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After decades out of print, Passion—one of June Jordan’s most important collections—has returned to readers. Originally entitled, passion: new poems, 1977-1980, this volume holds key works including “Poem About My Rights,” “Poem About Police Violence,” “Free Flight,” and an essay by the poet, “For the Sake of the People’s Poetry: Walt Whitman and the Rest of Us.” June Jordan was a fierce advocate for the safety and humanity of women and Black people, and for the freedom of all people—and Barack Obama made a line from this book famous: “We are the ones we have been waiting for.” With love and humor, via lyrics and rants, she calls for nothing less than radical compassion. This new edition includes a foreword by Nicole Sealey.
WITH THIS BOOK, I THEE WRITE on "PURPOSE"; for ANYONE HUMAN, DURING STRUGGLE, Who LIVE inside The "Life Challenge Process"; When DENIED, In NEED of CREDITS, DEDICATED, to be INSPIRED, INFLUENCED, EXPOSED, SPARKED, MOTIVATED, RE-BUILT & IN-VENTED; to Disallow others to DEFINE you & Nonexist; but Follow a Life model called.."WHO I BE!"
Erratic Fire, Erratic Passion is a collection of found poems composed of the words of professional athletes. The content of post-game interviews and sports chatter is so often meaningless, if not insufferable, and yet there are athletes like Metta World Peace who transcend lame clichés and rote patter, who use language in surprising ways, who can be funny and shocking and insightful and alarmingly sincere — pure poetry. Muhammad Ali offered dazzling displays of lexical wizardry, and Allen Iverson’s infamous “practice” rant shifted the post-game press conference from the banal to the absurd. This book is a celebration of these rare and exceptional moments. Various poetic forms and line-breaks highlight — or, in the words of Deion Sanders, “deem to set a candor on” — the sophisticated, sublime, and surprising performances of language made by professional athletes.
In a profound new analysis of Dickinson's life and work, Judith Farr explores the desire, suffering, exultation, spiritual rapture, and intense dedication to art that characterize Dickinson's poems, deciphering their many complex and witty references to texts and paintings of the day.
Prison or Passion is a collection of vulnerable and eloquent poems from R.K. Russell, who has started and played in the NFL since 2015, for the Dallas Cowboys and Tampa Bay Buccaneers. With bare honesty, walloping punchlines, and endearing flare, Prison or Passion captures the struggles of being a young boy without a father, and the strength that comes from building your own definition of manhood. There is a glimpse into the duality of abandonment and finding one's self. The book also encompasses grand moments in life: falling in love, healing through transparency, football triumphs, the simple pleasure of waking up next to the one you love. R.K. Russell recaptures the subtle cries of a young boy and the creation into the man that would have protected him, ensuring that his words will become your personal creed--and will call you to protect the young and innocent.
This book - a most important and original contribution to the literature of interpretative criticism -contains the Clark Lectures delivered at Cambridge University in 1946. Its theme is poetic imagery, not only in its stricter sense of simile, metaphor and image, but in the wider application of the term, by which every good poem is itself a total image made up of a multiplicity of component images. The book is therefore more than an academic study of one aspect of poetic material and technique: it is an investigation into the nature of poetry itself, taking as its clue the belief, as old as Aristotle, that the power of image-making is the one sure sign of poetic genius. Beneath all the manifestations of the poetic image, Mr. Day Lewis traces one principle at work - the ' abiding impulse in every human being to seek order and harmony behind the manifold and the changing'.
This book assesses the mediating role played by 'affections' in eighteenth-century contestations about reason and passion, questioning their availability and desirability outside textual form. It examines the formulation and idealization of this affective category in works by Isaac Watts, Lord Shaftesbury, Mary Hays, William Godwin, Helen Maria Williams, and William Wordsworth. Part I outlines how affections are invested with utopian potential in theology, moral philosophy, and criticism, re-imagining what it might mean to know emotion. Part II considers attempts of writers at the end of the period to draw affections into literature as a means of negotiating a middle way between realism and idealism, expressivism and didacticism, particularity and abstraction, subjectivity and objectivity, femininity and masculinity, radicalism and conservatism, and the foreign and the domestic.
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San Francisco Chronicle best-seller. Wounds of Passion is a memoir about writing, love, and sexuality. With her customary boldness and insight, Bell Hooks critically reflects on the impact of birth control and the women's movement on our lives. Resisting the notion that love and writing don't mix, she begins a fifteen-year relationship with a gifted poet and scholar, who inspires and encourages her. Writing the acclaimed book Ain't I a Woman: Black Women and Feminism at the age of nineteen, she begins to emerge as a brilliant social critic and public intellectual. Wounds of Passion describes a woman's struggle to devote herself to writing, sharing the difficulties, the triumphs, the pleasures, and the dangers. Eloquent and powerful, this book lets us see the ways one woman writer works to find her own voice while creating a love relationship based on feminist thinking. With courage and wisdom she reveals intimate details and provocative ideas, offering an illuminating vision of a writer's life.