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No fewer than 223 verses in Proverbs appear two times (79 sets), three times (15 sets), or even four times (5 sets) in identical or slightly altered form—more than 24% of the book. Heim analyzes all of these, presenting them in delineated Hebrew lines and in English translation. Where appropriate, the translations are followed by textual notes that discuss uncertainties regarding the textual witnesses (textual criticism) and explore lexical, grammatical, and syntactical problems. Heim also analyzes the way the parallelism in each verse of a variant set has been constructed, presenting diagrams and tables with columns that highlight the corresponding similarities and differences among repeated verses. Key to this investigation is the search for links between the variants and their surrounding verses, such as repetitions of sound and sense. Heim shows that most variant repetitions result from skillful poetic creativity. Reconstruction of the editorial and creative poetic process highlights what poets did, how they did it, and why they did it. He develops criteria for determining the direction of borrowing between the verses and demonstrates that the phenomenon of variant repetition is an editorial concern that operates on the level of the book as a whole. He develops and refines a range of interpretive techniques and skills, arrives at fresh interpretations, and shows that ancient proverbial wisdom is relevant to modern societies. This study sheds new light on the nature of biblical poetry and on the methods and virtues best suited for its study. While specific to the book of Proverbs in the first instance, the findings in this study apply to poetry elsewhere. Three fundamental insights should inform future work on poetry: the creative combination of repetition with variation is the very essence of poetry; what has been written with imagination should be read with imagination; imaginative interpretation values the normal features of poetic expression and celebrates the truly unusual.
No fewer than 223 verses in Proverbs appear two times (79 sets), three times (15 sets), or even four times (5 sets) in identical or slightly altered form--more than 24% of the book. Heim analyzes all of these, presenting them in delineated Hebrew lines and in English translation. Where appropriate, the translations are followed by textual notes that discuss uncertainties regarding the textual witnesses (textual criticism) and explore lexical, grammatical, and syntactical problems. Heim also analyzes the way the parallelism in each verse of a variant set has been constructed, presenting diagrams and tables with columns that highlight the corresponding similarities and differences among repeated verses. Key to this investigation is the search for links between the variants and their surrounding verses, such as repetitions of sound and sense. Heim shows that most variant repetitions result from skillful poetic creativity. Reconstruction of the editorial and creative poetic process highlights what poets did, how they did it, and why they did it. He develops criteria for determining the direction of borrowing between the verses and demonstrates that the phenomenon of variant repetition is an editorial concern that operates on the level of the book as a whole. He develops and refines a range of interpretive techniques and skills, arrives at fresh interpretations, and shows that ancient proverbial wisdom is relevant to modern societies. This study sheds new light on the nature of biblical poetry and on the methods and virtues best suited for its study. While specific to the book of Proverbs in the first instance, the findings in this study apply to poetry elsewhere. Three fundamental insights should inform future work on poetry: the creative combination of repetition with variation is the very essence of poetry; what has been written with imagination should be read with imagination; imaginative interpretation values the normal features of poetic expression and celebrates the truly unusual.
This study explores the sophisticated understanding of the formation of the moral self that emerges in the poetry of Proverbs, which many have wrongly dismissed as simplistic. Anne W. Stewart analyzes images and metaphors to illuminate the Book's views on the role of emotions and desires in shaping moral imaginations.
This collection of satirical poems homes in on the inconsistencies and downright perversities of what passes in our culture as "Holy Writ." Turning to satire, with its long and distinguished record of exposing folly and bringing enlightenment through humor, the author leaves no doubt that primitive religion posing as eternal truth is just the sort of folly that satire is meant to correct. He lets his poetic imagination roam widely, as he takes on the roles of Eve, Noah, Sarah, Jonah, David, Mary, Jesus, Judas, and even the biblical Jehovah Himself, ("I never apologize, never explain."). We also hear from priests, televangelists, and faith healers, as well as some sensible contemporaries, commenting on what it means to live a life of reason. At the conclusion to the introduction, the author says: "Intelligent and well-meaning people have argued for centuries against the fatal attraction of foolishness, but their efforts have been largely unproductive, partly because many people seem impervious to rational discussion. So perhaps satire is our most effective way of lighting candles in the darkness and communicating effectively to those who are immune to reason. That is, at any rate, the hope, and the rationale, of this book." In this age of suicide bombers and resurgent fundamentalism, we need these lighted candles like never before.
