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Since the days of the Early Fathers, sex and death have formed a theological equation known as "sexual pessimism"--an aversion to the carnal which consequently elevates the virginal and the chaste. Here, Osborne gives a bracing account of how we imagine one of the most intimate aspects of our lives.
Lawrence Osborne brings one of literature’s most enduring detectives back to life—as Private Investigator Philip Marlowe returns for one last adventure. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND NPR • NOMINATED FOR THE EDGAR AND SHAMUS AWARDS The year is 1988. The place, Baja California. And Philip Marlowe—now in his seventy-second year—is living out his retirement in the terrace bar of the La Fonda hotel. Sipping margaritas, playing cards, his silver-tipped cane at the ready. When in saunter two men dressed like undertakers, with a case that has his name written all over it. For Marlowe, this is his last roll of the dice, his swan song. His mission is to investigate the death of Donald Zinn—supposedly drowned off his yacht, and leaving behind a much younger and now very rich wife. But is Zinn actually alive? Are the pair living off the spoils? Set between the border and badlands of Mexico and California, Lawrence Osborne’s resurrection of the iconic Marlowe is an unforgettable addition to the Raymond Chandler canon. Praise for Only to Sleep “A new case for Philip Marlowe and—have a smell from the barrel, all you gunsels and able grables —it crackles.”—The New York Times Book Review (Editors’ Choice) “Brilliant. Osborne and Chandler are a perfect match.”—William Boyd, author of Any Human Heart “A Marlowe we at once know, but have never met before. As much a meditation on aging and memory as it is a crime thriller.”—Los Angeles Times “It’s the kind of book where, when you read it, it turns the world to black and white for a half-hour afterward. It leaves you with the taste of rum and blood in your mouth. It hangs with you like a scar.”—NPR
THE PRODIGAL DAUGHTER No matter how far she roamed, Melodie Coleman had never quite shaken the dust of her Wyoming hometown—nor the bittersweet memories. Now, widowed and pregnant, she was back in high country for her mother’s funeral. Back to face a charismatic cowboy—and the truth about why she shattered his heart so long ago… For Buck Foster, seeing Melodie again renewed not just the pain of being jilted, but the spark of first love. As they shared a threadbare ranch house and an unexpected journey down memory lane, Buck realized Melodie truly sought forgiveness—from him, and from the Lord. But it was too late to reclaim what might have been…or was it?
Farewell Espana transcends conventional historical narrative. With the lucidity and verve that have characterized his numerous earlier volumes, Howard Sachar breathes life into the leading dramatis personae of the Sephardic world: the royal counselors Samuel ibn Nagrela and Joseph Nasi, the poets Solomon ibn Gabirol and Judah Halevi, the philosophers Moses Maimonides and Baruch Spinoza, the statesmen Benjamin Disraeli and Pierre Mendes-France, the warriors Moshe Pijade and David Elazar, the fabulous charlatans David Reuveni and Shabbatai Zvi. In its breadth and richness of texture, Sachar's account sweeps to the contemporary era of Mussolini, Hitler, and Franco, poignantly traces the fate of Balkan Sephardic communities during the Holocaust -- and their revival in the Land and State of Israel. Not least of all, the author offers a tactile dimension of immediacy in his personal encounters with the storied venues and current personalities of the Sephardic world. Farewell Espana is a window opened on a glowing civilization once all but extinguished, and now flickering again into renewed creativity.
Rick Moody on John Cheever; Ben Marcus on Dr. Seuss; Mona Simpson on Henry James: Forty-five essays by great writers, about great writers. For Tributes, Conjunctions invited a number of contemporary writers to pay homage to American literary masters who made something possible for them—whether that was the act of writing itself, writing a certain book, writing in a particular manner, or living in a way that was consonant with the act of writing. This is an anthology of personal enthusiasms, a colloquium Whitman might have seen as a progress of vistas. John Sayles offers an appreciation of Nelson Algren, Robert Creeley of Edwin Arlington Robinson, Nathaniel Mackey on Walt Whitman. And then there’s Rick Moody on John Cheever, Ben Marcus on Dr. Seuss, Mona Simpson on Henry James, Ana Castillo on Anaïs Nin, Anne Waldman on Jack Kerouac, Lydia Davis on Edward Dahlberg. All in all, forty-five authors share compelling tales of their adopted literary parentage.
