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A unique anthology that illuminates the history and the art of translating poetry into English Into English allows readers an extraordinary opportunity to experience the process and artistry of translating poetry. Editors Martha Collins and Kevin Prufer invited twenty-five contributors, all of them translators and most of them also poets, to select one poem in another language and three English translations of it, and then to provide an essay about the challenges and rewards of translating it. This anthology offers the original poem and the translations side by side, so readers can compare the translations for themselves. The original poems are from across time and around the world. The poets include Sappho, San Juan de la Cruz, Basho, Rilke, Akhmatova, García Lorca, Szymborska, Amichai, and Adonis. The languages represented are many, from Latin to Chinese, Spanish, French, German, Russian, Hebrew, Arabic, and Haitian Creole. More than seventy translators are included, among them Robert Bly, Anne Carson, Ruth Fainlight, David Hinton, Rosemary Lloyd, Khaled Mattawa, and W. S. Merwin. Into English becomes a chorus in celebration of international poetry and translation—what George Kalogeris, quoting Virgil, describes as “song replying to song replying to song.” “Into English plunges the reader into a translation seminar: the joyous, argumentative, fetishistic, obsessive, and unending struggle to give poems new life in English. This generous book offers a plenitude: plural poems, plural languages, plural eras, plural translators. And summons us to add to the bounty.”—Rosanna Warren “Into English is the great book so many of us have waited for: an anthology that actually teaches one about craft. For what is the discussion of literary translation if not a patient, detail-oriented, step-by-step education for a poet on the masteries of word choice, precision, tone? To say that I love this very special collection is an understatement.”—Ilya Kaminsky Contributors include Kareem James Abu-Zeid, Willis Barnstone, Chana Bloch, Karen Emmerich, Danielle Legros Georges, Johannes Göransson, Joanna Trzeciak Huss, George Kalogeris, J. Kates, Alexis Levitin, Bonnie McDougall, Jennifer Moxley, Carl Phillips, Hiroaki Sato, Cindy Schuster, Rebecca Seiferle, Adam Sorkin, Susan Stewart, Cole Swensen, Arthur Sze, Stephen Tapscott, Alisa Valles, Sidney Wade, Ellen Doré Watson, and David Young.
Contains Emerson's published poetry, plus selections of his unpublished poetry from journals and notebooks, and some of his translations of poetry from other languages, notably Dante's La vita nuova.
Winner of the 2012 National Book Award for Poetry. To read David Ferry’s Bewilderment is to be reminded that poetry of the highest order can be made by the subtlest of means. The passionate nature and originality of Ferry’s prosodic daring works astonishing transformations that take your breath away. In poem after poem, his diction modulates beautifully between plainspoken high eloquence and colloquial vigor, making his distinctive speech one of the most interesting and ravishing achievements of the past half century. Ferry has fully realized both the potential for vocal expressiveness in his phrasing and the way his phrasing plays against—and with—his genius for metrical variation. His vocal phrasing thus becomes an amazingly flexible instrument of psychological and spiritual inquiry. Most poets write inside a very narrow range of experience and feeling, whether in free or metered verse. But Ferry’s use of meter tends to enhance the colloquial nature of his writing, while giving him access to an immense variety of feeling. Sometimes that feeling is so powerful it’s like witnessing a volcanologist taking measurements in the midst of an eruption. Ferry’s translations, meanwhile, are amazingly acclimated English poems. Once his voice takes hold of them they are as bred in the bone as all his other work. And the translations in this book are vitally related to the original poems around them. From Bewilderment: October The day was hot, and entirely breathless, so The remarkably quiet remarkably steady leaf fall Seemed as if it had no cause at all. The ticking sound of falling leaves was like The ticking sound of gentle rainfall as They gently fell on leaves already fallen, Or as, when as they passed them in their falling, Now and again it happened that one of them touched One or another leaf as yet not falling, Still clinging to the idea of being summer: As if the leaves that were falling, but not the day, Had read, and understood, the calendar.
For twenty years, Ilan Stavans has been translating poetry from Spanish, Yiddish, Hebrew, French, Portuguese, Russian, German, Georgian, and other languages. His versions of Borges, Neruda, Sor Juana Inés de la Cruz, Ferreira Gullar, Raúl Zurita, and dozens of others have become classics. This volume, which includes poems from more than forty poets from all over the world, is testimony to a life dedicated to the pursuit of beauty through poetry in different languages. “Lightning from the Stable” by Elizabeth Schön (Venezuela, 1921–2007) You don’t choose the abyss, the chaos, the nothingness They reach you in water running slowly for you not to be surprised by the absence of matter around you near the light of the soul calling the wing’s passing flap of the earth you live in.
The essential lyric works of the great Elizabethan playwright--newly revised and updated Though best known for his plays--and for courting danger as a homosexual, a spy, and an outspoken atheist--Christopher Marlowe was also an accomplished and celebrated poet. This long-awaited updated and revised edition of his poems and translations contains his complete lyric works--from his translations of Ovidian elegies to his most famous poem, "The Passionate Shepherd to His Love," to the impressive epic mythological poem "Hero and Leander." For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Original poetry by Ahmad Al-Ashqar and translations from Mahmoud Darwish
"A selection of Cole's award-winning poetry and translations together with new poems"--
Poetry is supposed to be untranslatable. But many poems in English are also translations: Pope's Iliad, Pound's Cathay, and Dryden's Aeneis are only the most obvious examples. The Poetry of Translation explodes this paradox, launching a new theoretical approach to translation, and developing it through readings of English poem-translations, both major and neglected, from Chaucer and Petrarch to Homer and Logue. The word 'translation' includes within itself a picture: of something being carried across. This image gives a misleading idea of goes on in any translation; and poets have been quick to dislodge it with other metaphors. Poetry translation can be a process of opening; of pursuing desire, or succumbing to passion; of taking a view, or zooming in; of dying, metamorphosing, or bringing to life. These are the dominant metaphors that have jostled the idea of 'carrying across' in the history of poetry translation into English; and they form the spine of Reynolds's discussion. Where do these metaphors originate? Wide-ranging literary historical trends play their part; but a more important factor is what goes on in the poem that is being translated. Dryden thinks of himself as 'opening' Virgil's Aeneid because he thinks Virgil's Aeneid opens fate into world history; Pound tries to being Propertius to life because death and rebirth are central to Propertius's poems. In this way, translation can continue the creativity of its originals. The Poetry of Translation puts the translation of poetry back at the heart of English literature, allowing the many great poem-translations to be read anew.