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The long-poem POESIS MYSTICA, Writings From Gloomy Depths tells a story of human suffer, forbidden love and spiritual movement, represented in an experimental and intensive lyrical phrase. Remote from traditional writing-styles, Nadine Winnebeck discusses subjects like mythology, philosophy, the question of religious faith and sexual freedom in a very unique way. Remarkably, Nadine Winnebeck was not afraid to write down some kind of radical thoughts. She did not edit herself to be convulsively appreciated in literary circles, but she expressed her pure inner self in every written word in POESIS MYSTICA, what is a specific and characteristic feature of her as an authentic author.
MYSTICA is a collection of eighty poems from the golden pen of honorable poet Sunita Singh which blossomson the side lines of a Poetic highway of revelations. All real poetic love experience and bit more a whole, embodied, and engaged with in a poetic life journey from the mind- set of an upcoming poet are well crafted in her fabulous, lovely poems in this book of poetry,Mystica.
Mystical Love in the German Baroque: Theology, Poetry, Music identifies the cultural and devotional conventions underlying expressions of mystical love in poetry and music of the German baroque. It sheds new light on the seemingly erotic overtones in settings of the Song of Songs and dialogues between Christ and the faithful soul in late 17th- and early 18th-century cantatas by Heinrich Sch tz, Dieterich Buxtehude, and Johann Sebastian Bach. While these compositions have been interpreted solely as a secularizing tendency within devotional music of the baroque period, Isabella van Elferen demonstrates that they need to be viewed instead as intensifications of the sacred. Based on a wide selection of previously unedited or translated 17th- and 18th-century sources, van Elferen describes the history and development of baroque poetic and musical love discourses, from Sch tz's early works through Buxtehude's cantatas and Bach's cantatas and Passions. This long and multilayered discursive history of these compositions considers the love poetry of Petrarch, European reception of petrarchan imagery and traditions, its effect on the madrigal in Germany, and the role of Catholic medieval mystics in baroque Lutheranism. Van Elferen shows that Bach's compositional technique, based on the emotional characteristics of text and music rather than on the depiction of single words, allows the musical expression of mystical love to correspond closely to contemporary literary and theological conceptions of this affect.
Reproduction of the original: Poems of Gerard Manley Hopkins by Robert Bridges
For the first time in almost half a century, the world of Hopkins is examined as an indivisible whole. The Split World of Gerard Manley Hopkins is a synthetic study of Hopkins's writings, written within a framework of semiotic phenomenology.
This book, first published in 2000, features analyses about and by some of the most important Russian writers of the 1980s, a period of great changes in the cultural life of Russia when the controls of Soviet communism gave way to a wide diversity of unfettered writing. A variety of critical approaches matches the diversity of Russian writers considered here. The book features David Bethea’s theoretical discussion of the work of the outstanding critic and cholar Iurii Lotman and a fascinating extending interview with leading poet Ol’ga Sedakova. Several writers and works receive their first scholarly analyses in English, such as Sasha Sokolov’s complex postmodern novel, Between Dog and Wolf, Elena Shvarts’s poetry, and Zinovii Zinik’s work. Aleksandr Zinov’ev’s prose is subjected to a searching formal analysis. The book contains an essay on the literary environment of the Moscow poet Mikhail Aizenberg, and a highly controversial article that reviews Russian writing as an extension of imperialism. Writers who for various reasons fell into opprobrium during the 1980s include the Soviet village writers and the late Andrei Siniavskii (Abram Tertz). A survey of urban prose in the late 1980s looks into an uncertain future, while playwright Viktor Slavkin represents the best of contemporary Russian drama.
Renowned for his wicked wit and bons mots, Wilde also had a deep understanding of the human condition - as revealed with moving simplicity in THE BALLARD OF READING GOAL.
Poems, with The Ballad of Reading Gaol is a lyrical text by Oscar Wilde. Wilde was an Irish poet and playwright. Excerpt: "He did not wear his scarlet coat, For blood and wine are red, And blood and wine were on his hands When they found him with the dead, The poor dead woman whom he loved, And murdered in her bed. He walked amongst the Trial Men In a suit of shabby grey; A cricket cap was on his head, And his step seemed light and gay; But I never saw a man who looked So wistfully at the day."