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John Ashbery’s most renowned collection of poetry -- Winner of The Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award First released in 1975, Self-Portrait in a Convex Mirror is today regarded as one of the most important collections of poetry published in the last fifty years. Not only in the title poem, which the critic John Russell called “one of the finest long poems of our period,” but throughout the entire volume, Ashbery reaffirms the poetic power that made him an outstanding figure in contemporary literature. These are poems “of breathtaking freshness and adventure in which dazzling orchestrations of language open up whole areas of consciousness no other American poet as ever begun to explore” (The New York Times).
"With this fascinating synthesis of word and image, internationally renowned photographer B.A. Van Sise offers a visually stimulating anthology that will enchant lovers of both poetry and photography. At times whimsical, surreal, challenging, enigmatic, joyful and sobering, these portraits--running adjacent to poems by each of their subjects--highlight some of the most influential poets of our time and celebrate creativity as only these poets in collaboration with Van Sise could convey. Children of Grass is also a timely homage to Walt Whitman--of whom Van Sise is a relative--and his masterpiece, "Leaves of Grass," during this, the 200th anniversary of his birth. Children of Grass, will, as a contemporary homage to Whitman, stand as a lasting tribute to the vitality and creativity that flourishes in our country."--Publisher's website.
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.
“Dark, playful, incisive and heartbreaking.” —San Diego Union-Tribune Spanning thirty years of dazzling work—from luminous early love lyrics to often-anthologized Asian American identity anthems, from political and subversive hybrid forms to feminist manifestos—A Portrait of the Self as Nation is a selection from one of America’s most original and vital voices. Marilyn Chin’s passionate, polyphonic poetry is deeply engaged with the complexities of cultural assimilation, feminism, and the Asian American experience; she spins precise, beautiful metaphors as she illuminates hard-hitting truths.
Finalist for the Paterson Poetry Prize With Last Pawn Shop in New Jersey, James Hoch gives readers a heart-lugged romp and a work of resistance, conversing with the interstices of public and personal histories and identities in the context of ecological deterioration. Drawing on emotional experiences prompted by his brother’s going to war in Afghanistan, the death of his mother from ovarian cancer, and the raising of his sons, Hoch investigates the difficulty of loving and of making beauty in times of crisis when faced with knowledge of its limitations and necessity. Lyrical and meditative, intense and intimate, his poems evoke landscapes with views of the New York water supply system, industrialization along the Hudson River, and the geology of the Palouse in the Pacific Northwest. A bare-knuckled argument for the sublime in the context of war and environmental degradation, Last Pawn Shop in New Jersey asserts the redemptive power of art as survival.
Back in print for the first time this era is David Berman s Actual Air. Released in paperback in 1999 by the now-defunct Open City and praised everywhere in the then-ascendant print press industry, David Berman s first (and only) book of poetry is a journey though shared and unreliable memory. Features of the second edition are: new larger dimensions and enlarged typeface, new dustjacket artwork variant, deluxe cloth boards, and updated full-colour endpapers.
Part of Faber's critically acclaimed Poet to Poet series
Acclaimed anthologist Lisa Russ Spaar compiles poems for the Instagram age, assembling 100 of America’s greatest poets exquisitely depicted in their own eyes and words. Our rampant selfie-taking moment (via Snapchat, Tinder, and YouTube, e.g.) showcases what American poetry has expressed for centuries: a national impulse for self-portraiture. This stylish anthology collects astonishing self-portrait poems—brilliantly divided into smart, revealing sections—from the mid-twentieth century through today. By experiencing the various ways that our greatest poets re-render and distort themselves, we see America’s glorious struggle with defining itself. John Ashbery, Stephanie Burt, Lucie Brock-Broido, Natalie Diaz, Rita Dove, Jorie Graham, Terrance Hayes, Donika Kelly, Gregory Pardlo, Sylvia Plath, Carl Phillips, Mark Strand, Tracy K. Smith, Natasha Tretheway, Charles Wright, and many others.
Cover -- Title -- Copyright -- Contents -- PREFACE AND ACKNOWLEDGMENTS -- INTRODUCTION: TWOMBLY'S BOOKS -- 1 MEDITERRANEAN PASSAGES: RETROSPECT -- 2 PSYCHOGRAM AND PARNASSUS: HOW (NOT) TO READ A TWOMBLY -- 3 TWOMBLY'S VAGUENESS: THE POETICS OF ABSTRACTION -- 4 ACHILLES' HORSES, TWOMBLY'S WAR -- 5 ROMANTIC TWOMBLY -- 6 THE PASTORAL STAIN -- 7 PSYCHE: THE DOUBLE DOOR -- 8 TWOMBLY'S LAPSE -- POSTSCRIPT: WRITING IN LIGHT -- NOTES -- BIBLIOGRAPHY -- INDEX