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What do American poets mean when they talk about freedom? How can form help us understand questions about what shapes we want to give our poetic lives, and how much power we have to choose those shapes? For that matter, what do we even mean by we? In this collection of essays, Peter Campion gathers his thoughts on these questions and more to form an evolutionary history of the past century of American poetry. Through close readings of the great modernists, midcentury objectivists, late twentieth-century poets, his contemporaries, and more, Campion unearths an American poetic landscape that is subtler and more varied than most critics have allowed. He discovers commonalities among poets considered opposites, dramatizes how form and history are mutually entailing, and explores how the conventions of poetry, its inheritance, and its inventions sprang from the tensions of ordinary life. At its core, this is a book about poetic making, one that reveals how the best poets not only receive but understand and adapt what comes before them, reinterpreting the history of their art to create work that is, indeed, radical as reality.
The author addresses key scientific questions previously explained by rich mythologies, from the evolution of the first humans and the life cycle of stars to the principles of a rainbow and the origins of the universe.
"Reality Sandwiches" is a book of poetry by Allen Ginsberg published in 1963. The title comes from one of the included poems, "On Burroughs' Work": "A naked lunch is natural to us,/we eat reality sandwiches." The book is dedicated to friend and fellow Beat poet Gregory Corso. Despite Ginsberg's feeling that this collection was not his most significant, the poems still represent Ginsberg at a peak period of his craft. Contents: My Alba Sakyamuni Coming Out From The Mountain The Green Automobile Havana 1953 Siesta In Xbalba And Return To The States On Burroughs' Work Love Poem On Theme By Whitman Over Kansas Malest Cornifici Tuo Catullo Dream Record: June 8, 1955 Fragment 1956 A Strange New Cottage In Berkeley Sather Gate Illumination Scribble Afternoon Seattle Psalm III Tears Ready To Roll Wrote This Last Night Squeal American Change 'Back On Times Square, Dreaming Of Times Square' My Sad Self Battleship Newsreel I Beg You Come Back & Be Cheerful To An Old Poet In Peru Aether Fearfully Waiting Answer, A Magic Universe Have Felt Same Before Soundy Time, I Hear Again! Einstein Books' edition of "Reality Sandwiches" contains supplementary texts: * Selected Poems From Empty Mirror, By Allen Ginsberg. * Howl, By Allen Ginsberg. * A Few Selected Quotes Of Allen Ginsberg.
Poetry in Reality is Leonora Montella's first published collection of poems, covering three major categories: (1) Philosophical Overtones: (2) Nature And Places In Time: (3) Family And Personal Thoughts: Leonora Montella resides in Garden City, New York. Currently she is a teacher at A.B.G.S. Middle School, Hempstead, New York. Currently, she is working on another book of poetry that will be published next year.
Wake-up nightmares in Lower East Side, musings in public library, across the U.s. in dream auto, drunk in old Havana, brooding in Mayan ruins, sex daydreams on the West Coast, airplane vision of Kansas, lonely in a leafy cottage, lunch hour in Berkeley ... a wind-up book of dream notes, psalms, journal enigmas, & nude minutes from 1953 to 1960 poems scattered in fugitive magazines here collected now book.
A Lit Hub Most Anticipated Book of 2021 An NPR Best Book of 2021 An Electric Literature Best Poetry Book of 2021 A Dennis Cooper Best Book of 2021 Hoarders is a tender and unusual exploration of place, loneliness, grief, and desire in late capitalist America. What is the true nature of the relationship between people and objects? Kate Durbin’s Hoarders is a quest into this question, vividly capturing the sticky attachments between people and their stuff. To create the book, Durbin took detailed notes while watching the reality TV show of the same name, one she had resisted watching for years because of her family’s history of hoarding. She then began whittling, re-arranging, researching, and writing, and what emerges is her unique form–fifteen jewel-like portraits of people and their beloved objects, in curious conversation with one another. Noah and Allie live in a Chicago house toppling with books. Chuck from Bisbee, Arizona hoards thousands of paintings of naked women. Gary from Franklin, Indiana has transformed his home into a forest, where he falls asleep each night surrounded by plants, both living and dead. Cathy in Centralia, Illinois spends her nights ordering Lularoe leggings and jewelry from Home Shopping channels. Shelley’s house in Warren, Michigan is crowded with Barbies and Beanie Babies. Durbin doesn't directly critique the reality show, yet she deftly demonstrates through these magnetic poems that there's far more to a person, a life, and their “things.”
Birth, life, death, the passing of generations, addictions, religion, faith, sex, politics, war, jobs, hurricanes, technology, reality--all of these things touch our lives and are a part of who we are. Holding Hands with Reality records poetry and prose spanning fifty years of observing, participating and living in these realities.
From bestselling author of The Book of Delights and award-winning poet, a book of lyrical mini-essays celebrating the everyday that will inspire readers to rediscover the joys in the world around us. In Ross Gay’s new collection of small, daily wonders, again written over the course of a year, one of America’s most original voices continues his ongoing investigation of delight. For Gay, what delights us is what connects us, what gives us meaning, from the joy of hearing a nostalgic song blasting from a passing car to the pleasure of refusing the “nefarious” scannable QR code menus, from the tiny dog he fell hard for to his mother baking a dozen kinds of cookies for her grandchildren. As always, Gay revels in the natural world—sweet potatoes being harvested, a hummingbird carousing in the beebalm, a sunflower growing out of a wall around the cemetery, the shared bounty from a neighbor’s fig tree—and the trillion mysterious ways this glorious earth delights us. The Book of (More) Delights is a volume to savor and share.
This study explores the rhetorical devices used by Irish bardic poets to create poetry of literary worth and abiding interest. A number of poems selected for this study are read with emphasis on the rhetorical characteristics they shared with work of similar status in other parts of Europe in the High Middle Ages. Irish bardic poetry is an expression of medieval European high literary cultures. Its themes, tropes and treatments are, along with being an expression of indigenous Irish literary culture, reflexes of the shared classical culture of the Europe of the High Middle Ages. This work explores the rhetorical reality in the works of poets from the thirteenth (Adamh O Fialan) to the seventeenth centuries (Eochaidh O hEoghusa). Emphasis is placed on the literary world of the poetry, building on the metrical, linguistic, textual studies and editions published by scholars over the last century. The readings presented here reveal the world of Irish bardic poetry as a fully chromatic, vibrant, humorous, scholarly and literary enterprise. Poets participated creatively and consciously in contemporary literary movements, filtering and selecting to suit the sensibilities of the vital indigenous literary culture. The readings offered in this study re-establish the international flavor of Irish bardic profane poetry and, in doing so, return the poet and the poetry to a world in which the literary works have merit in their own right. In this study, bardic poetry is not explored for its immediate historical references to events or to people. The result of this is to cast a bright light both on the literary nature of the poetry and on the vigorous and engaged literary culture in Ireland, abandoning, for once, the necessity to refer everything to the duality of conquered and conqueror.