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Since the publication of the bestselling Sounding the Seasons, Malcolm Guite has repeatedly been asked for more sonnets. This new collection offers a sequence of 50 sonnets that focus on many passages in the Gospels: the Beatitudes, parables and miracles, teachings on the Kingdom, and the ‘hard sayings’ - Jesus’ challenging demands with which we wrestle. In addition this collection includes: •A sequence of seven sonnets on 'The Wilderness', exploring mysterious stories of divine encounter such as Jacob’s wrestling with the angel. •Poetic reflections on music, hospitality and ecology. •Seven short poems celebrating the days of creation. •A biblical index pairing the poems with scripture readings for use in worship.
This book explores how a group of Victorian liberal writers that included George Eliot, Walter Pater, and Matthew Arnold became attracted to new theories of religion as a function of race and ethnicity. Since the early modern period, British liberals had typically constructed religion as a zone of personal belief that defined modern individuality and interiority. During the 1860s, however, Eliot, Arnold, and other literary liberals began to claim that religion could actually do the most for the modern self when it came as a kind of involuntary inheritance. Stimulated by the emerging science of anthropology, they imagined that religious experiences embedded in race or ethnicity could render the self heterogeneous, while the individual who insisted upon selecting his or her own beliefs would become narrow and parochial. By rethinking the grounds of religion, this book argues, these writers were ultimately trying to shift liberal individualism away from a classical Protestant liberalism that celebrated interiority and agency and toward one that valorized eclecticism and the capacity to keep multiple values in play. More broadly, their work offers us a new picture of secularization, not as a process of religious decline, but as the reinscription of religion as an ordinary feature of human life—like art, or politics, or sex—whose function could be debated.
Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)
Dr. Alan Gribben, a foremost Twain scholar, made waves in 1980 with the publication of Mark Twain's Library, a study that exposed for the first time the breadth of Twain's reading and influences. Prior to Gribben's work, much of Twain's reading history was assumed lost, but through dogged searching Gribben was able to source much of Twain's library. Mark Twain's Literary Resources is a much-expanded examination of Twain's library and readings. Volume I included Gribben's reflections on the work involved in cataloging Twain's reading and analysis of Twain's influences and opinions. This volume, long awaited, is an in-depth and comprehensive accounting of Twain's literary history. Each work read or owned by Twain is listed, along with information pertaining to editions, locations, and more. Gribben also includes scholarly annotations that explain the significance of many works, making this volume of Mark Twain's Literary Resources one of the most important additions to our understanding of America's greatest author.
Encyclopedic in its coverage, this one-of-a-kind reference is ideal for students, scholars, and others who need reliable, up-to-date information on folk and fairy tales, past and present. Folktales and fairy tales have long played an important role in cultures around the world. They pass customs and lore from generation to generation, provide insights into the peoples who created them, and offer inspiration to creative artists working in media that now include television, film, manga, photography, and computer games. This second, expanded edition of an award-winning reference will help students and teachers as well as storytellers, writers, and creative artists delve into this enchanting world and keep pace with its past and its many new facets. Alphabetically organized and global in scope, the work is the only multivolume reference in English to offer encyclopedic coverage of this subject matter. The four-volume collection covers national, cultural, regional, and linguistic traditions from around the world as well as motifs, themes, characters, and tale types. Writers and illustrators are included as are filmmakers and composers—and, of course, the tales themselves. The expert entries within volumes 1 through 3 are based on the latest research and developments while the contents of volume 4 comprises tales and texts. While most books either present readers with tales from certain countries or cultures or with thematic entries, this encyclopedia stands alone in that it does both, making it a truly unique, one-stop resource.