WAS THE GOD OF JOSHUA THE GOD OF JESUS? A relook at modern Israel´s roots in ancient Israel, salva- tion history, biblical inspiration, partial revelation, imperfect theology, and misguided leaders among Jews, Muslims, and Christians. It asks, considering Mohammed, Ben Gurion, and Harry Truman, if Joshua has not had as much influence on western civilization as Jesus. "What on earth is God doing in the Middle East?" Do Uncle Sam and his protoge Israel justify divine providence in human history? Do victories in war and success in business prove God´s blessing, and do failures in finance and disasters in health (Aids) manifest God´s displeasure? How does Christ´s cross (theology) fit into history (politics)? "This book is indeed thoughtful and creative. It highlightsthe need for all of us today to be much more self-critical; especially for us Christians to see how domination theology has been a part of our own approach." Fr. (Dr.) James Bacik, author of Apologetics and the Eclipse of Mystery.
A riveting tale of risk and obsession set in the alluring world of Macau’s casinos, by the author of the critically acclaimed The Forgiven. As night falls on Macau and the neon signs that line the rain-slick streets come alive, Doyle – “Lord Doyle” to his fellow players – descends into his casino of choice to try his luck at the baccarat tables that are the anchor of his current existence. A corrupt English lawyer who has escaped prosecution by fleeing to the East, Doyle spends his nights drinking and gambling and his days sleeping off his excesses, continually haunted by his past. Taking refuge in a series of louche and dimly lit hotels, he watches his fortune rise and fall as the cards decide his fate. In a moment of crisis he meets Dao-Ming, an enigmatic Chinese woman who appears to be a denizen of the casinos just like himself, and seems to offer him salvation in the form of both money and love. But as Doyle attempts to make a rare and true connection, all that he accepts as reality seems to be slipping from his grasp. Resonant of classics by Dostoevsky and Graham Greene, The Ballad of a Small Player is a timeless tale steeped in eerie suspense and rich atmosphere.
An investigation into the underpinnings and superstructures of the Pagan world view Pagan religions have tended to be more concerned with practice that with theory and in a system that has no dogma - no legislated doctrine - that is as it should be. Yet as the movement grows and matures, it is inevitable that we will begin to think in a more abstract way about our models and systems. John Michael Greer has provided a primer on the kinds of ideas and themes that must be included in any discussion of the theology and philosophy of Neo-pagan religions. Much of the book takes shape in a dialogue with existing ideas in theology, philosophy, and comparative religion. It looks to find a middle ground between too much and too little reference to the work of other scholars to find a comprehensible yet intellectually rigorous middle ground. It aims to be part of a conversation, that stretches out over the centuries. Voices of polytheist spirituality have had little place in that conversation for many years, but much of value has been said in their absence. The rebirth of polytheism as a living religious tradition in the Western world will inevitably force a reassessment of much of that heritage, and pose challenges to some of its most cherished assumptions. Yet reassessment is not necessarily rejection, and the traditions of modern polytheism are deeply enough indebted to legacies from the past that an attentive ear to earlier phases of the conversation is not out of place.
Joan Smith has said that "Linda Grant is on the side of sex and on the side of women," and Sexing the Millennium is a compellingly thorough examination of the colossal social shifts catalyzed by that brief period when sex was free from the threats of both pregnancy and disease.
New in Paperback “A postmodern literary masterpiece.” –The Times Literary Supplement Two hundred years after civilization ended in an event known as the Blast, Benedikt isn’t one to complain. He’s got a job—transcribing old books and presenting them as the words of the great new leader, Fyodor Kuzmich, Glorybe—and though he doesn’t enjoy the privileged status of a Murza, at least he’s not a serf or a half-human four-legged Degenerator harnessed to a troika. He has a house, too, with enough mice to cook up a tasty meal, and he’s happily free of mutations: no extra fingers, no gills, no cockscombs sprouting from his eyelids. And he’s managed—at least so far—to steer clear of the ever-vigilant Saniturions, who track down anyone who manifests the slightest sign of Freethinking, and the legendary screeching Slynx that waits in the wilderness beyond. Tatyana Tolstaya’s The Slynx reimagines dystopian fantasy as a wild, horripilating amusement park ride. Poised between Nabokov’s Pale Fire and Burgess’s A Clockwork Orange, The Slynx is a brilliantly inventive and shimmeringly ambiguous work of art: an account of a degraded world that is full of echoes of the sublime literature of Russia’s past; a grinning portrait of human inhumanity; a tribute to art in both its sovereignty and its helplessness; a vision of the past as the future in which the future is now.