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Political Action in Vaclav Havel's Thought: The Responsibility of Resistance, by Delia Popescu, examines resistance to oppression and individual responsibility in political action, all in the context of Vaclav Havel's political philosophy. The famous anti-communist dissident, acclaimed playwright, former President of the Czech Republic, and eminent political thinker argues that there is a certain tendency in modern humanity towards the creation, or at least toleration, of a political system that is invasive and controlling. Not unlike Tocqueville and Arendt, Havel claims that modern liberal democracy contains potential tendencies toward a new form of despotism that capitalizes on modern alienation and social atomization. Political Action in Vaclav Havel's Thought suggests that Havel's theory of individual opposition can be used to secure political freedom under the conditions of modernity. Popescu demonstrates that Havel's idea of attaining true political participation and freedom requires a strong connection between an individually constructed ethics and the realm of politics. On this basis she reveals that a thick notion of morality can be usefully integrated into an account of both private and public accountability. Vaclav Havel's essays, plays, speeches, and letters can therefore be integrated into a coherent political theory which contributes significantly to some of the central debates in modern political thought. Delia Popescu concludes that Havel's theory of individual opposition to totalitarianism may also serve as the foundation for a conception of responsible participation in modern liberal democracies.
More than any other public figure, VOclav Havel has reflected on the opportunities and dilemmas facing humankind as a result of the collapse of Communism. In VOclav Havel: Civic Responsibility in the Postmodern Age, James F. Pontuso argues that Havel's life as a dissident and political leader, his political philosophy, and his plays must be understood as connected to one another. Pontuso skillfully explores these connections and explains Havel's prescriptions for political life.
The book considers Václav Havel’s body of writing as a cohesive whole offering a consistent political philosophy. This bold claim is backed up through a close examination of Havel’s plays, letters, essays and aphorisms. The political philosophy that a close reading of Havel reveals is a liberal one. However, Havel is not the run-of the-mill liberal having influences from the field of phenomenology, Masaryk, Husserl, Levinas Patočka and Heidegger which give him a nuanced view of the self. Havel sees the self as something always being formed. Hence for Havel man has an ability to ‘shake’ his current state and invite transcendence into his life. This agonistic process reveals our responsibility and liberates the self from forces which coerce behaviour.
Books of great political insight and novelty always outlive their time of birth and this reissued work, initially published in 1985, is no exception. Written shortly after the formation of Charter 77, the essays in this collection are among the most original and compelling pieces of political writing to have emerged from central and Eastern Europe during the whole of the post-war period. Václav Havel’s essay provides the title for the book. It was read by all the contributors who in turn responded to the many questions which Havel raises about the potential power of the powerless. The essays explain the anti-democratic features and limits of Soviet-type totalitarian systems of power. They discuss such concepts as ideology, democracy, civil liberty, law and the state from a perspective which is radically different from that of people living in liberal western democracies. The authors also discuss the prospects for democratic change under totalitarian conditions. Steven Lukes’ introduction provides an invaluable political and historical context for these writings. The authors represent a very broad spectrum of democratic opinion, including liberal, conservative and socialist.
The Dissident Politics in Václav Havel’s Vaněk Plays: Who Is Ferdinand Vaněk Anyway focuses on Ferdinand Vaněk, a semi-autobiographical character created by Václav Havel and featured in a series of nine plays written by Havel himself and three other dissident writers – Pavel Kohout, Pavel Landovský, and Jiří Dienstbier. By exploring the ‘Vaněk experience,’ Carol Strong details a multi-episodic, absurdist journey that provides an ‘insider’s view’ of the challenges facing those daring enough to question the status quo, a view that remains relevant today. Strong’s contention is that the lines found in these plays served as a ‘secret language’ of dissent in Cold War Czechoslovakia, which called the citizenry to contemplate the need for societal reform. As the plays were written at a time when the work of Havel and other dissidents were banned, the plays were never performed publicly, but through clandestine living room performances and the sharing of samizdat scripts the plays found an audience. Select phrases were indeed whispered throughout underground networks and helped forge a sense of oppositional solidarity among potential activists. Strong’s argument is that the ‘Vaněk experience’ metaphorically highlights how official power mechanisms are among the least insidious forms of societal power, as the state must follow predictable patterns of legal jurisprudence. By contrast, non-governmental forms of power – as exercised by one’s fellow citizens through informal social channels – can challenge oppositional actors more because of the personal tone they adopt. Using this approach, Strong presents a timelessly relevant critique of modern society with its consumerist / conformist tendencies.