The Bibles greatest value is its doctrinal and prophetic message: the Old Testaments foretelling of a coming Messiah, and the New Testaments fulfillment of Old Testament prophecy the literal coming of Christ, the Son of God, and what bearing His lifes work has upon the human race. We must not overlook the Bibles peculiar doctrinal stance in world history and we should thank the Jews for that Book of books, which is the Bible. But where does the Bible stand in literary terms? Surely we must not overlook the Bibles peculiar literary stance in world history. The Bible, with its prophetic imagery, poetic praises, and parabolic analogy is one of the worlds greatest literary works. Perhaps none of its writings show this more than does the Psalms, Proverbs, and parables. From the Introduction With an insightful introduction on the literary gems of the Psalms, Proverbs and parables, this compilation is a fine contribution to any religious or inspirational library, sure to inspire a more careful and serious reading of one of the worlds greatest textsthe Holy Bible.
Three decades ago, renowned literary expert Robert Alter radically expanded the horizons of biblical scholarship by recasting the Bible as not only a human creation but a work of literary art deserving studied criticism. In The Art of Biblical Poetry, his companion to the seminal The Art of Biblical Narrative, Alter takes his analysis beyond narrative craft to investigate the use of Hebrew poetry in the Bible. Updated with a new preface, myriad revisions, and passages from Alter's own critically acclaimed biblical translations, The Art of Biblical Poetry is an indispensable tool for understanding the Bible and its poetry.
The contributors to this volume discuss not merely the theoretical aspects of the phenomenon of inner biblical allusion but rather provide practical examples of scholars working with specific texts within the wisdom and psalms corpora in order to showcase the function of this phenomenon within poetic texts. Closing responses from senior scholars (David Clines and John Goldingay) provide a critical engagement and mature reflection on the contributions.
Study of the wisdom literature in the Hebrew Bible and the contemporary cultures in the ancient Near Eastern world is evolving rapidly as old definitions and assumptions are questioned. Scholars are now interrogating the role of oral culture, the rhetoric of teaching and didacticism, the understanding of genre, and the relationship of these factors to the corpus of writings. The scribal culture in which wisdom literature arose is also under investigation, alongside questions of social context and character formation. This Companion serves as an essential guide to wisdom texts, a body of biblical literature with ancient origins that continue to have universal and timeless appeal. Reflecting new interpretive approaches, including virtue ethics and intertextuality, the volume includes essays by an international team of leading scholars. They engage with the texts, provide authoritative summaries of the state of the field, and open up to readers the exciting world of biblical wisdom.
African Proverbs for All Ages is a beautifully-illustrated, engaging picture book about the power of proverbs, how they evolve over time, and the wisdom of various cultures in Africa. It has been said that a proverb is a short sentence based on long experience. Whether you are young or old, proverbs can open your mind to a whole new way of seeing the world. We underestimate children when we assume they are incapable of understanding metaphor and deeper meaning. There are multiple ways that children learn, but for each method by which they learn, they need their imagination engaged and their visual sensibilities ignited. And as adults, we underestimate ourselves when we allow our lives to be about practical matters only. Proverbs can stir our soul and spark our imagination. --Johnnetta Betsch Cole, Ph.D. President Emerita of Spelman and Bennett Colleges In African Proverbs for All Ages, noted anthropologist and educator Dr. Johnetta Betsch Cole and award-winning illustrator Nelda LaTeef invite children and adults to explore and reflect on complex notions about relationships, identity, society, and the human condition. A Roaring Brook Press and Oprah Book