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This is a comparative exploration of two iconic Nobel Prize winning writers, W.B. Yeats and Rabindranath Tagore, focusing on the theme of postcolonial translation, politics of friendship, decolonializing art and Irish-Indian nationalism through poetry and literature.
Discusses Tagore's uniquely varied output across literature, music, art, philosophy, history, politics, education and public affairs.
Arguing for a reconsideration of William Butler Yeats’s work in the light of contemporary studies of world literature, Barry Sheils shows how reading Yeats enables a fuller understanding of the relationship between the extensive map of world literary production and the intensities of poetic practice. Yeats’s appropriation of Japanese Noh theatre, his promotion of translations of Rabindranath Tagore and Shri Purohit Swãmi, and his repeated ventures into American culture signalled his commitment to moving beyond Europe for his literary reference points. Sheils suggests that a reexamination of the transnational character of Yeats's work provides an opportunity to reflect critically on the cosmopolitan assumptions of world literature, as well as on the politics of modernist translation. Through a series of close and contextual readings, the book demonstrates how continuing global debates around the crises of economic liberalism and democracy, fanaticism, asymmetric violence, and bioethics were reflected in the poet's formal and linguistic concerns. Challenging orthodox readings of Yeats as a late-romantic nationalist, W.B. Yeats and World Literature: The Subject of Poetry makes a compelling case for reading Yeats’s work in the context of its global modernity.
The most recent volume of this distinguished annual
Russian painter, explorer, and mystic Nicholas Roerich (1874–1947) ranks as one of the twentieth century’s great enigmas. Despite mystery and scandal, he left a deep, if understudied, cultural imprint on Russia, Europe, India, and America. As a painter and set designer Roerich was a key figure in Russian art. He became a major player in Diaghilev’s Ballets Russes, and with Igor Stravinsky he cocreated The Rite of Spring, a landmark work in the emergence of artistic modernity. His art, his adventures, and his peace activism earned the friendship and admiration of such diverse luminaries as Albert Einstein, Eleanor Roosevelt, H. G. Wells, Jawaharlal Nehru, Raisa Gorbacheva, and H. P. Lovecraft. But the artist also had a darker side. Stravinsky once said of Roerich that “he ought to have been a mystic or a spy.” He was certainly the former and close enough to the latter to blur any distinction. His travels to Asia, supposedly motivated by artistic interests and archaeological research, were in fact covert attempts to create a pan-Buddhist state encompassing Siberia, Mongolia, and Tibet. His activities in America touched Franklin Delano Roosevelt’s cabinet with scandal and, behind the scenes, affected the course of three US presidential elections. In his lifetime, Roerich baffled foreign affairs ministries and intelligence services in half a dozen countries. He persuaded thousands that he was a humanitarian and divinely inspired thinker—but convinced just as many that he was a fraud or a madman. His story reads like an epic work of fiction and is all the more remarkable for being true. John McCannon’s engaging and scrupulously researched narrative moves beyond traditional perceptions of Roerich as a saint or a villain to show that he was, in many ways, both in equal measure.
A new take on the impact of war on the London art and literary scene and the emergence of modernism, first published in 2010.
Described by Rabindranath Tagore as 'revelations of my true self', the poems and songs of Gitanjali established the writer's literary talent worldwide. They include eloquent sonnets such as the famous 'Where the mind is without fear', intense explorations of love, faith and nature ('Light, oh where is the light?') and tender evocations of childhood ('When my play was with thee'). In this new translation to mark Tagore's one-hundred-and-fiftieth birth anniversary, William Radice renders with beauty and precision the poetic rhythm and intensity of the Bengali originals. In his arrangement of Tagore's original sequence of poems alongside his translations, Radice restores to Gitanjali the structure, style and conception that were hidden by W. B. Yeats's edition of 1912, making this book a magnificent addition to the Tagore library.
Radice, himself a recognized English poet and erudite scholar, delved into the deeper meaning of Tagore’s poems and songs, and discussed his ideas on education and the environment with an insight probably no other Westerner has. He also translated Tagore’s short stories and short poems, and finally was able to make a complete breakthrough by translating Gitanjali afresh and restoring Tagore’s original English manuscript. Martin Kämpchen lives in Santiniketan, West Bengal and Germany and is a reputed Tagore scholar and writer.
An enduring icon of India, Rabindranath Tagore made extraordinary contributions as an artist, nationalist, educationist and philosopher. Deeply aware of the historical significance of his times, he built on the heritage of nineteenth-century Indian renaissance to become one of the makers of the modern Indian mind. In this first-of-its-kind intellectual biography, historian Sabyasachi Bhattacharya sketches a compelling portrait of a Tagore who was innately sceptical, self-critical and tormented by conflicts in his 'inner life'. He draws on letters, autobiographical accounts and literary works, some translated for the first time, to explore Tagore's chief dilemmas. He reveals how despite Tagore's apparently contradictory ideas on patriotism and international humanism, modernity and traditional practices, secularism and religious influence, there was a unified vision that tied together his diverse oeuvre. Thoroughly researched and evocatively written, Rabindranath Tagore: An Interpretation offers profound insights into Tagore's life and multiple influences that shaped his genius.