This authorized biography of Havel, based on unrestricted access to him, his circle, and even his enemies, is not only the first definitive account of one of the modern world's great moral and political leaders but also a vivid panorama of the tumultuous events of his times. Havel's life, like that of his African counterpart Nelson Mandela, has been shaped and determined by the large political shifts of the twentieth century. Readers will taste the moments of joy, irony, farce, and misfortune through which he has lived, and realize that he has taught the world more about the powerful and the powerless, power-grabbing and power-sharing, than virtually anyone else on the world stage.
There is no shortage of politicians who make a habit of shooting from the hip, but it is much rarer to find one who speaks from the heart. Vaclav Havel knows no other way to speak, or to write. Both as a dissident and as a playwright it was his sworn purpose for many years to combat evil with nothing but truth. As president of Czechoslovakia, and now of the Czech Republic, he has clung to that habit, refusing to turn over either his conscience or his voice to political handlers and professional speechwriters. Instead he assumes the additional burden--for him, it is a distinct pleasure--of composing all of his oratory. Audiences from New York to New Delhi, Oslo to Tokyo, have been the luckier for his decision. This volume consists of thirty-five of these essays, written between the years 1990 and 1996, that manage to be both profoundly personal and profoundly political. Havel writes of totalitarianism, its miseries and the nonetheless difficult emergence from it. He describes how his country and the other postcommunist countries are learning democracy from scratch and are encountering obstacles from inside and out. He marvels at the single technology-driven civilization that envelops the globe, and the challenges this presents to multicultural realities. He invokes the duty of every person alive to prevent hatred and fear from derailing history ever again. He acknowledges "the advantage it is for doing a good job as president to know that I do not belong in the position and that I can at any moment, and justifiably, be removed from it." And he reminds us that--contrary to all appearances--common sense, moderation, responsibility, good taste, feeling, instinct, and conscience arenot alien to politics, but are the very key to its long-term success.
An astonishingly candid memoir from the acclaimed, dissident playwright elected President after the dramatic Czechoslovakian Velvet Revolution — one of the most respected political figures of our time. As writer and statesman, Václav Havel played an essential part in the profound changes that occurred in Central Europe in the last decades of the twentieth century. In this most intimate memoir, he writes about his transition from outspoken dissident and political prisoner to a player on the international stage in 1989 as newly elected president of Czechoslovakia after the ousting of the Soviet Union, and, in l993, as president of the newly formed Czech Republic. Havel gives full rein to his impassioned stance against the devastation wrought by communism, but the scope of his concern in this engrossing memoir extends far beyond the circumstances he faced in his own country. The book is full of anecdotes of his interactions with world figures: offering a peace pipe to Mikhail Gorbachev, meditating with the Dali Lama, confessing to Pope John Paul II and partying with Bill and Hilary Clinton. Havel shares his thoughts on the future of the European Union and the role of national identity in today’s world. He explains why he has come to change his mind about the war in Iraq, and he discusses the political and personal reverberations he faces because of his initial support of the invasion. He writes with equal intelligence and candour about subjects as diverse as the arrogance of western power politics, the death of his first wife and his own battle with lung cancer. Woven through are internal memos he wrote during his presidency that take us behind the scenes of the Prague Castle – the government’s seat of power – showing the internal workings of the office and revealing Havel’s mission to act as his country’s conscience, and even, at times, its chief social convenor. Written with characteristic eloquence, wit and well-honed irony combined with an unfailing sense of wonder at the course his life has taken, To the Castle and Back is a revelation of one of the most important political figures of our time.
No one in Czech politics or culture could match the international stature of Václav Havel at the time of his death in 2011. In the years since his passing, his legacy has only grown, as developments in the Czech Republic and elsewhere around the world continue to show the importance of his work and writing against a range of political and social ills, from autocratic brutality to messianic populism. This book looks squarely at the heart of Havel’s legacy: the rich corpus of texts he left behind. It analyzes the meanings of key concepts in Havel’s core vocabulary: truth, power, civil society, home, appeal, indifference, hotspot, theatre, prison, and responsibility. Where do these concepts appear in Havel’s oeuvre? What part do they play in his larger intellectual project? How might we understand Havel’s focus on these concepts as a centerpiece of his contribution to contemporary thought? How does Havel’s particular perspective on the meaning of these concepts speak to us in the here and now? The ten contributors use a variety of methodological tools to examine the meaning of these concepts, drawing on a diversity of disciplines: political science and political philosophy, historical and cultural analysis, discourse/textual analysis, and linguistic-corpus analysis.