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In Days to Celebrate Lee Bennett Hopkins has collected an astounding array of information to show us that each day of the year gives us a reason to celebrate. For every month he has compiled a calendar of birthdays, holidays, historic events, inventions, world records, thrilling firsts, and more. And for every month he has selected surprising poems in honor of some of the people and events commemorated in the calendar. There are poems about the seasons and holidays, of course, but there are also poems about a "Flying-Man" (for February 4, Charles Lindbergh's birthday), birds (for April 26, John James Audubon's birthday), windshield wipers (patented November 10), and earmuffs (patented December 21). Beloved poets, such as Walt Whitman, Langston Hughes, Gwendolyn Brooks, and Christina Rossetti, are joined by new voices in sixty poems that take us on a remarkable journey through a year -- and through the years. Stephen Alcorn's illustrations, based on the style of art found in old almanacs, are airy, whimsical, and thought provoking. They perfectly match the breadth and depth of this volume. Brilliantly conceived and elegantly illustrated, Days to Celebrate is a book that pays tribute to the people, events, and poetry that make up our past and will inspire our future.
Last Days is a practice of radical imagination for our current political and environmental crises. It excavates the conditions that have brought us here—white supremacy, heteropatriarchy, corporate power, capitalism—and calls ancestors, birds, organizers, and lovers to conjure a new world. It explores how to transform our future to be more beautiful, more just, and more compassionate than we can imagine.
From the winner of the Bollingen Prize in poetry and author of the classic bestseller "Rose, Where Did You Get That Red?" comes a unique, highly entertaining book for anyone who wants to be a better reader and writer of poetry.
A NEW YORK TIMES BEST POETRY BOOK OF 2018 A transfiguration of Mennonite hymns into heartbreaking lyric poems, Years, Months, and Days is a moving “meditation on the possibility of translation.” Bridging secular spirituality and holy reverence with the commonalities of life, death, love, and hope, Jernigan explores the connection between hymn and poem, recalling the spare beauty of Marilynne Robinson’s novels or the poems of Jan Zwicky and Robert Bringhurst. The sparse and tender phrasing of Years, Months, and Days is “an offering of words to music,” made in the spirit of a shared love—for life, for a particular landscape and its rhythms—that animates poem and prayer alike.
Named a Best Poetry Book of 2017 by the New York Times Book Review, Sun in Days is “O’Rourke’s most ravishing and brilliant collection yet” (Cathy Park Hong). From acclaimed poet and critic Meghan O’Rourke comes a powerful collection about the frailty of the body, the longing for a child, and the philosophical questions raised when the body goes dramatically awry. These formally ambitious poems and lyric essays give voice to the experience of illness, the permanence of loss, and invigorating moments of grace. A Paterson Poetry Prize finalist, Sun in Days is unsentimental yet deeply felt, characterized by O’Rourke’s signature lyric precision and force of observation.
Supplication, lament, invitation, warning; invocation, danger, devotion. You cannot consider these poems anything but true, but to what world do they correspond? With flames and shadows, birds and stars, for days of rage and of wonder, Vaughan Pilikian takes us on a series of risky, exalting journeys to the end of lyric. Read and live them.
"When you're dumb enough for long enough, you're gonna meet someone too smart to love you, and they're gonna love you anyway, and it's gonna go so poorly," Neil Hilborn writes in his debut full-length collection, OUR NUMBERED DAYS. In 2013, Hilborn's poem "OCD" went viral, and has amassed over 11 million views to date. While this collection ruminates on love, heartbreak, and mental illness, these poems are anything but saccharine. Hilborn uses the same humor and self-deprecation that propelled "OCD" to success in order to make his unmatched vulnerability all the more powerful. Ultimately, Hilborn is a poet of the people: his work is accessible, honest, and entertaining; a revitalizing entry in contemporary poetry.
For the first time, Faber publish a selection from the poetry of Philip Larkin. Drawing on Larkin's four collections and on his uncollected poems. Chosen by Martin Amis. 'Many poets make us smile; how many poets make us laugh - or, in that curious phrase, "laugh out loud" (as if there's another way of doing it)? Who else uses an essentially conversational idiom to achieve such a variety of emotional effects? Who else takes us, and takes us so often, from sunlit levity to mellifluous gloom?... Larkin, often, is more than memorable: he is instantly unforgettable.' - Martin Amis
Perhaps Bernadette Mayer's greatest work, Midwinter Day was written on December 22, 1978, at 100 Main Street, in Lenox, Massachusetts. "Midwinter Day", as Alice Notley notes, "is an epic poem about a daily routine". In six parts, Midwinter Day takes us from awakening and emerging from dreams through the whole day -- morning, afternoon, evening, night -- to dreams again: "a plain introduction to modes of love and reason, / Then to end I guess with love, a method to this winter season / Now I've said this love it's all I can remember / Of Midwinter Day the twenty-second of December".
A collection of "poems about poems, and things all children know."