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A lyrical collection that explores the interplay between poetry and history In her new collection, Fiona Sze-Lorrain offers a nuanced yet dynamic vision of humanity marked by perils, surprises, and the transcendence of a "ruined elegance." Through an intercultural journey that traces lives, encounters, exiles, and memories from France, America, and Asia, the poet explores a rich array of historical and literary allusions to European masters, Asian sources, and American influences. With candor and humor, each lyrical foray is sensitive to silence and experience: "I want to honor / the invisible. I'll use the fog to see white peaches." There are haunting narratives from a World War II concentration camp, the Stalinist Terror, and a persecuted Tibet during the Cultural Revolution. There are also poems that take as their point of departure writings, paintings, sketches, photographs, and music by Gu Cheng, Giorgio Caproni, Bonnard, Hiroshige, Gao Xingjian, Kertész, and Debussy, among others. Grounded in the sensual, these poems probe existential questionings through inspirations from nature and the impermanent earth. Described by the Los Angeles Review of Books as "a high lyricist who refuses to resort to mere lyricism in order to articulate her experience," Sze-Lorrain renews her faith in music and poetic language by addressing the opposing aesthetics of "ruins" and "elegance," and how the experience of both defies judgment.
What has traditionally been the main matter explored by Cantonese literati? From the earliest poets—oceanic elements and riparian scenes contrasted with stunning rock formations; a love for the exotic, especially local plants, products, and lore; Daoist transcendentalism; and, finally, a concern for pointing up local loyalty to the distant throne and a fierce pride in being culturally authentically Chinese. The Southern Garden Poetry Society in Guangzhou was the only major literary club in Chinese history to be periodically reconvened over the Ming, Qing, and Republican eras. Beginning with an examination of its five founding members during the Yuan / Ming transition period, in particular Sun Fen (1335–1393), David Honey traces the various elements of this Southern Muse that became embodied in later Cantonese poetry, and pursues the issue of social memory by focusing on later reconvenings of the society.
Let the truth be revealed! The issues of life are addressed with a piercing stream of stanzas. Created with a creative mind, Charity Crawford has brought a new meaning to poetry. If you're not thinking, you're not learning. With knowledge comes strength, so let's break the chains that bind us!
Literary Nonfiction. Poetry. Fiction. Art. Travel. California Interest. Food Studies. A delectable, nearly edible collection of literary poetry, fiction, and nonfiction about wine, cheese and chocolate, laced with full-color art and photography that will stimulate the taste buds. The collection features writers and artists from 20 states, with many California wine country writers and artists showcased. Contributing writers: Blanche Abrams, Michael Ackley, David Anderson, Donald R. Anderson, Scott Thomas Anderson, Kevin Arnold, Claire J. Baker, Regina Murray Brault, Jessica M. Brophy, Ed Cline, J. Marie Clough, Annette Corth, Brad Crenshaw, Barbara Crooker, Chrissy Davis, Deborah H. Doolittle, Michael Duffett, Pamela Dunn, Elaine Faber, Linda Field, Maureen Tolman Flannery, Gretchen Fletcher, Gail Folkins, Cynthia Gallaher, Susan Gardner, June Comarsh Gillam, Nancy Aidé González, Dianna Henning, Carolyn Howard-Johnson, Wahna J. Inks, Kathie Isaac-Luke, Janet Jennings, Sally Kaplan, William Keener, Denella Kimura, Judy Lea Koretsky, Jim Lanier, W.F. Lantry, Barbara Leon, Sunny Lockwood, Calder Lowe, Nan Mahon, M.J. Mallery, Antoinette May, Anne McCrady, Jerred Metz, Bonnie Miller, Sharon Lask Munson, Carol Osterlund, Jan B. Parker, Mary Elizabeth Parker, Ron Pickup, Susanna Rich, AJ Roberts, Monika Rose, Marie J. Ross, S.L. Schultz, Ann Roberts Seely, Paul Sohar, Pru Starr, Mary Langer Thompson, Linda Toren, Glenn Wasson, Pat Phillips West, Daniel Williams, Joy Willow, Steve Wilson, and Scott V. Young. Contributing artists and photographers: Jan Alcalde, Kevin Arnold, Abigail Barnes, Kevin Brady, Ty Childress, Carol L. Clark, Ed Cline, Shirley Craine, Joyce Dedini, Brent Duffin, Kathy Boyd Fellure, Linda Field, T.B. "Boo" Heisey, Marilyn Hinsdale, Susie Hoffman, Wahna J. Inks, Denella Kimura, Ann Nancy Macomber, Shanda McGrew, Bonnie Miller, Ruth Morrow, Keith Munson, Brenda Nasser, Elizabeth Parrish, Blaise Pegasus, Ron Pickup, Cari Weber Povenz, Amy Raupach, Monika Rose, Dino L. Rovera, Maren Sampson, Connie Strawbridge, Barbara Wells, Kathleen Wolf, and Robert Yeager.
'Poems on Various Subjects, Religious and Moral by Phillis Wheatley, Negro Servant to Mr. John Wheatley, of Boston, in New England' is a collection of 39 poems written by Phillis Wheatley, the first professional African-American woman poet in America and the first African-American woman whose writings were published.
Vols. 1-7 include music.
A Sun within a Sun is a sustained poetic reflection on the enterprise of poetry, on what poetry is and might be, not only for poet and theorist but also for reader, critic, teacher, and student. It sees poetry as life at its most genuine.Using Baudelaire and Mallarme as principal examples, but drawing on a wide range of poets and thinkers, from Greek mythology to Poe, Rimbaud, Rilke, and Blake; from Nietzsche, Gilles Deleuze, and Italo Calvino to William James and Henry Miller, Claire Chi-ah Lyu challenges contemporary poetic theory, using precise and acute deconstruction of poetic imagery to reconstruct language so that it celebrates both meaning and beauty. A Sun within a Sun explores the notions of lightness and weight, discipline and indulgence, freedom and loss of will that are inherent in the poetic enterprise. It poses that lightness, discipline, freedom, and risk are essential for an approach to the enigma of beauty through an elegant shaping of form that holds true not only in poetry but also in pure science and even fashion. Poetry is a language within a language, a heightened and intense awareness of what words mean and what they can do, at its best creating an intensity of a sun within a sun. The poet and reader of poetry must take the risk Icarus took of approaching the sun, for without the risk there is no fulfillment.A Sun within a Sun seeks a shaping of form and content that discovers poetry as power, as a practice of life that honors and makes possible both thought and feeling.