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New essays exploring the tension between the versions of the past in secret police files and the subjects' own personal memories-and creative workings-through-of events.
More than 175 years of true crimes culled from the city's police blotter, told through startling, rarely seen images and insightful text by two NYPD officers and a NYC crime reporter. From atrocities that occurred before the establishment of New York's police force in 1845 through the terrorist attack on the World Trade Center in 2001 to the present day, this visual history is an insider's look at more than 80 real-life crimes that shocked the nation, from arson to gangland murders, robberies, serial killers, bombings, and kidnappings, including: Architect Stanford White's fatal shooting at Madison Square Garden over his deflowering of a teenage chorus girl. The anarchist bombing of Wall Street in 1920, which killed 39 people and injured hundreds more with flying shrapnel. The 1928 hit at the Park Sheraton Hotel on mobster Arnold Rothstein, who died refusing to name his shooter. Kitty Genovese's 1964 senseless stabbing, famously witnessed by dozen of bystanders who did not intervene. Son of Sam, a serial killer who eluded police for months while terrorizing the city, was finally apprehended through a simple parking ticket. Perfect for crime buffs, urban historians, and fans of Serial and Making of a Murderer, this riveting collection details New York's most startling and unsettling crimes through behind-the-scenes analysis of investigations and more than 500 revealing photographs.
This book features over 180 photographs and accompanying texts of Russian criminal tattoos from the Arkady Bronnikov collection. From the mid-1960s to the late- 1980s Bronnikov worked as a senior expert in criminalistics at the USSR Ministry of Internal Affairs, part of his duties involved visiting correctional institutions of the Ural and Siberia regions. It was here that he interviewed, gathered information and took photographs of convicts and their tattoos, building one of the most comprehensive archives of this phenomenon. He regularly helped to solve criminal cases across Russia by using his collection of tattoos to identify culprits and corpses. The Bronnikov collection was made exclusively for police use, to further the understanding of the language of these tattoos and to act as an aid in the identification and apprehension of criminals in the field. Unimpeded by artistry, these vernacular photographs present a guileless representation of criminal society. Every image discloses evidence of an inmate's character: aggressive, vulnerable, melancholic, conceited. Their bodies display an unofficial history, told not just through tattoos, but also in scars and missing digits. Closer inspection only confirms our inability to comprehend the unimaginable lives of this previously unacknowledged caste.
The documents emerging from the secret police archives of the former Soviet bloc have caused scandal after scandal, compromising revered cultural figures and abruptly ending political careers. Police Aesthetics offers a revealing and responsible approach to such materials. Taking advantage of the partial opening of the secret police archives in Russia and Romania, Vatulescu focuses on their most infamous holdings—the personal files—as well as on movies the police sponsored, scripted, or authored. Through the archives, she gains new insights into the writing of literature and raises new questions about the ethics of reading. She shows how police files and films influenced literature and cinema, from autobiographies to novels, from high-culture classics to avant-garde experiments and popular blockbusters. In so doing, she opens a fresh chapter in the heated debate about the relationship between culture and politics in twentieth-century police states.
They are four-legged police officers sniffing their way through mountains, tropical forests, and urban jungles, and they operate in the southernmost Caribbean nation of Trinidad and Tobago, just seven miles from Venezuela. Police dogs and their canine officers face dangers including drug dealers, thieves, kidnappers, and murderers by relying on their most important weapon: trust This is an unprecedented look at crime from the police canine section's perspective, with the bond between police officers and their dog partners at the heart of the story. Written by a journalist with a background in anthropology, this book is based on exclusive access to the police dogs' secret files. It includes interviews with retired and working canine officers and spans 70 years, from the canine section's inception in 1952 to 2022. Follow the dogs' work during colonialism, independence, the Black Power movement, the rise of the illegal drug trade, and the age of terrorism. Fierce, feared, loyal and lovable, police dogs have compiled an impressive crimefighting record and a trail of remarkable stories.
The title of this volume Outlaw Bikers as Organized Crime reluctantly combines two highly contested concepts into a statement that is perhaps disputed even more. Who and what do we refer to when we talk about ‘outlaw bikers’ and ‘outlaw biker clubs’? What is meant by ‘organized crime’? And, how – if at all – are these two concepts related? All the chapters in this volume deal with these questions some way or the other, either explicitly or implicitly, each providing its own answers based on the data and methods at hand. This volume presents cutting-edge research on outlaw bikers and outlaw biker clubs from countries all over the globe and reflects the different ways that academic researchers have approached the outlaw biker phenomenon from the theoretical and methodological vantage point of organized crime research.
On 22 June 1931, Lieutenant Hugh Chevis and Frances, his bride of six months, sat down to dinner as usual at their bungalow at Deepcut Barracks. Within an hour, Chevis was showing signs of strychnine poisoning and by the next morning he was dead. Thus began one of the most intriguing unsolved murder enquiries of the twentieth century — soon to become known as ' The Case of the Poisoned Partridge'. When a mysterious telegram arrived from Dublin on the day of Hugh's funeral, containing the words 'HOORAY HOORAY HOORAY', the Surrey Police found themselves at the centre of an international investigation, considering clues from Eire, India and the Far East. Suspicion also fell on those closer to home. Was it possible to break the alibi provided by Major Jackson, Frances Chevis's former husband? And what of the enigmatic Frances herself? Featuring previously unpublished material, this book provides the definitive account of the Poisoned Partridge Case.
""Herta Müller should share her Nobel with the Securitate." This comment by a former officer in the Romanian secret police, or Securitate, was in reaction to hearing that Müller, a German writer originally from Romania, had won the 2009 Nobel Prize for Literature. Communist Romania's infamous secret police was indeed a protagonist in Müller's work, though an undesired and dreaded one: most of her writings are deeply and explicitly anchored in Ceaușescu's Romania and her own traumatic experiences with the Securitate. Müller's file traces her surveillance from 1983 until after she emigrated to West Germany in 1987. She has written extensively in reaction to reading her file, but primarily addresses its gaps, begging the question what information the file does in fact contain"--