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The nineteenth century was, we have been told, the “century of the poisoner,” when Britain and the United States trembled under an onslaught of unruly women who poisoned husbands with gleeful abandon. That story, however, is only half true. While British authorities did indeed round up and execute a number of impoverished women with minimal evidence and fomented media hysteria, American juries refused to convict suspected women and newspapers laughed at men who feared them. This difference in outcome doesn’t mean that poisonous women didn’t preoccupy Americans. In the decades following Andrew Jackson’s first presidential bid, Americans buzzed over women who used poison to kill men. They produced and devoured reams of ephemeral newsprint, cheap trial transcripts, and sensational “true” pamphlets, as well as novels, plays, and poems. Female poisoners served as crucial elements in the literary manifestos of writers from Nathaniel Hawthorne and Edgar Allan Poe to George Lippard and the cheap pamphleteer E. E. Barclay, but these characters were given a strangely positive spin, appearing as innocent victims, avenging heroes, or engaging humbugs. The reason for this poison predilection lies in the political logic of metaphor. Nineteenth-century Britain strove to rein in democratic and populist movements by labeling popular print “poison” and its providers “poisoners,” drawing on centuries of established metaphor that negatively associated poison, women, and popular speech or writing. Jacksonian America, by contrast, was ideologically committed to the popular—although what and who counted as such was up for serious debate. The literary gadfly John Neal called on his fellow Jacksonian writers to defy British critical standards, saying, “Let us have poison.” Poisonous Muse investigates how they answered, how they deployed the figure of the female poisoner to theorize popular authorship, to validate or undermine it, and to fight over its limits, particularly its political, gendered, and racial boundaries. Poisonous Muse tracks the progress of this debate from approximately 1820 to 1845. Uncovering forgotten writers and restoring forgotten context to well-remembered authors, it seeks to understand Jacksonian print culture from the inside out, through its own poisonous language.
Passion {poison} often makes fools of clever men; sometimes even makes clever men of fools. La Rochefoucauld This book represents a pioneering work dealing exclusively with poi sons in the hands of the murderer, tamperer, and terrorist. One of the oldest offensive killing weapons developed by humanity, after the stick, stone, and fist, were the poisons. Yet, after nearly 5000 years of recorded history I no in-depth work has ever been produced dealing exclusively with poisons as weapons for homicide. The author's review of the intemationalliterature has revealed only a few scattered scientific papers dealing with the psychology of the poisoner I and books on medical jurisprudence and forensic investiga tion have devoted only a few pages to this important subject, usually stating that it is a rare " " occurrence. How do we know the true rarity of the use of poisons for homicide? All one has to do is look at the number of poisonings that are first documented only after the exhu mation of the deceased to raise the logical question: If we missed this one, how many more have been missed? If all those buried in our cemeteries who had been poisoned could raise their hands, we would probably be aghast at the numbers! For years, the homicidal poisoner has remained shrouded in mys tery.
This book will lead readers into a medieval culture of ambition, greed, and jealousy that motivated men and women to take the lives of individuals who trusted them. Collard examines the perception of the crime of poisoning in the West in medieval times, from about 500 to 1500 AD, exploring the ways the alleged crime was perceived in contemporary minds. His primary sources are chronicles that cover the entire medieval period and legal texts that are limited to the late medieval centuries. In order to portray the culture of murder by poisoning in the West, it was necessary to take into account Byzantine and Islamic documents as well as ancient texts such as the Scriptures and the writings of Roman historians, both of which were widely known in the Middle Ages. This book will lead readers into a medieval culture of ambition, greed, and jealousy that motivated men and women to take the lives of individuals who trusted them. In these pages, French medievalist Franck Collard examines the perception of the crime of poisoning in the West from about 500 to 1500. His primary sources of information are chronicles that cover the entire medieval period and legal texts that are limited to the late medieval centuries. In order to portray the culture of murder by poisoning in the West, he takes into account Byzantine and Islamic documents, as well as ancient texts such as the Scriptures and the writings of Roman historians, both of which were widely known in the Middle Ages. The resulting volume is concerned with the criminal actions that involve poison and not poison as such. Poisonous substances as such are described only when necessary for an understanding of a crime. What is important here is an examination of the ways the alleged crime was perceived in contemporary minds. Poisoning avoids the use of violence. It was committed without a drawn weapon or bloodshed in a world in which wounds, swords, knives, and clubs represented aggression and in which the flow of blood determined the gravity of the crime. Necessarily involving preparation and secrecy, it was often perpetrated treacherously during a meal, a particularly heinous act in a universe that was united by the companionship of a meal and the sociability of drinking. The special horror associated with poisoning resulted from the treachery of those close to the victim-and a sudden death that prevented a final confession of sins.
Equal parts true crime, twentieth-century history, and science thriller, The Poisoner's Handbook is "a vicious, page-turning story that reads more like Raymond Chandler than Madame Curie." —The New York Observer “The Poisoner’s Handbook breathes deadly life into the Roaring Twenties.” —Financial Times “Reads like science fiction, complete with suspense, mystery and foolhardy guys in lab coats tipping test tubes of mysterious chemicals into their own mouths.” —NPR: What We're Reading A fascinating Jazz Age tale of chemistry and detection, poison and murder, The Poisoner's Handbook is a page-turning account of a forgotten era. In early twentieth-century New York, poisons offered an easy path to the perfect crime. Science had no place in the Tammany Hall-controlled coroner's office, and corruption ran rampant. However, with the appointment of chief medical examiner Charles Norris in 1918, the poison game changed forever. Together with toxicologist Alexander Gettler, the duo set the justice system on fire with their trailblazing scientific detective work, triumphing over seemingly unbeatable odds to become the pioneers of forensic chemistry and the gatekeepers of justice. In 2014, PBS's AMERICAN EXPERIENCE released a film based on The Poisoner's Handbook.
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