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Poetry New Zealand, this country's longest-running poetry magazine, showcases new writing from New Zealand and overseas. This issue, #55, features 182 poems by 129 poets, including Elizabeth Morton, Michele Leggott, essa may ranapiri, Bob Orr, Kiri Piahana-Wong, Jordan Hamel, David Eggleton and Mere Taito, the winning entries in the Poetry New Zealand Prize, essays, and reviews of 25 new poetry books. Compiled in a time of pandemic, these are poems written -- in the words of editor Tracey Slaughter -- when 'the only line to follow was deeper in, darker down, to poetry. The page was the only safe place our breath could go.'
Maori mythology and endless summers: the sparkling second collection from a daring new poetic voice I am made in the image of my mother ... I am made in the image of / my mountain / my river / my whenua In Rangikura, plastic tiaras melt into boiling rivers, and family memories blur with ancestral mythologies. Satanic stepbrothers play jenga while the deity Mahuika burns - and the temperature is rising. Here, anger and loss, history and pop culture are spun into verses woven with vernacular and Te Reo Maori. At the collection's centre, our protagonist whirls through a love/hate story for the internet age, facing the sting of unanswered texts and unmet expectations with wit, sensibility and devastating glamour. Rangikura is the captivating second collection from award-winning poet Tayi Tibble. From feminism to colonialism, skuxes to daddies, wild swimming to schoolboy hakas, these poems at once mark the end of the world and the dawn of a new day. Poignant, hilarious and liberatory, Rangikura reminds us that the personal is sometimes political, the political is always personal, and poetry can be revolutionary.
The latest edition of the bestselling guide to all you need to know about how to get published, is packed full of advice, inspiration and practical information. The Writers' & Artists' Yearbook has been guiding writers and illustrators on the best way to present their work, how to navigate the world of publishing and ways to improve their chances of success, for over 110 years. It is equally relevant for writers of novels and non-fiction, poems and scripts and for those writing for children, YA and adults and covers works in print, digital and audio formats. If you want to find a literary or illustration agent or publisher, would like to self-publish or crowdfund your creative idea then this Yearbook will help you. As well as sections on publishers and agents, newspapers and magazines, illustration and photography, theatre and screen, there is a wealth of detail on the legal and financial aspects of being a writer or illustrator. New articles for 2022: Peter James Becoming a bestselling author: my writing story Femi Kayode Shelf space: a debut writer's journey to claim his place Sam Missingham Building your author brand Jonathan Myerson Audio dramatist or novelist? Ed Needham Setting up and editing a new magazine Ingrid Persaud The winning touch: the impact of winning an award Cathy Rentzenbrink Reading as a writer Sallyanne Sweeney What a debut novelist should expect from an agent David Wightman Getting books to market: how books are sold Jonathan and Louise Ford Managing your finances: a guide for writers
Each year Poetry New Zealand, this country's longest-running poetry magazine, rounds up new poetry, reviews, and essays, making it the ideal way to catch up with the latest poetry from both established and emerging New Zealand poets. Issue #54 features 133 new poems (including by this year's featured poet, rising star essa may ranapiri, and C.K. Stead, Elizabeth Smither, Kevin Ireland, Chris Tse, Gregory Kan, Fardowsa Mohamed, and Tracey Slaughter); essays (including a graphic essay by Sarah Laing); and reviews of new poetry collections. Poems by the winners of both the Poetry New Zealand Award and the Poetry New Zealand Schools Award are among the line-up.
With passion, wit, and good common sense, the celebrated poet Mary Oliver tells of the basic ways a poem is built-meter and rhyme, form and diction, sound and sense. Drawing on poems from Robert Frost, Elizabeth Bishop, and others, Oliver imparts an extraordinary amount of information in a remarkably short space. "Stunning" (Los Angeles Times). Index.
Over 80 contemporary Māori writers explore a vast array of issues that challenge, stimulate and intrigue. With originality and insight, these poems and short stories express compassion, concern, curiosity, suffering and joy. Te Awa o Kupu is a companion volume to Ngā Kupu Wero, which focuses on recent non-fiction. Together these two passionate and vibrant anthologies reveal that the irrepressible river of words flowing from Māori writers today shows us who are want we are.
The breath held or expelled in wonder, frustration or delight energises Emma Neale's writing. Poems in The Truth Garden take risks because they need to; in the clamour of family life they have required attention, collected thought and a spirited attitude. How else to "stockpile time, how hoard its shine," except in poems drawn from relationships, home and garden and cast in words that "spill like incandescence around your hands." - Cilla McQueen, 2011 Kathleen Grattan Award judge *** The Truth Garden is a beautifully produced collection of poetry that won the Kathleen Grattan Award for Poetry 2011. The award was established with a bequest by Jocelyn Grattan, in memory of her mother, who was a poet, journalist, and editor. The Truth Garden is produced with attention to the traditional qualities of fine book production, in typography, illustration, design, paper, and binding. Additionally, the book is illustrated by Kathryn Madill and designed by Fiona Moffat.
It's the end of the world and Chris Tse has lost his chill. In Super Model Minority he completes a loose trilogy of books &– from the historical racism of How to be Dead in a Year of Snakes to a queer coming of age in HE'S SO MASC &– by looking to a future where &‘it's enough to look up at a sky blushing red and see possibility'. From making boys cry with the power of poetry to hitting back against microaggressions and sucker punches, these irreverent and tender poems dive head first into race and sexuality with rage and wit, while embracing everyday moments of joy to fortify the soul.Super Model Minority is a riotous walk through the highs and lows of modern life with one of New Zealand's most audacious contemporary poets.
Lilting bees and unidentifiable birds, long-division problems and continental cornflakes: three remarkable voices arrive in AUP New Poets 8. In AUP New Poets 8, Lily Holloway, Tru Paraha, and Modi Deng come together to produce a volume of remarkable inventions and intoxications. Lily Holloway leads off with her collection 'a child in that alcove,' using an inventive approach to form to lead the reader into the ordinary extraordinary events of daily life, her poetry filling them with dazzle and dread, questions and memories. Then Tru Paraha takes us inside 'my darkling universe'—a world 'perpetually astral' and 'utterly spaghettified,' a poetic universe of unexpected letters and words and forms, where te reo Maori collides with atomic chemistry. Finally, Modi Deng travels through time and space into the lives of Brahms and backpackers, where uneasy conversations between mothers and children, between 'the subjects and myself,' between Beijing and London, provide beauty and solace. Three new voices, three compelling visions, all bound together in AUP New Poets 8.