studies examine the intermingling of the sacred and the secular in the American South and neo-scholastic objections to modernity. Theological issues are being re-framed in essays discussing the relevance of pluralism, the relation of religious conviction and public opinion, the situation of scientists who believe and the thoughts of N. Frye and M. McLuhan. Finally, essays pay attention to religious aspects in works of art, e.g. in Ukrainian poetry, G. Mahler’s symphonies and in a TV show presenting new “American Gods” of globalization.
The striking actuality of Walter Benjamin’s work does not rest on a supposed “usefulness” of his philosophy for current concerns, but rather on the high “legibility” to which his oeuvre has come in the present. Indeed, this legibility is a function of critique, which unearths the truth-content of a work in a constellation of reading with the present, and assures thereby that the work lives on. Following this methodological tenet, this book approaches Benjamin’s work with two foci: the actuality of his critique of violence, a central and unavoidable topic in the contemporary political-philosophical debate, and the actuality of his critique of experience, which perhaps is not as conspicuous as that of his critique of violence but constitutes, nonetheless, the bedrock upon which his whole philosophy rests.
Kafka’s work has been attributed a universal significance and is often regarded as the ultimate witness of the human condition in the twentieth century. Yet his work is also considered paradigmatic for the expression of the singular that cannot be subsumed under any generalization. This paradox engenders questions not only concerning the meaning of the universal as it manifests itself in (and is transformed by) Kafka’s writings but also about the expression of the singular in literary fiction as it challenges the opposition between the universal and the singular. The contributions in this volume approach these questions from a variety of perspectives. They are structured according to the following issues: ambiguity as a tool of deconstructing the pre-established philosophical meanings of the universal; the concept of the law as a major symbol for the universal meaning of Kafka’s writings; the presence of animals in Kafka’s texts; the modernist mode of writing as challenge of philosophical concepts of the universal; and the meaning and relevance of the universal in contemporary Kafka reception. This volume examines central aspects of the interplay between philosophy and literature.
In the past two and a half decades, Walter Benjamin's early essay 'Towards the Critique of Violence' (1921) has taken a central place in politico-philosophic debates. The complexity and perhaps even the occasional obscurity of Benjamin's text have undoubtedly contributed to the diversity, conflict, and richness of contemporary readings. Interest has heightened following the attention that philosophers such as Jacques Derrida and Giorgio Agamben have devoted to it. Agamben's own interest started early in his career with his 1970 essay, 'On the Limits of Violence', and Benjamin's essay continues to be a fundamental reference in Agamben's work. Written by internationally recognized scholars, Towards the Critique of Violence is the first book to explore politico-philosophic implications of Benjamin's 'Critique of Violence' and correlative implications of Benjamin's resonance in Agamben's writings. Topics of this collection include mythic violence, the techniques of non-violent conflict resolution, ambiguity, destiny or fate, decision and nature, and the relation between justice and thinking. The volume explores Agamben's usage of certain Benjaminian themes, such as Judaism and law, bare life, sacrifice, and Kantian experience, culminating with the English translation of Agamben's 'On the Limits of Violence'.
This volume provides an introduction to an important and timely topic, namely the study of complicity and the politics of representation. It elaborates on recent work on complicity and applies recent research on complicity to critical whiteness studies, critical memory studies, critical psychology and psychiatry.
Over the past few years, scientists and philosophers have discussed the concept of gesture as promising to overcome hyper-intellectualist conceptions of human beings. Its ascendancy reaffirmed the importance of the pragmatic, relational dimension in human experience and cognitive processes. Many questions arise when we focus on the cognitive role of gestures, especially in the new cultural landscape shaped by the digital revolution. Does the idea of gestures highlight the preeminence of bodily experiences? Does it lead to the thinning of the distinction between humans and nonhuman animals? Do gestures help us rethink the allegedly higher human capacities in an antireductionist vein? Do gestures involve reasoning? Are they purely external actions? Do they serve to communicate, or is all communication a form of gesture? What kinds of social relations are involved in the concept of gesture? According to a multidisciplinary orientation, the book inquiries into the possibilities and issues opened up by attending to a philosophy of gestures in philosophy, sociology, psychology, anthropology, and communication studies. Given the current centrality of gestures, the general aim of the book is to reconsider the meaning of "gestures" and try to answer old and new questions.

Gestures

Giovanni Maddalena, Fabio Ferrucci, Michela Bella, Matteo Santarelli

Published: 2024-04-11

Total Pages: 424


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