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The Spring Will Be Ours focuses on the turbulent half century from the outbreak of World War II in 1939, which started the chain of events that would lead to the communist takeover of Poland, to 1989, when futile attempts to reform the communist system gave way to its total transformation. Andrzej Paczkowski shows how the communists captured and consolidated power, describes their use of terror and propaganda, and illuminates the changes that took place within the governing elite. He also documents the political opposition to the regime - both inside Poland and abroad - that resulted in upheavals in 1956, 1968, 1970, 1976, and 1980. His narrative makes evident the pressures that the elite felt from above, from Moscow, and from below, from the population and from within the party. The history of Poland and the Poles is of special interest because on numerous occasions in the twentieth century this relatively small country influenced developments on a global scale.
This is an account of the evolution of Poland from conditions of subjection to its reconstruction in 1918, development in the years between the two World Wars, and reorganisation after 1945. It begins at a time when Poland was still suffering from the legacy of the eighteenth-century Partitions and burdened with problems of sizeable ethnic minorities, inadequate agrarian reforms and sluggish industrial development sustained by foreign capital. It traces the history through to independence and then to the transformation of the country in the last thirty years. Although many of the problems of the past have now disappeared, industrialisation, the structure of peasant agriculture, and political association with the Soviet Union present the Polish People's Republic with difficulties that have yet to be resolved. Substantial achievements in an ethnically homogeneous state must be set against substantial discontents. This history provides the English-speaking reader with a scholarly synthesis based mainly on literature in Polish and other East European languages. It will be essential reading for historians of Eastern Europe and for those interested in modern Polish society.
"For the Soviet bloc, the struggle against foreign radio was one of the principal fronts in the Cold War. Poland's War on Radio Free Europe, 1950-1989 tells how Poland conducted this fight, a key part of the wider effort "to control the flow of information and ideas, which largely determined the Communist regimes' ability to command their societies and to meet their political and ideological goals, " according to Paweł Machcewicz. This is the first book in English to use the unique documents of Communist foreign intelligence operations so widely, and it also employs propaganda materials and personal interviews with Radio Free Europe people and with party and security functionaries. The English translation reflects further discoveries of documentation since the original publication in Polish in 2007." -- Publisher's description.
1956 was a year of transition in Poland, and an important year for Polish music. This year saw the beginning of a political thaw - sometimes called the Polish October - in communist Poland. It was also the year of the establishment of the 'Warsaw Autumn' International Festival of Contemporary Music. This was a time of great artistic ferment in Polish music, which also deeply influenced symphonic thinking. The year 1956 is thus an appropriate starting point for Beata Boleslawska's study of the contemporary Polish symphonic tradition. Boleslawska investigates the influential Polish avant-garde, illuminating the ways in which new musical means and ideas influenced symphonic music and the genre of the symphony in the music of such important composers as Witold Lutoslawski (1913-1994), Henryk Mikolaj Górecki (1933-2010) and Krzysztof Penderecki (b. 1933). Referring to the main elements of the European tradition, as well as examining briefly the symphonic activity in Poland before 1956, the book concentrates on the symphonic writing in the context of avant-garde trends, represented by the so-called 'Polish school of composers', as well as on its later redefinitions proposed by Polish composers up to the present day.
The Polish Complex takes place on Christmas Eve, from early morning until late in the evening, as a line of people (including the narrator, whose name is Konwicki) stand and wait in front of a jewelry store in Warsaw. Through the narrator we are told of what happens among those standing in line outside this store, what happens as the narrator's mind thinks and rants about the current state of Poland, and what happens as he imagines the failed Polish rebellion of 1863. The novel's form allows Konwicki (both character and author) to roam around and through Poland's past and present, and to range freely through whatever comes to his attention. By turns comic, lyrical, despairing, and liberating, The Polish Complex stands as one of the most important novels to have come out of Poland since World War II.
In Eastern Europe privatization is now a mass phenomenon. The authors propose a model of it by means of an illustration from the example of Poland, which envisages the free provision of shares in formerly public undertakings to employees and consumers, and the provision of corporate finance from foreign intermediaries. One danger that emerges is that of bureaucratization. On the broader canvas, mass privatization implies the reform of the whole system, the creation of a suitable economic infrastructure for a market economy and the institutions of corporate governance. The authors point out the need for a delicate balance between evolution - which may be too slow - and design - which brings the risk of more government involvement than it is able to manage. A chapter originating as a European Bank working paper explores the banking implications of setting up a totally new financial sector with interlocking classes of assets. The economic effects merge into politics as the role of the state is investigated. Teachers and graduate students of public/private sector economies, East European affairs; advisers to bankers or commercial companies with Eastern European interests.
Poland in the Modern World presents a history of the country from the late nineteenth century to the present, incorporating new perspectives from social and cultural history and positioning it in a broad global context Challenges traditional accounts Poland that tend to focus on national, political history, emphasizing the country's 'exceptionalism'. Presents a lively, multi-dimensional story, balancing coverage of high politics with discussion of social, cultural and economic changes, and their effects on individuals’ daily lives. Explores both the regional diversity within Poland and the country’s place within Europe and the wider world. Provides a new interpretive framework for understanding key historical events in Poland’s modern history, including the experiences of World War II and the postwar communist era.
In the long-awaited follow-up to her Pulitzer Prize-winning Gulag, acclaimed journalist Anne Applebaum delivers a groundbreaking history of how Communism took over Eastern Europe after World War II and transformed in frightening fashion the individuals who came under its sway. At the end of World War II, the Soviet Union to its surprise and delight found itself in control of a huge swath of territory in Eastern Europe. Stalin and his secret police set out to convert a dozen radically different countries to Communism, a completely new political and moral system. In Iron Curtain, Pulitzer Prize-winning journalist Anne Applebaum describes how the Communist regimes of Eastern Europe were created and what daily life was like once they were complete. She draws on newly opened East European archives, interviews, and personal accounts translated for the first time to portray in devastating detail the dilemmas faced by millions of individuals trying to adjust to a way of life that challenged their every belief and took away everything they had accumulated. Today the Soviet Bloc is a lost civilization, one whose cruelty, paranoia, bizarre morality, and strange aesthetics Applebaum captures in the electrifying pages of Iron Curtain.
Examines the 1980 Solidarity revolution in Poland, the government's subsequent establishment of martial law in response, in 1981, and the eventual transition to democracy in 1989.